Trumpet


solo
17907 Andreas Brenner: Alas (2010) 4'30
for trumpet solo
sFr. 16.00
This short solo piece for trumpet is based on a kind of variation form. The idiosyncratic melodic structure is created when the two voices of a canon are projected into the unisonous; the rules, by which this canon abides, change from variation to variation.

3105 Urban Mäder: Stationen eines Gehenden (1989) 20'
for trumpet solo
sFr. 23.00
For solo trumpet walking towards a goal ("target-objects", which the composer puts at his disposal) from which he then distances himself.


piano and instrument
7710 Pierre Thoma: M.-M. (1987) 5'30
for trumpet and piano
sFr. 18.00

Trumpet with instruments
8303 Dieter Ammann: Developments (1993) 9'30
for 2 trumpets, horn, trombone and tuba
sFr. 21.00
8518 Thüring Bräm: Transition (1997) 9'
for three trumpets, flugelhorn and bass trumpet
sFr. 23.00
A very 'soft' piece requiring lots of pp as well as a few outbursts from the five trumpets.

17906 Andreas Brenner: Sinus D (2010) 9'
for brass quintet (horn, 2 trumpets, trombone, tuba)
sFr. 23.00
(Stimmen: sFr. 31.-; € 24.-)
On the formal level, Sinus D generates an arch (lat. sinus) - like a D placed on ist back: the elements of a phrase - chords and their resulting melodic motifs - glide into each other successively to create a core of maximum density and a finish, which, with regard to this density, returns to the begining.

17909 Andreas Brenner: Prismen (2011) 12'
for wind quintet (horn, 2 trumpets, trombone, tuba) and organ
sFr. 29.00
(Stimmen: sFr. 18.-; € 14.-)
Short three or four tone phrases of equidistant intervals are combined in such a way as to form sound structures similar to those found in tonal music. This piece uses a radically reduced amount of material in ever-changing combinations to create prismatic radiations. The sound structures are relics, nothing but colour values - no longer bound by gravity to a base tone (as in tonal music), but produced through a constructive law. This is also the case with the E major chord, which brings this piece to a 'concilitory' end.

14426 Stefan Feingold: Tantal (1997/99) 40'
"Planet Music"
for brass quintet (1.2.1.1) and piano
sFr. 57.00
This work is in three movements, parts of which are in aleatoric notation.

11906 Claude Ferrier: König Salomo (1996, rev. 1999) 10'
for brass quintet (0.2.3.0) and four-part mixed choir
sFr. 34.00
Text: Bibel / Liturgy Text taken from the Song of Songs. A version for mixed eight-part choir is available from the composer.

6719 Hans Eugen Frischknecht: Komposition für 2 Trompeten und Orgel (composition for 2 trumpets and organ) (1984) 10'
sFr. 26.00
Two high trumpets are required. This composition distances itself substantially from usual trumpet-organ pieces and unites the instruments in multifaceted sound combinations.

6766 Hans Eugen Frischknecht: 4 Stücke (2005) 9'
for trumpet and organ
sFr. 26.00
These pieces can be performed together or seperately. Each piece has ist own character and brings the various tonal possibilities of the instruments to the fore.

6769 Hans Eugen Frischknecht: Stereophonie (2009) 5'
for 5 trumpets
sFr. 18.00
Suitable for advanced amateuers. The five players are distributed across the whole width of the hall, thus giving a sterophonic effect. Emphasis is placed upon the tonal possibilities of the instruments.

19003 Elvira Garifzyanova: Patches of Light (2007)
for piccolo trumpet, trumpet in C (1 player) and accordion (or organ)
sFr. 44.00
1495 Eric Gaudibert: 2'35" (2007) 3'40
for bassoon solo, bass flute, bass clarinet and trumpet
sFr. 26.00
This piece was composed for the 30th anniversary of the ensemble Contrechamps. The title corresponds to the timing which Bartók set for his Allgero Barbaro. The trio (flute, clarinet, trumpet) play some extracts of this work with breathing sounds only, while the solo bassoon "sings" the beginning of the Music for Strings, Percussion and Celesta, also by Bartók. It is possible to use other wind instruments than the ones chosen here.

