Music theatre / Instrumental theatre / Performances / Concepts | |||
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| 0904 | Jacques Demierre: Bleu (1986) |
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for voice solo sFr. 13.00 , € 10.00 Texts: Everyday advertising and media language The performance of a singer who tries in vain to suppress her fit of giggles. Sponsored by the SME Lucerne.
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| 0916 | Jacques Demierre: La colonne brisée - Frida Kahlo (1996) |
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for voice solo sFr. 65.00 , € 50.00 Texts: Subcommandante Marcos, Frida Kahlo A female voice appears alone on stage. It speaks of the journey from the personal to the universal, a journey brimming with sense and dramatic tension, a journey which connects the singularity of the body with the multitude of a myth dependent on the humanity of a mysticised being - simply our world.
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| 9004 | Edu Haubensak: Drei Klangbilder (1981) |
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for piano, recorded material and scenery sFr. 34.00 , € 26.00 | ||
| 9040 | Edu Haubensak: Klangmoment (1999/00) |
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for one actor sFr. 13.00 , € 10.00 | ||
| 3111 | Urban Mäder: lieber ein Saxophon (1994) |
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for contrabass saxophone (also baritone saxophone) and recorded material sFr. 36.00 , € 28.00 (Inkl. CD) Text: Ernst Jandl A theatrical attempt by a saxophonist to articulate the self-ironic text by Ernst Jandl through the mouthpiece of his instrument while the recorded material plays.
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| 3130 | Urban Mäder: Der Hosenträger (2001) |
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Five short scenes for one percussionist (one standing tom-tom and three cymbals) sFr. 16.00 , € 12.00 The presentation of this piece goes beyond pure percussion playing. The performance concepts have theatrical significance and have to be accomplished with a concentrated stage presence.
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| 4003 | Daniel Ott: molto semplicemente. per teodoro (1989) |
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for accordion sFr. 23.00 , € 18.00 Half-scenic composition in response to the chemical disaster of 1986 in Schweizerhalle (Baselland).
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| 7719 | Pierre Thoma: Ameisentierchen (1991) |
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for two performers/musicians sFr. 13.00 , € 10.00 | ||
| 5910 | Jürg Wyttenbach: Trois chansons violées pour une violoniste chantante (1973/81) |
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for violin (singing violinist) sFr. 23.00 , € 18.00 Text: François Rabelais, folksong ‘Chanson de la canaille’ (a rag song): French and Swiss Dialect (from the Berne region); The tragedy (anonymous Australian country blues): English; ‘Chanson a la Lanternoy’ (an 'underexposed' chanson): comic-speech and French. The violinist must have a good ear and be able to play and sing simultaneously. She does not need a trained voice but must possess perfect diction and the ability to act. Sponsored by the SME Lucerne.
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Music theatre / Instrumental theatre / Performances / Concepts with instruments | |||
| 0910 | Jacques Demierre: Une table pour trois, ou la troïka s'ennuie (1990) |
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for three percussionists sFr. 26.00 , € 20.00 (Stimmen: sFr. 30.-; € 20.00) This piece is based around numerous hand playing techniques (from the most common gestures to the orthodox playing techniques of the darbuka). It develops theatrically according to the gestures of each performer. Sponsored by the SME Lucerne.
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| 1117 | Jürg Frey: Aufzählung. Licht. Tänzerin am Rand (1995/96) |
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for actor, female dancer, three instruments (flute, violoncello and accordion) sFr. 23.00 , € 18.00 | ||
| 2203 | Regina Irman: Speculum (1984) |
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for four Eb clarinets, two percussion, sisyphus machine, mirrored scenery and coloured lighting sFr. 34.00 , € 26.00 The Sisyphus machine, mirror stage-layout and lighting can all be obtained on request. In the case of a version without these accessories the machine must be replaced by a running tape recorder.
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| 2656 | Max E. Keller: Swissfiction (1990) |
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Musical theatrical scenes for four actors(esses), four musicians (fl.ob.cl.vn) and a four-channel tape sFr. 34.00 , € 26.00 Text: Alex Gfeller Based on Alex Gfellers story 'Das Komitee'.The cities of Switzerland are contaminated, be it with poison or radioactivity, the ozone layer is depleted many paths leading to destruction have long been foreseen. Only few have survived and sit vegetating in their shelters underneath the ruins of earlier prosperity. Some have already mutated, others live in a world of delusion.
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| 2833 | Alfred Knüsel: Splitterfolge (1999) |
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for four female voices (speakerSMezA) and ensemble (fl.ob.cl/perc/pf.cel/vn.va.vc) sFr. 31.00 , € 24.00 A short musical theatre in three parts to be handled as a non-stop performance.
