Voice


solo
0521 Nicolas Bolens: Ou le mystère précipité hurlé (2007) 18'
for 8 solo voices (2S2A2T2B)
sFr. 73.00
After "Un coup de Dés…" by Stéphane Mallarmé.

Listen: Youtube
0902 Jacques Demierre: Je deviendrai Médée (1986) 30'
for voice solo
sFr. 42.00
Texts: Euripides, Heiner Müller, Pier Paolo Pasolini What is stronger than to see this woman, Medea, who progressively propagates and accomplishes her own myth?

0904 Jacques Demierre: Bleu (1986) 5'
for voice solo
sFr. 13.00
Texts: Everyday advertising and media language The performance of a singer who tries in vain to suppress her fit of giggles. Sponsored by the SME Lucerne.

Listen: Youtube
2863 Alfred Knüsel: Marianische Antiphon 2007 (2007) 8'50
A-cappella choir piece
for 9 voices
sFr. 23.00
Text: "Salve Regina".

7725 Pierre Thoma: Vocando (1997) 10'
for one voice in any register
sFr. 23.00
5286 Balz Trümpy: Weit weg (2014) 15'
for solo voice
sFr. 26.00
After texts by Lisa Elsässer and after questions from newspapers (selected by Claudia Vonmoos). A monologue that also includes theatrical aspects.


voice and piano
17904 Andreas Brenner: Drei Gedichte nach Gottfried Benn (three poems after Gottfied Benn) (2007) 12'
for medium voice and piano
sFr. 18.00
I Drohung II Melancholien III Wohin

6723 Hans Eugen Frischknecht: De l'Australopithèque à l'homme (1986) 13'
for voice and piano
sFr. 18.00
Text: Gudrun Ryhming This piece was created during an experimental cooperation with the singer Gudrun Ryhming. The almost cabaret like piece spans and presents in text, the stages of modern mans development from Australopithecus.

12415 Fortunat Frölich: 5 Fragmente aus der Ersten Duineser Elegie von R.M. Rilke (1997) 13'
for voice and piano
sFr. 36.00
12416 Fortunat Frölich: 5 Borchert-Lieder (1999) 12'
for voice and piano
sFr. 39.00
Text: Wolfgang Borchert.

9259 Michel Hostettler: Vendanges (1980) 3'
for voice and piano
sFr. 16.00
Text: Marianne Bonzon.

9260 Michel Hostettler: Tourne-girelle (1981) 3'
for three identical voices and piano
sFr. 16.00
Text: Marianne Bonzon.

9262 Michel Hostettler: Trois Chansons (1996) 4'
for voice and piano
sFr. 16.00
Text: Eugène Guillevic.

15150 Rudolf Jaggi: Drei Morgenstern-Lieder (1997) 8'30
for voice and piano
sFr. 21.00
Text: Christian Morgenstern. 1. Die Stadt aus Elfenbein 2. Es ist Nacht 3. Früh-Herbst

151139 Rudolf Jaggi: Die zwei Wurzeln (2013) 1'20"
Song
for high voice and piano
sFr. 16.00
Text: Christian Morgenstern.

2819 Alfred Knüsel: Wort und Widerhall (1997) 13'
Cycle of four songs
for singing, piano and percussion instrument ad lib.
sFr. 21.00
Text: Heinz Zimmermann

6804 Yehoshua Lakner: "Morning Song" und "Day is Gone" (1949) 4'30
for voice and piano
sFr. 18.00
Text: Elisheba The morning song is quick and rhythmical, the evening song slow and elegiac.

6806 Yehoshua Lakner: Been Arbaim Bayam - Dämmerung beim Meer (1959) 2'
for voice and piano
sFr. 13.00
Text: Dvora Levinson Quiet but syncopated undulations alternating with highly charged, stormy passages.

15212 Stephan Lauffer: Eschenzer-Lied (2006) 3'
for voice and piano
sFr. 16.00
Composed in the spring of 2006 for the open-air concert 'Dorfmais' in Eschenz.

19305 Katharina Rosenberger: E.E.Cummings Miniatures (1999-2001) 4'-7'
for voice and piano or voice and percussion
sFr. 31.00
Texts: E.E. Cummings there are so many tictoc (1999) voice, piano 1'30 dying is fine(but Death (1999) voice, piano 1'45 l(a (2001) mezzo-soprano, percussion 1'00 n (2001) mezzo-soprano, percussion 1'10

10223 Michael Schneider: Strassburgkonfiguration (1998) 3'
for vocals and piano
sFr. 18.00
A text by Hans Arp on the emergence of Dada in 1916. Contains numerous musical cross references and aleatoric passages; ambitious a-a" vocal range.