14810 Ursula Gut: ricercare (2006) 12'
for two trumpets and two trombones
sFr. 29.00
9053 Edu Haubensak: Spazio Due (2006) 13'
Quartet
for trumpet in B, Eb Alto saxophone, trombone and piano in skordatura (2nd tuning)
sFr. 31.00
15136 Rudolf Jaggi: 4 Aspects for 3 Trumpets (1979) 8'
sFr. 21.00
151127 Rudolf Jaggi: Im Santyhans (2011) 4' 30
for male choir T1T2B1B2 and four brass instrumentalists and timpani (2tpt in b/2tbn/3timp)
sFr. 23.00
(Stimmen: sFr. 29.-; € 22.-)
Texts: Martin J.P. Schwitter.

2609 Max E. Keller: zerblasen (1992/93) 11'
for instrumental ensemble (fl.ob.cl(bcl).bn/hn.tpt.tbn/db)
sFr. 26.00
An obsessive, pulsating sequence is stopped down again and again and shortened whenever some sound fields establish themselves in the interstitial. A new multifaceted music replaces the worn down rhythm.

2682 Max E. Keller: Rotondo (1999) 50'
for nonet (oboe, bassoon, trumpet, trombone, viola, double bass, accordion, piano and percussion)
sFr. 122.00
A composition in cooperation with Werner Bärtschi, Ulrich Gasser, Max Eugen Keller, Martin Sigrist and Peter Wettstein ('Komponistensekretariat' Zurich) with sixty segments, each fifty seconds long. Cyclic composition.

26134 Max E. Keller: Grillen (2009) 6'
for trumpet 1 in B, trumpet 2 in B, horn (F), trombone and tuba
sFr. 26.00
The chirping of crickets is generally considered to be soft and quiet, it can, however, become truly clamorous when when many crickets are heard at close quarters - just as one can experience it in the copses or groves of Greece. What is apparently weak can, en mass and under specific circumstances, develop unimagined power. In German the word for cricket is 'Grillen' and carries with it another maeaning: fantastical or dull thoughts.

19407 Burkhard Kinzler: round about Haydn (2012) 6'
a roundabout
für 2 Flöten, 2 Oboen (beide auch Engl-Hn), 2 Fagotte, 2 Naturhörner und 2 Naturtrompeten
sFr. 29.00
2848 Alfred Knüsel: Detail (2003) 3'
for trumpet and percussion
sFr. 16.00
(Partitur und Stimme)
The middle section sits between rowdy sound and composed form.

2849 Alfred Knüsel: Abschied und Neubeginn (2003) 4'40
for trumpet and percussion
sFr. 16.00
(Partitur und Stimme)
2861 Alfred Knüsel: fünf Extreme eines dynamischen Moments (2006) 17'
Trio
for trumpet and two violins
sFr. 29.00
2862 Alfred Knüsel: Vesper als Massstabwechsel von einer Realität in eine andere (2006/07) 20'
for soprano, choir (SATB), flute, zink (tr), trombone and organ
sFr. 34.00
1. Doxologie 2. Antiphon 3. Ektenie I 4. Hymne 5. Ektenie II

15217 Stephan Lauffer: Festliches Präludium in c (2012) 3'20
for 2 trumpets and 2 trombones
sFr. 16.00
3119 Urban Mäder: Annäherung an Dorfmusik (1991) 13'
for clarinet and brass instruments (cn.bugle[=2tpt]/hn.tbn.tb)
sFr. 31.00
Adaptation of folk musical elements.

18204 Cécile Marti: trennend verschmelzen (2007) 7'30
for soprano and trumpet
sFr. 18.00
The core of this piece is created by the convergence of two sounds with very different tonal characters. It is an attempt at bringing together two differing tonal qualities (one soft and elastic, the other sharp and determined), to recoulour them and transform them. Is it possible to create a moment where a new mutual sounding body is formed, where a combination colour becomes a new primary colour? How can this threshold be approached: via the fusion of harmony, by increasing the disharmony, through the alternation of tone and tempo dispositions? The more the voice becomes a sound dispenser, the more instrumental it becomes. As there is no room here for language as a carrier of meaning, the phonetical formation of syllables allows the vocal sound to become purely tonal.

