Trumpet
solo
sFr. 16.00 , € 12.00
This short solo piece for trumpet is based on a kind of variation form. The idiosyncratic melodic structure is created when the two voices of a canon are projected into the unisonous; the rules, by which this canon abides, change from variation to variation.
sFr. 26.00 , € 20.00
An obsessive, pulsating sequence is stopped down again and again and shortened whenever some sound fields establish themselves in the interstitial. A new multifaceted music replaces the worn down rhythm.
sFr. 23.00 , € 18.00
For solo trumpet walking towards a goal ("target-objects", which the composer puts at his disposal) from which he then distances himself.
piano and instrument
sFr. 18.00 , € 14.00
Trumpet with instruments
sFr. 21.00 , € 16.00
sFr. 23.00 , € 18.00
A very 'soft' piece requiring lots of pp as well as a few outbursts from the five trumpets.
sFr. 23.00 , € 18.00
(Stimmen: sFr. 31.-; € 24.-)
On the formal level, Sinus D generates an arch (lat. sinus) - like a D placed on ist back: the elements of a phrase - chords and their resulting melodic motifs - glide into each other successively to create a core of maximum density and a finish, which, with regard to this density, returns to the begining.
sFr. 29.00 , € 22.00
(Stimmen: sFr. 18.-; € 14.-)
Short three or four tone phrases of equidistant intervals are combined in such a way as to form sound structures similar to those found in tonal music. This piece uses a radically reduced amount of material in ever-changing combinations to create prismatic radiations. The sound structures are relics, nothing but colour values - no longer bound by gravity to a base tone (as in tonal music), but produced through a constructive law. This is also the case with the E major chord, which brings this piece to a 'concilitory' end.
for brass quintet (1.2.1.1) and piano
sFr. 57.00 , € 44.00
This work is in three movements, parts of which are in aleatoric notation.
sFr. 34.00 , € 26.00
Text: Bibel / Liturgy Text taken from the Song of Songs. A version for mixed eight-part choir is available from the composer.
Two high trumpets are required. This composition distances itself substantially from usual trumpet-organ pieces and unites the instruments in multifaceted sound combinations.
sFr. 26.00 , € 20.00
These pieces can be performed together or seperately. Each piece has ist own character and brings the various tonal possibilities of the instruments to the fore.
sFr. 18.00 , € 14.00
Suitable for advanced amateuers. The five players are distributed across the whole width of the hall, thus giving a sterophonic effect. Emphasis is placed upon the tonal possibilities of the instruments.
sFr. 44.00 , € 34.00
sFr. 26.00 , € 20.00
This piece was composed for the 30th anniversary of the ensemble Contrechamps. The title corresponds to the timing which Bartók set for his Allgero Barbaro. The trio (flute, clarinet, trumpet) play some extracts of this work with breathing sounds only, while the solo bassoon "sings" the beginning of the Music for Strings, Percussion and Celesta, also by Bartók. It is possible to use other wind instruments than the ones chosen here.
for trumpet in B, Eb Alto saxophone, trombone and piano in skordatura (2nd tuning)
sFr. 31.00 , € 24.00
sFr. 122.00 , € 94.00
A composition in cooperation with Werner Bärtschi, Ulrich Gasser, Max Eugen Keller, Martin Sigrist and Peter Wettstein ('Komponistensekretariat' Zurich) with sixty segments, each fifty seconds long. Cyclic composition.
sFr. 26.00 , € 20.00
sFr. 16.00 , € 12.00
(Partitur und Stimme)
The middle section sits between rowdy sound and composed form.
sFr. 16.00 , € 12.00
(Partitur und Stimme)
for trumpet and two violins
sFr. 29.00 , € 22.00
sFr. 34.00 , € 26.00
1. Doxologie 2. Antiphon 3. Ektenie I 4. Hymne 5. Ektenie II
sFr. 31.00 , € 24.00
Adaptation of folk musical elements.
sFr. 18.00 , € 14.00
The core of this piece is created by the convergence of two sounds with very different tonal characters. It is an attempt at bringing together two differing tonal qualities (one soft and elastic, the other sharp and determined), to recoulour them and transform them. Is it possible to create a moment where a new mutual sounding body is formed, where a combination colour becomes a new primary colour? How can this threshold be approached: via the fusion of harmony, by increasing the disharmony, through the alternation of tone and tempo dispositions? The more the voice becomes a sound dispenser, the more instrumental it becomes. As there is no room here for language as a carrier of meaning, the phonetical formation of syllables allows the vocal sound to become purely tonal.