5226 Balz Trümpy: Zwei Lieder (two songs) (Rückert) (1984/85) 4'
for high voice and piano
sFr. 16.00
After poems by Friedrich Rückert.

5231 Balz Trümpy: Vier Gesänge (four songs) (1986/87) 15'
for deep voice and piano
sFr. 42.00
Based on poems by Jürg Signer, Ute Höllrigel, Eveline Hasler and Erwin Jaeckle.

5233 Balz Trümpy: Zwei Lieder (two songs) (Heine) (1990) 4'
for medium voice and piano
sFr. 18.00
Based on poems by Heinrich Heine.

5258 Balz Trümpy: Drei Haikus (2006) 2'
For the sixtieth birthday of Robert Kahnt
for voice and piano
sFr. 16.00
Texte: Martine Lovis (French).

5265 Balz Trümpy: Nachtgedanken (2011) 27'
for medium voice and piano
sFr. 44.00
Texts: Johann Wolfgang von Goethe A song cycle in the classical sense.

5827 René Wohlhauser: Ly-Gue-Tin (2008) 10'
Ergon 38
for voice(s) and piano
sFr. 49.00
Based on an onomatopoeic text by the composer. A dialogue between contrasting fragments as a sounding monograph for the inauguration of Jean Tinguely's life tables in Basel, 22 May, 2008.


piano and instrument
15182 Rudolf Jaggi: Zwei Lieder (1957/69) 6'
for high or medium voice and piano
sFr. 18.00
1. Ruhe (Hans Schütz) (3') 2. Tristesse (Alfred de Musset) (3')


Voice with instruments
6422 George Barcos: Bochornos (2004) 5'
for voice, violin, bandoneon, piano and double bass
sFr. 21.00
6423 George Barcos: 4 Pièces (2005) 10'
for mixed voices (SATB), piano, violoncello and bassoon
sFr. 34.00
Texts: Antoine de Saint Exupéry, Alfonsina Storni, Beaucarné, Théophile Gautier Passarelles dans a nuit - Maisons alignées - Une triste boutique - Les batôns.

12815 Gary Berger: doppelte Wendung (2000) 6'
for voice, percussion and live electronics
sFr. 18.00
12821 Gary Berger: scri (2002) 8'
for voice, britone saxophone, percussion and live electronics
sFr. 42.00
12824 Gary Berger: Tank (2005) 11'
for voice and percussion
sFr. 23.00
13918 Pierre-André Bovey: 3 Epigrammes d'André Chénier (1980) 4'
for flute (also flute in G) and voice
sFr. 13.00
8533 Thüring Bräm: Piccoli Stagioni (1997) 7'
for piano trio, flute and voice
sFr. 31.00
Texts: Anna Maria Bacher Four-seasons poems by the poet Anna Maria Bacher from Pomatt in the Italian version; short, transparent pieces.

0903 Jacques Demierre: Expinnocence (1986) 45'
for voice, 2 pianos and violoncello
sFr. 68.00
Texts: William Blake Written for an improviser/reader, these pieces attempt to recreate a fantasy world in honour of some of William Blake's poems.

0907 Jacques Demierre: Désir d'azur: musique de danse (1988) 42'
for 8 voices and 2 pianos
sFr. 70.00
Texts: Roberto Juarroz The electric pianos remind one of toy pianos that grew too fast. The words are sonorous, the lists long and dense.

0913 Jacques Demierre: Nous ici (1993) 13'
for voice, flute, clarinet, violin, violoncello and piano
sFr. 70.00
Texts: Jacques Roman Three main 'characters'. A text by Jacques Roman based on African rhythm organisation and inspired by the solo fragments of jazz saxophonist Charlie Parker.

18005 Sarah Haessig: Die Geister am Mummelsee (2008) 9'
Melodrama
for voice, string quartet, flute and harp
sFr. 34.00
Over a poem by Eduard Mörike.