7105 Valentin Marti: Euphotic Circles (1996) 12'
for soprano saxophone solo and ensemble (fl.cl/tpt/perc/pf/vn.va.vc.db)
sFr. 49.00
"The fascinating colours, the successful combination of the three wind players and their perfect connection with the string players are very well mastered from a formal point of view, they let arise an ensemble piece in the truest sense of the word." (S. Palm) World premiere: 31.7.97 in Klagenfurt by Janus-Ensemble Wien Robert HP Platz (conductor).

9727 Hans-Jürg Meier: die ganze übrige spanne ist nicht leben, sondern zeit (2001/02) 17'
for voice (alto), flute (pic, afl)bassoon, trumpet, vioal, violoncello and piano
sFr. 49.00
Text: Johann Peter Hebel, Hans-Jürg Meier Music to the story 'Unverhoffte Wiederbegegnung' by Johann Peter Hebel. Composed rhythmically open in parts.

9729 Hans-Jürg Meier: nie setzt es ein (2002) 12'
for flute, (bfl, cbfl), horn, two trumpets, trombone and tuba
sFr. 26.00
Helical searching for osculation points.

9736 Hans-Jürg Meier: volgere lo sguardo al cielo (2005) 11'30
for oboe, trumpet in B (ossia soprano saxophone or clarinet in B), guitar
sFr. 23.00
"Rather a cloud of birds in the sky than one in the hand." (Eduardo Chillida)

9744 Hans-Jürg Meier: Schwärme von Lichtfischen (2008) 8'30
for 6 pianos and 8 pairs of high instruments (flutes, clarinets, trumpets, cornets, harps and violins)
sFr. 21.00
(Stimmen beim Autor)
Spatial composition based on a text by Elisabeth Binder (from "Orfeo"). For students. For students.

9752 Hans-Jürg Meier: das dasein ist nicht das wesentliche (sestiere - prima lettura) (2010) 16'
for panpipes, transverse flutes, recorders, clarinets, saxophone, horns, trombones, trumpets
sFr. 60.00
9805 Laurent Mettraux: Sonata, M. 470 (1993) 6'
for trumpet and organ
sFr. 23.00
(Partie séparée: sFr. 10.-; € 10.-)
Exploits the expressive possibilities of the trumpet. The organ part is without difficulties.

15622 Martin Metzger: Du Doppelgänger (2001) 8'
for trumpet, alto saxophone, organ, glockenspiel, vibraphone, marimba and tubular bells (1 player)
sFr. 34.00
9911 Maria A. Niederberger: Images (1997) 20'
for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, double-bass, piano and percussion
sFr. 57.00
I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries. Piano and trumpet accentuated.

10027 Kit Powell: Salmagundi (1998) 10'
for brass ensemble (four trumpets, two horns, tuba and four trombones)
sFr. 60.00
An entertainment piece using German and English folksongs.

16023 Alex Rüedi: Blechtett (2009) 15'
for 2 trumpets, horn, trombone and tuba
sFr. 47.00
(Stimmen SME: sFr. 46.-; € 46.-)
17702 Peter Schärli: Ballade pour une pierre (1985) 6'30
for voice, trumpet (with muffler), piano (or guitar), double bass
sFr. 13.00
Text: Sandy Patton.

17711 Peter Schärli: Traummusik II (2002) 4'
for 2 trumpets and organ
sFr. 13.00
4616 Urs Peter Schneider: Robert Walser Trilogie I,3: Das Mädchen mit den schönen Augen (1988) 3'
Two album leaves
for oboe and trumpet (or two other, slightly different instruments)
sFr. 16.00
A cycle based on savage and partly lost writings; "Die schöne Frau von Thun" uses six instruments, which can be relatively freely chosen; "Tobold" is a compositional concept, formal and extremely variable in its instrumentation (the composer has arranged one version); "Das Mädchen mit den schönen Augen" is the last work before the composer's non-composing phase, maliciously simple, supposedly humorous - it is dedicated to the performer Marion Leyh.

10237 Michael Schneider: Fanfare for Sandringham (1991-2010) 2
for trumpet and trombone
sFr. 16.00
"Bright and noble" - a festive fanfare in D flat major.

