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voice and piano | |||
| 1468 | Eric Gaudibert: Mélodies (1966) |
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pour soprano (ténor) et piano sFr. 34.00 , € 26.00 Text: Paul Eluard 2 notebooks each with three melodies. 1st notebook: Dit de l'amour – L'unique – Dit de la force de l'amour. This notebook has also been transposed one tone deeper.
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| 1469 | Eric Gaudibert: Mélodies (1966) |
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for soprano (tenor) and piano sFr. 21.00 , € 16.00 En 2 cahiers de 3 mélodies chacun. Texte de Paul Eluard. 2e cahier : Dit d’un jour – A côté – Par un baiser. Ces mélodies sont de style français, dans le sillage de Debussy et Messiaen.
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| 4803 | Andreas Stahl: im selben raum (1989) |
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for tenor and piano sFr. 34.00 , € 26.00 Text: Konstantin Kavafis The tenor sings the text of a Greek concerning his love of the male to the generally steady and soft sounds of the piano part (very resonant, many fermata, a few rough edges, a lot of time).
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| 5214 | Balz Trümpy: Vier Lieder (four songs) (Eichendorff) (1990) |
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for high voice (soprano or tenor) and piano sFr. 26.00 , € 20.00 The four poems by Eichendorff are arranged so as to outline a day cycle.
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Tenor with instruments | |||
| 0229 | Walter Baer: Minne ist so wunderlich (1998) |
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Songs for soli (SATB), mixed choir and four-handed piano sFr. 44.00 , € 34.00 Texts: Johannes Hadlaub.
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| 0524 | Nicolas Bolens: En mi Cielo (1998) |
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for tenor and guitar sFr. 16.00 , € 12.00 Texts: Pablo Neruda
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| 6722 | Hans Eugen Frischknecht: Vokalisationen (1975) |
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for five singing voices (SSATB) sFr. 16.00 , € 12.00 Five singers generate a multiplicity of vocal sounds on a purely phonetic basis. The pitch levels are purely graphically notated (with no exact indication to elevation). The work oscillates between dense superimpositions and stationary sound surfaces.
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| 15187 | Rudolf Jaggi: Hymnus nach Guido von Arezzo (1992) |
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for four tenor and three bass singers sFr. 23.00 , € 18.00 | ||
| 15175 | Rudolf Jaggi: Carpe diem (1996) |
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for solo quartet (SATB) sFr. 39.00 , € 30.00 Text: Omar Khayam. Morning… Perpetual change Away, away Carpe diem
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| 15180 | Rudolf Jaggi: s bliht a Blum (1998) |
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for solo tenor, choir (SAB), clarinet and piano sFr. 34.00 , € 26.00 (Chorpartitur: sFr. 12.-; € 12.-) | ||
| 2846 | Alfred Knüsel: Messe (1976) |
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for vocal quartet, speaker, mixed choir, violin and organ sFr. 68.00 , € 52.00 (Violin-Stimme: sFr. 12.-; € 8.00) | ||
| 2916 | Josef Kost: ... und er verwunderte sich... - Musik zu Visionen von Niklaus von Flüe (1999) |
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for soli (ST) choir (large choir SAB, small vocal ensemble) and orchestra (1.1.1.1/1.1.1.1/org/2perc/1.1.1.1.1) sFr. 70.00 , € 54.00 Texts: Niklaus von Flüe Easy to easy/intermediate for amateur choir and semi professional vocal ensemble. Liturgical performance duration 50’- 65’
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| 3122 | Urban Mäder: Tauber (1986) |
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for speaker, alto, tenor and ensemble (1.1.1.0/1.1.1.0/2perc/2.1.1.1) sFr. 75.00 , € 58.00 Text: Heinz Zimmermann A melodrama based on a text by Heinz Zimmermann. The theme of this piece concerns outer and inner captivity.