9061 Edu Haubensak: Schnee (A Ritual) (2013) 21'
for horn, voice and percussion
sFr. 31.00
15183 Rudolf Jaggi: Phasen (1974/75) 15'
for medium voice, flute and guitar
sFr. 31.00
Texts: Giuseppe Ungaretti (Ingeborg Bachmann). 1. Ich bin eine Kreatur 2. Freude der Schiffbrüche 3. Morgen 4. Phase I 5. Phase II 6. Finale

15184 Rudolf Jaggi: Roserich (1977) 15'
for medium voice and guitar
sFr. 18.00
Texts: Emanuel Geibel. 1. Beim letzten Erntefeste 2. Intermezzo 1 3. Lass mir die Knaben vom Feste 4. Intermezzo 2 5. …und horch!

15186 Rudolf Jaggi: O Westen, öffne mir deine Arme (1991) 16'
for high voice, flute and guitar
sFr. 34.00
Ancient Egyptian texts. 1. Lobpreis sei dir, Re 2. O Re, komm zu mir 3. Betrachtet mich doch

151106 Rudolf Jaggi: Five Ayres (2006) 9'
for medium voice and guitar
sFr. 23.00
After anonymous texts from the 15th and 16th centuries. I. Come let us all amaying go II. Weep, o mine eyes III. If it be love to sit and mourn IV. O yes! Has any found a lad? V. Though Philomel

151123 Rudolf Jaggi: Die grosse Gondel (2009) 24'
15 Songs
for high voice and piano
sFr. 36.00
9315 Vladislav Jaros: Zwei Lieder nach Gedichten von Peter Weibel (two songs after poems by Peter -Veibel) (1985) 14'
for singing voice and strings (or string quartet)
sFr. 23.00
Text: Peter Weibel The autumn atmosphere becomes music, as delicate as poems by Weibel. Relatively simple to perform. An appeal to the musicality of interpreters…

19402 Burkhard Kinzler: ad vitam (2010) 45'
Gottesdienstmusik
für Sopran, gemischten Chor, Vokalensemble, zwei Orgeln, Lektor
sFr. 88.00
- Liganden - Christe, du Lamm Gottes - Da pacem domine (verschiedene Bearbeitungen) - Evangelienlesung (mit Einführung) - Give peace a dance - Lobpreis- Antwortgesang - Schon zieht herauf des Tages Licht (5 Str.) - Sanctus - Sonne der Gerechtigkeit - Spielmann Gottes - Weg zur AT-Lesung - Totengebet Alle Teile für Chor, Orgel und verschiedene Kombinationen sind separat aufführbar, z.B. "Sanctus" für Chor, "Totengebet" für Chor und Sopran solo, choralgebundene Chorwerke, Orgelvor-, zwischen- und nachspiel, "Liganden" für grosse Orgel, "Spielmann Gottes" für Chor-Orgel mit geteilten Schleifen, "Give peace a dance" für zwei Organisten an einer grossen Orgel.

19410 Burkhard Kinzler: a curl (2013) 7'
für Stimme und Schlagzeug
sFr. 16.00
2810 Alfred Knüsel: Erinnerung an Bevorstehendes (1993) 17'
for double choir or 4-7solo voices and a-cappella tutti choir
sFr. 52.00
Text: Fritjof Capra In eleven parts, the form of which involves the integration of a heterophonic soundscape rather more than its actual development.

2843 Alfred Knüsel: Sechs Miniaturen als Tafelmusik (1994) 10'
for recorder quartet, string quartet, harpsichord and voice
sFr. 34.00
2820 Alfred Knüsel: ... und lässt in gewisser Weise Bindung hinter sich (1997) 14'
Collection of four ecclesiastical songs
for singing, keyboard instrument (organ) and percussion instrument ad lib.
sFr. 31.00
Text: André Duplain

2824 Alfred Knüsel: Frühling gestehen (1997) 23'
for singing voice, strings (1.1.1.1.1), flute and percussion
sFr. 47.00
2828 Alfred Knüsel: Fluchtweg ist nicht zu erkennen (1999) 16'
Cycle of songs
for voice, piano and percussion ad libitum
sFr. 34.00
Texts: Michèle M. Salmony A cycle in five parts based on text fragments by Michèle M. Salmony.

3132 Urban Mäder: Das Eine. Das Selbe. Das Gleiche (202) 50'
for voice (altus), recorder(s), violin, gamba and double bass
sFr. 31.00
(CD und Video beim Komponisten)
This project is a collaboration between video art and a musically open play disposition in the room. Based on a text by Thomas Locher, with the Scappatella Ensemble and the video artist Judith Albert. CD and video available from the composer.