sFr. 49.00 , € 38.00
"The fascinating colours, the successful combination of the three wind players and their perfect connection with the string players are very well mastered from a formal point of view, they let arise an ensemble piece in the truest sense of the word." (S. Palm) World premiere: 31.7.97 in Klagenfurt by Janus-Ensemble Wien Robert HP Platz (conductor).
sFr. 49.00 , € 38.00
Text: Johann Peter Hebel, Hans-Jürg Meier Music to the story 'Unverhoffte Wiederbegegnung' by Johann Peter Hebel. Composed rhythmically open in parts.
sFr. 26.00 , € 20.00
Helical searching for osculation points.
sFr. 23.00 , € 18.00
"Rather a cloud of birds in the sky than one in the hand." (Eduardo Chillida)
sFr. 21.00 , € 16.00
(Stimmen beim Autor)
Spatial composition based on a text by Elisabeth Binder (from "Orfeo"). For students. For students.
sFr. 23.00 , € 18.00
(Partie séparée: sFr. 10.-; € 10.-)
Exploits the expressive possibilities of the trumpet. The organ part is without difficulties.
sFr. 34.00 , € 26.00
sFr. 57.00 , € 44.00
I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries. Piano and trumpet accentuated.
sFr. 60.00 , € 46.00
An entertainment piece using German and English folksongs.
sFr. 47.00 , € 36.00
(Stimmen SME: sFr. 46.-; € 46.-)
sFr. 13.00 , € 10.00
Text: Sandy Patton.
sFr. 13.00 , € 10.00
sFr. 16.00 , € 12.00
for oboe and trumpet (or two other, slightly different instruments)
sFr. 16.00 , € 12.00
A cycle based on savage and partly lost writings; "Die schöne Frau von Thun" uses six instruments, which can be relatively freely chosen; "Tobold" is a compositional concept, formal and extremely variable in its instrumentation (the composer has arranged one version); "Das Mädchen mit den schönen Augen" is the last work before the composer's non-composing phase, maliciously simple, supposedly humorous - it is dedicated to the performer Marion Leyh.
sFr. 26.00 , € 20.00
(Stimmen: sFr. 18.-; € 12.00)
"I dealt with the subject of the four-part fugue in g minor from the WTK (Vol.I) as a model for this piece. I used these parts continually in various appendages and confronted them with a groovy theme." (composer).
sFr. 29.00 , € 22.00
Short, fierce (also complex) cry out against equality in its handling of various aspects such as mankind, musical instruments, parameters, etc..
sFr. 42.00 , € 32.00
sFr. 62.00 , € 48.00
(Matériel SME/EMS: sFr. 62.-; € 20.-)
'Piping and Drumming' is a traditional Chinese musical form that uses only wind instruments and percussion. It is often played at ceremonies.
sFr. 29.00 , € 22.00
This piece is not a collection of isolated miniatures - the five pieces result in a cyclic whole.
sFr. 34.00 , € 26.00
text: Folksong
Trumpet with orchestra
sFr. 109.00 , € 84.00
"A rhythmically moved, gesture-full, richly chromatic music." (Th. Gartmann) Second part of the trilogy based on Mozart's 'Don Giovanni'.
sFr. 57.00 , € 44.00
A colourful concertino in one movement, playful and blithe, dancey. Extended tonality throughout, middle part is atonal. An easily comprehensible and rewarding piece for both musicians and audience alike.
for trumpet solo, string orchestra and percussion
sFr. 42.00 , € 32.00
for solo cello, obligatory trumpet, string orchestra and electronics
sFr. 47.00 , € 36.00
sFr. 62.00 , € 48.00
Sappho and Alkaios from the isle of Lesbos are amongst the most prestigious representatives of Greek lyrics strongly connected with the Orpheus saga. After the heavenly singer has lost his beloved Eurydice to the underworld and, spurned by his endless mourning, he seeks the love of other women. Bacchante tear him to pieces in an angry rage and cast his head into the sea. The tide washes it onto the shores of Lesbos - here his mouth is once again brought to speech by the lyric of the island. Mythological notions merge with personal experience and sufferance in connection with the erotic. Eros is the ‘weirdest God’ (Alkaois) whose effect is to rip open the abyss between the highest fulfilment and the degeneration towards death. The elemental force with which he encompasses man awakes in him an orpheic longing for immortality and the desire to overcome the underworld; simultaneously bringing even more painfully the forlornness of his wish to consciousness. While Alkaios attempts to forget in wild drunkenness and sexual indulgence, we eavesdrop on Sappho, and the dark tones of a wish for love in which pain resonates with the transient. EIS EROTA combines fragments from both poets to produce a dialogue on the subject of love and death.
sFr. 39.00 , € 30.00
sFr. 39.00 , € 30.00
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