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| 9504 | Louisa Lasdun: Concerto für Wörter (1996) |
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for male and female speaker and male and female voices sFr. 47.00 , € 36.00 Texts: Isolde Schaad A rhythmical and difficult speaking part for a mixed speaking choir. A lively, humorous, theatrical and cheeky piece with choreography, lighting and text from the book ‘KüsschenTschüss - Sprachbilder und Geschichten zur öffentlichen Psychohygiene’ by Isolde Schaad.
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| 3120 | Urban Mäder: tut kreuz und quer zur Neige blasen (1996) |
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for twelve wind (fl(pic).ob.ca.cl.bcl.2bn.cbn/hn.tpt.tbn.tba) 2 percussionists and conductors sFr. 42.00 , € 32.00 Musical theatrical play from the entrance to the bow. DVD available from the composer.
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| 3415 | Thomas K. J. Mejer: Macula Matris (1995/96) |
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for seven musicians (fl(pic,bfl,cbfl).cl(bcl,cbcl).bn(cbn)/tbn/hp/perc/vc), seven speakers and seven dancers. sFr. 200.00 , € 158.00 Texts: Hermann Berger, André Gide, Marisa Holder, Elfriede Jelinek, Milan Kundera, Irmgard Morgner, Karin Struck A stage work, somewhere between performance and installation.
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| 3708 | Roland Moser: Heinelieder. Für Stimmen mit Begleitung (1970 ff) |
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Version 1985 for Soprano, piano, actor, small amplification equipment and a small wooden table sFr. 52.00 , € 40.00 Text: Heinrich Heine Twelve pieces of music (songs and a piano piece) with texts by Heine throughout, representing a biography in five stages. The Soprano needs a strong low register.
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| 4002 | Daniel Ott: im museum (1987) |
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Musical theatre piece for a group of children and piccolo, bass clarinet, tuba, accordion, mandolin (guitar), violin and four percussion instruments sFr. 31.00 , € 24.00 Texts: Folksong Can be played individually: ‘kinderspiele’ for 2 percussionists (glock.vib.cym) [2'] ‘le ranz des vaches’ for 6 tuned cow bells (f#+2,g2,d2,g#+3,a3,e4), one player [2']
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| 4007 | Daniel Ott: skizze - 7 1/2 bruchstücke (1992) |
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Scenic composition for bass clarinet, percussion and string trio sFr. 23.00 , € 18.00 A portrait study, ‘Bilderbogen’, developed from discussions with members of the ‘Ensemble Recherche’ concerning their relationship with their instruments; also available as a film version: ‘7 ½’ (together with Reinhard Manz) Distribution: Video-Genossenschaft Basel, Postfach 511, CH-4005 Basel.
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| 4009 | Daniel Ott: 17 1/2 (1995) |
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Scenic composition for 4 guitars, 2 mandolins, dulcimer, viola, 2 double bass, saxophone, trombone, tuba, accordeon and three percussion instruments sFr. 55.00 , € 42.00 Spatial composition based on the sound memories of the musicians/singers.
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| 10008 | Kit Powell: Father's Telescope (1989) |
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Music theatre piece for singer, speaker and recorded material sFr. 34.00 , € 26.00 Texts by Michael Harlow. Playful work dealing with power and submission.
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| 4811 | Andreas Stahl: sextett (1993/94) |
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for soprano, violin, violoncello, trombone, percussion, piano, electronic tape and a piece of mechanical equipment sFr. 31.00 , € 24.00 A half-scenic attempt to look at the common ground between musical and theatrical operation and the resulting relationship between movement and sound.
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| 5404 | Daniel Weissberg: DUO ? (1985) |
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for flute clarinet and… sFr. 34.00 , € 26.00 A cicerone piece full of surprises, illusions, and some acrobatics. Requires a Bb clarinet, bass clarinet and contrabass clarinet.
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| 5403 | Daniel Weissberg: CHARAKTERSTÜCK (1985/88) |
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for six-handed marimbaphone sFr. 26.00 , € 20.00 A serious yet humorous musical theatre piece for three percussionists and a marimbaphone.
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| 8202 | Alfons Karl Zwicker: Nachtduett (1989/90) |
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Cycle with poems by Georg Trakl for mezzo-soprano, bass, flute, harpsichord, four violins, viola, violoncello and double bass sFr. 83.00 , € 64.00 An erotic, sticky piece that takes the incestuous relationship between Trakls and his sister as its theme. 'Nachtduett' is a series of scenic poems predestined for the stage.
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automatically generated. last update: 20.04.2012 / 2004 Theo Lustenberger | |||