9063 Edu Haubensak: < H > (2012) 13'30
for vibraphone solo in scordatura
sFr. 18.00

Vibraphone with instruments
8319 Dieter Ammann: A (tenir) tension (2002/03) 11'30
for flute, marimbaphone, vibraphone and percussion instruments
sFr. 21.00
The completely dissimilar sound generation of flute and percussion, for example with regard to the acquisition and decay times, formed an important compositional aspect while working on this new ouvre. This dissimilitude, by analogy, is also transferred to the temporal configuration insofar as the rhythmical form of extremely tight motorical passages ("moltoritmico") ranges over diverse intermediate stages to flexible handling parts ("tempo fluido") producing, thereby, tightly packed episodes with highly differentiated timbral play alongside processes where virtuosity in the traditional sense is central. It is so that the trio produces in quick succession various states, which are highly demanding for the interpreters, with regards interaction and playing technique.

Listen: Youtube
6405 George Barcos: Homenaje a la Selva (1989) 7'30
for flute, clarinet, violoncello and vibraphone
sFr. 29.00
Diálogo de las flores - Danza de las abejas - Resurección de los árboles.

8525 Thüring Bräm: Sechs Haikai (1969) 8'
for solo soprano, chamber choir, string trio and vibraphone
sFr. 44.00
Texts: Japanese texts Six short Japanese three-liners. The choir part is advanced but can be performed by good amateurs.

1506 Eliane Frances George: Armistice (1990) 11'35
for three vibraphones and six musicians
sFr. 49.00
Following the experience of 'Darkness' which had been composed before the fall of the Berlin wall and the change in our relationship with the Soviet Union, I wanted to express another vision of the possibilities which our era has to offer - the hope of peace, as opposed to the nightmare vision which I sought to depict in 'Darkness'.

9226 Michel Hostettler: Kaïros (1993) 6'
for clarinet (bass clarinet) and percussion (marimba, vibraphone)
sFr. 21.00
(Partie pour clarinette chez EMS: Sfr. 10.-; 10.-)
Listen: Youtube
18202 Cécile Marti: Streifen (2007) 9'
for quartet (vn, va, vib, pf)
sFr. 44.00
"Klänge streifen, Rhythmen streifen, Melodien streifen, Streifen schichten, Streifen verweben, Streifen verdichten. Streifend durch Klanglandschaften ziehen, streifend Klangfarben berühren,streifend Streifen streifen......." Two string instruments stand face on with two percussion instruments whereby the "percussion's" primary objective is to attempt tonal alignment with the strings. The vibraphone plays a coupling role between the two parties. Polar oscillating movements, stratifying and sometimes recolouring, flowing sound bands and flitting pulsations alternate throughout the piece.

9709 Hans-Jürg Meier: d'une autre vie (1996) 14'
for tenor recorder, violoncello and vibraphone
sFr. 29.00
Three parts: véhément / paralysé / -. The recorder requires amplification in parts.

3412 Thomas K. J. Mejer: Sternensturz (1995) 6'
for english horn (or alto saxophone) and vibraphone
sFr. 13.00
This composition is based on a poem bearing the same name by Rose Auslander. It advances in stages from spoken image through associated image to aural image. Version a: English horn and vibraphone Version b: alto saxophone and vibraphone

10218 Michael Schneider: Licht bei Vermeer (1997/98) 12'
for eight-part choir (SSAATTBB), basset horn and vibraphone
sFr. 36.00
Texts: Vincent van Gogh, Pieter Teding van Berckhout, Dirk Hannema, Catharina Bolnes, everyday language A secretive choral study about light and colour in seven pictures by Jan Vermeer. Demanding intonation in the chorus parts iridescently combined with the basset horn and vibraphone.

10235 Michael Schneider: Die chemischen Elemente (2008) 6'
for flute, saxophone and vibraphone
sFr. 26.00
The structure and course of this piece is based on the periodic table of chemical elements. The three instruments represent specific groups of elements within the seven periods of the periodic system (metals, transition metals, non-metals, noble gasses). Small variations in playing technique and "plasticity" represent the chemical properties of each single element in one-bar 5/4 "portraits", which are linked to form a suspended tonal stream.

16306 Felix Schüeli: Sieben Geheimnisse (2000/01) 8'
for mixed choir, orator, CD playback and ensemble (piano quartet and one percussionist: marimbaphone, vibraphone, large drum, small drum, flexatone, whip, cipher)
sFr. 34.00
(Chorstimmen: sFr. 14.-; 14.-; Instrumentalstimmen: sFr. 20.-; 20.-)
Text: Commentary from the French national football team winning the world championships: "Aux larmes citoyens!", "La victoire est en eux!", "Ils iront tous aux paradis!"

10301 Henri Scolari: Arghoul 1 (1971) 7'
Piece in the medieval stantipes form
for clarinet, bass clarinet, contrabass clarinet and vibraphone
sFr. 23.00
Fusion of medieval and contemporary notation.

Vibraphone with orchestra
0255 Walter Baer: Concerto (2007) 21'
for alto saxophone, string orchestra, harp, vibraphone and marimbaphone
sFr. 52.00

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