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| 9751 | Hans-Jürg Meier: ...und die Musik, immer neu, baut im unbrauchbaren Raum… (2011) |
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for vocal quartet (SMezTB) sFr. 52.00 , € 40.00 Texts: Rainer Maria Rilke Music in four parts with texts from "Die Sonette an Orpheus" (1922): I Blume und Buch II Tempel im Gehör III Gesang ist Dasein IV Lied überm Land
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| 4301 | Ernst Pfiffner: "... et aperuit oculos.." (1973/74) |
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for bass, baritone, three tenors and instrumental ensemble (0.0.2.2/4.2.3.0/4perc) sFr. 44.00 , € 34.00 Text: Bible / Liturgy In this piece, the Latinate poetry of the blind born from the gospel according to John is set to music. In the first part, the wonderment of the event, in the second the interrogation and in the third the words of Jesus to the healed are set forth. The disciples in the first part and the Pharisees in the second are written for a group of three tenors (traditionally called ‘Turba’) who, according to the dramatical situation, speak, whisper or scream. Work series A: Music for concerts.
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| 4908 | Mathias Steinauer: Speculum sibyllinum, op. 9 (1992) |
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for 6 voices (mezzo-soprano, altus, 2 tenors, baritone, bass), 5 recorder-players (div. instr.), 6 viola da gambas (2 disc, A, 2 T/B, violone in D) and two percussion instruments sFr. 44.00 , € 34.00 An adaptation of newly found manuscripts written by an anonymous twelfth-century composer in the Vatican, within which aspects of the whole of musical history are anticipated. Spatial music.
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| 10702 | De-Qing Wen: Distance (1992) |
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for mezzo-soprano, tenor, 12 female voices and 3 percussionists sFr. 26.00 , € 20.00 Text: four ancient Chinese poems. The female chorus is dispersed in four groups located on each side of the audience; each chorus-singer also plays a percussion instrument. The soloists on stage create a feeling of distance.
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| 78190 | Hansruedi Willisegger: und maria (2003) |
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for vocal double quartet (poss. small choir) and mixed choir sFr. 39.00 , € 30.00 Texts: Kurt Marti, Silja Walter, Gabriel Garcia Marquez, Novalis
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| 5823 | René Wohlhauser: mikka resna (2006) |
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Ergon 34 for tenor and guitar sFr. 31.00 , € 24.00 The self-written onomatopoeic texts are semantically charged by the exaggerated gesture of the music and become thereby a farce.
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Tenor with orchestra | |||
| 8523 | Thüring Bräm: 5 Eichendorff-Lieder (1996) |
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for solo voice (T possibly S) and orchestra (2.2.2.2/4.2.3.1/ timp.2perc/str) sFr. 49.00 , € 38.00 Texts: Josef Freiherr von Eichendorff Written for the 1000-year anniversary of the city of Danzig. A representation of five poems by the romantic poet Josef Freiherr von Eichendorff for high voice (tenor, soprano) and orchestra with transparent texture.Todeslust - Im Alter - Die Zeit geht schnell - Memento - In Danzig.