16308 Felix Schüeli: Septett (2001) 7'
for trumpet, alto saxophone, tenor saxophone, trombone, violin, violoncello and double bass
sFr. 26.00
(Stimmen: sFr. 18.-; € 12.00)
"I dealt with the subject of the four-part fugue in g minor from the WTK (Vol.I) as a model for this piece. I used these parts continually in various appendages and confronted them with a groovy theme." (composer).

4807 Andreas Stahl: brudermord (1992) 7'20
for piccolo trumpet, Eb-trumpet, horn and three percussionists
sFr. 29.00
Short, fierce (also complex) cry out against equality in its handling of various aspects such as mankind, musical instruments, parameters, etc..

17515 Raymond Vauterin: Intrada (1996) 6'
for brass (2.3.3.2.btba) and 2 timpani
sFr. 42.00
10717 De-Qing Wen: Piping and Drumming (2000) 12'
for wind and percussion instruments (fl.ob.cl.asx.bn/tpt.tbn/3perc/pf)
sFr. 62.00
(Matériel SME/EMS: sFr. 62.-; € 20.-)
'Piping and Drumming' is a traditional Chinese musical form that uses only wind instruments and percussion. It is often played at ceremonies.

10814 Martin Wendel: Fünf Stücke für Blechbläserquartett, op. 42 (five pieces for brass quartet, op. 42) (1983) 9'
for two trumpets and two trombones
sFr. 29.00
This piece is not a collection of isolated miniatures - the five pieces result in a cyclic whole.

7836 Hansruedi Willisegger: Frau Musica zur Ehr (1973) 5'30
for youth choir, mixed choir, three trumpets, three trombones and tuba
sFr. 34.00
text: Folksong


Trumpet with orchestra
6115 Josef Haselbach: Leporellos Traum (1989) 24'
for string orchestra, flute, clarinet, saxophone, trumpet and piano
sFr. 109.00
"A rhythmically moved, gesture-full, richly chromatic music." (Th. Gartmann) Second part of the trilogy based on Mozart's 'Don Giovanni'.

9273 Michel Hostettler: Pièce concertante (1978) 6'
for trumpet and orchestra (2,1,2,1 - 2,1,0,0 - perc, pno - str)
sFr. 44.00
9346 Vladislav Jaros: Concertino (2009) 11'30
for euphonium and orchestra (pic.2.2.2.2/2.2.1.0/perc/cel/str)
sFr. 57.00
A colourful concertino in one movement, playful and blithe, dancey. Extended tonality throughout, middle part is atonal. An easily comprehensible and rewarding piece for both musicians and audience alike.

2860 Alfred Knüsel: trotz ständigem Wechsel in immer derselben Rolle (2001/06) 18'
Nine variations
for trumpet solo, string orchestra and percussion
sFr. 42.00
5247 Balz Trümpy: EIS EROTA (2002) 12'
for soprano, baritone, horn, two trumpets, trombone, percussion and strings
sFr. 62.00
Sappho and Alkaios from the isle of Lesbos are amongst the most prestigious representatives of Greek lyrics strongly connected with the Orpheus saga. After the heavenly singer has lost his beloved Eurydice to the underworld and, spurned by his endless mourning, he seeks the love of other women. Bacchante tear him to pieces in an angry rage and cast his head into the sea. The tide washes it onto the shores of Lesbos - here his mouth is once again brought to speech by the lyric of the island. Mythological notions merge with personal experience and sufferance in connection with the erotic. Eros is the ‘weirdest God’ (Alkaois) whose effect is to rip open the abyss between the highest fulfilment and the degeneration towards death. The elemental force with which he encompasses man awakes in him an orpheic longing for immortality and the desire to overcome the underworld; simultaneously bringing even more painfully the forlornness of his wish to consciousness. While Alkaios attempts to forget in wild drunkenness and sexual indulgence, we eavesdrop on Sappho, and the dark tones of a wish for love in which pain resonates with the transient. EIS EROTA combines fragments from both poets to produce a dialogue on the subject of love and death.

7818 Hansruedi Willisegger: Suite über "Wenn alle Brünnlein fliessen" (1960) 23'
for piano, trumpet, horn, percussion and string orchestra
sFr. 39.00
78103 Hansruedi Willisegger: Lazarus: Musik für einen Gottesdienst (1969) 29'
for baritone solo, congregation, flute, trumpet, percussion and strings
sFr. 39.00

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