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| 15194 | Rudolf Jaggi: Je sais, Vièrge Marie (2004) |
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for choir (SAB), soloists (SATB), panpipes and/or alto flute and small orchestra (perc/str) sFr. 18.00 , € 14.00 (Stimmen: sFr. 18.-; € 12.-) | ||
| 15195 | Rudolf Jaggi: Zwei Paraphrasen über bolivianische Weiihnachtslieder (2004) |
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for choir (SAB), soloists (SATB), panpipes and/or altoflute and orchestra (1.2.0.1/0.0.0.0/perc/str) sFr. 62.00 , € 48.00 (Stimmen: sFr. 44.-; € 30.-) 1. Hoch steht am Himmel uns der Stern 2. Flieg, mein Vogel
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| 151119 | Rudolf Jaggi: Menschwerdung (2008) |
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Christmas cantata for tenor solo, choir (SATB) and orchestra sFr. 88.00 , € 68.00 (Stimmen: SME sFr. 62.-; € 41.00) | ||
| 2914 | Josef Kost: Et coeperunt loqui ("... und sie begannen zu reden ...") (1996/97) |
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for large amateur choir, vocal ensemble, (amateur) youth choir, solo (T and speaking role), orchestra (1.1.1.1/1.1.1.1/2perc/hp/str) and organ sFr. 47.00 , € 36.00 Texts: Bible / Liturgy Music for the Pentecostal Liturgy with Latin text. Seven parts distributed throughout the service. The choir and instrumental groups are distributed throughout and incorporate the whole church room. The congregation sings (with accompaniment) four integrated Gregorian chants. Easy to intermediate level of difficulty. Liturgical performance duration: 65'
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| 15408 | Kurt Meier: Also hat Gott die Welt geliebt (1995) |
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Ecclesiastical concert for tenor, baritone, choir and string orchestra sFr. 49.00 , € 38.00 (Stimmen: sFr. 44.-; € 29.00) | ||
| 9816 | Laurent Mettraux: "Vers le soleil couchant", oratorio, M. 528 (1995/96) |
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for four soli (SATB), children's choir or girl choir, mixed choir and orchestra (0.0.acl.2bthn.2/0.2.3.0/2perc/vn&vc.solistr) sFr. 122.00 , € 94.00 (Parties séparées chez le compositeur; réduction voix/piano: sFr. 70.-; € 70.-) Texts: Gilgamesh epic, Emily Brontë, Vedas (Indian), Guillaume Apollinaire Numerous, equally overlapping texts regarding the problem of death: from the epic of Gilgamesh to E. Brontë, from the Vedas to Apollinaire. A very impressive work in its expressivity and its musical and philosophical progression, with a multitude of climates and a very serene ending.
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| 4316 | Ernst Pfiffner: Osterbuch (1994/96) |
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for soli (MezATBarB), choir and orchestra (2.2(2ca).2.2/4.2.2.0/perc/str) sFr. 88.00 , € 68.00 Texts: Euripides, Karl Jaspers, Blaise Pascal, William Shakespeare, Bible / Liturgy Work series A: Music for concerts.
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| 4320 | Ernst Pfiffner: Pfingstbuch (1996/97) |
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for six solo voices (SMezATBarB), speaking voice and chamber orchestra (1(pic,fl-g).1(ca).1.1/2.1.2.0/2perc/hp/str) sFr. 148.00 , € 112.00 (Aufführungsmaterial bei Akademie für Schul- und Kirchenmusik Luzern) Texts from the Bible and eastern Liturgy; twelve single verses from Martin Gutl, Huub Oosterhujs, Nelly Sachs, Rabindranath Tagore; quotes from Helder Camara, Ernesto Cardenal, Johannes XXIII., Josef Quadflieg und J.M. Sailer. Wie? Pfingsten? die Gott verschlafen Verheissungen Als Pfingsten gekommen "Licht wird aus Sand" Geist - Heiliger GeistSchenk uns neue Begeisterung Work series A: Music for concerts.
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| 5206 | Balz Trümpy: Anima (3. Fassung) (version 3) (1977 (rev. 1983)) |
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for high voice (soprano or tenor) and orchestra (3(3pic).2.ca.2.bcl.2.cbn/4.3.3.1/1perc/cel/hp/str) sFr. 78.00 , € 60.00 Texts: Anonymus, Heinrich von Morungen, Walter von der Vogelweide This three-part work is based on texts from a minnelied. The vocal line, which uses various sound modulations, is harmonically, melodically and rhythmically interwoven with the accompaniment.
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| 7837 | Hansruedi Willisegger: Cantico delle creature (Sonnengesang des Hl. Franz von Assisi) (1984) |
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for vocal ensemble (SATB), choir, children's choir and large orchestra (2.2.1.1/2.3.3.0/hpd/2perc/str) sFr. 57.00 , € 44.00 | ||
automatically generated. last update: 20.04.2012 / 2004 Theo Lustenberger | |||