15418 Kurt Meier: Du Leuchte der Welten (1999) 3'
for medium voice and lyre
sFr. 13.00
15419 Kurt Meier: Der da ist die vollkommenste Liebe (1999) 2'
for medium voice and lyre
sFr. 13.00
9743 Hans-Jürg Meier: Arianna: scena sesta - coro (2007) 3'
for solo voice and a wind instrument
sFr. 16.00
Text: Ottavio Rinuccini Music in four parts, presented between the four sections of the madrigal version of "Lamento d'Arianna" in five voices (1610) by Claudio Monteverdi.

9747 Hans-Jürg Meier: les mots jaunes (plötzlich diese Ganzheit) (2008) 9'
for voice (mezzo-soprano) and flute
sFr. 18.00
Text by Marianne Schuppe (staging: Hans-Jürg Meier) "Between two languages lies a room. Between language and music lies a room. And between reading, resp. listening and writing lies time. Translating is the setting of one's own words resp. signs into relation." (Marianne Schuppe)

4322 Ernst Pfiffner: Monologe über Frieden und Krieg (1983) 12'
for voice and string quartet
sFr. 29.00
Texts: Dschang Dji, Andreas Gryphius, Hugo Ball, Li-Tai-Pe Work series A: Music for concerts.

Listen: Youtube
10008 Kit Powell: Father's Telescope (1989) 15'
Music theatre piece
for singer, speaker and recorded material
sFr. 34.00
Texts by Michael Harlow. Playful work dealing with power and submission.

17702 Peter Schärli: Ballade pour une pierre (1985) 6'30
for voice, trumpet (with muffler), piano (or guitar), double bass
sFr. 13.00
Text: Sandy Patton.

17708 Peter Schärli: Krieg I-IV (1998) 10'
for brass quintet (1.2.1.1), voice and timpani
sFr. 16.00
17709 Peter Schärli: Requiem für die Unschuld (1998) 9'
for brass quintet, voice and timpani or trumpet, French horn or saxophone, trombone, piano, double bass and percussion
sFr. 13.00
4615 Urs Peter Schneider: Robert Walser Trilogie I,2: Tobold (1987-88) variabel
Scenes of humility
for choir voices and orchestral groups
sFr. 29.00
A cycle based on savage and partly lost writings; "Die schöne Frau von Thun" uses six instruments, which can be relatively freely chosen; "Tobold" is a compositional concept, formal and extremely variable in its instrumentation (the composer has arranged one version); "Das Mädchen mit den schönen Augen" is the last work before the composer's non-composing phase, maliciously simple, supposedly humorous - it is dedicated to the performer Marion Leyh.

10238 Michael Schneider: Ballade (Dällebach Kari) (2011) 3
for vocal quartet (SATB)
sFr. 21.00
Arrangement after Mani Matter.

10239 Michael Schneider: Chue am Waldrand (2011) 3
for vocal quartet (SATB)
sFr. 23.00
Arrangement after Mani Matter.

17008 Raphael Staubli: Dionysos und Apollon (1995)
for viola, lyre, overtone singing and eurythmics
sFr. 16.00
7712 Pierre Thoma: Rugir/écrire/marcher (1988) 9'
for one voice and any brass instrument
sFr. 29.00
To a text by Vahé Godel.

7727 Pierre Thoma: Vocando II (1999) 3'30
for three voices in any register
sFr. 23.00
5202 Balz Trümpy: Libera (1975) 20'
for eight voices, electronic organ and synthesizer
sFr. 70.00
A snippet of text from the Catholic Requiem Mass is phonetically ‘dissolved’, reassembled as loud formations and returned to its original unit.

5225 Balz Trümpy: Phasia (1976) 10'
for voices
sFr. 31.00
Based on a poem by Bertold Brecht.

10704 De-Qing Wen: Complainte (1994) 13'
for one reciter of Peking opera and 3 percussionists
sFr. 23.00
I chose unusual percussion instruments on purpose because these objects are part of our everyday life, yet their sound is rarely heard in concert halls. Some instruments and tones have symbolic meanings. Because there is no set pitch, rhythmic organization is of the utmost importance.

Listen: Youtube
10740 De-Qing Wen: A New legend of Yang Zongbao and Mu Guiying (2008) 12'
for voice and recorder
sFr. 39.00
The hero Yang Zhongbao and his wife Mu Guiying were two of the impressive warriors from the famous historical story in China, Heroic Legend of the Yang's Family, which was set in the Northern Song Dynasty (960-1127). Although as time goes, the social value has been changed and people today easily find incredible and ridiculous what was cherished in the time of Yang Zhongbao and Mu Guiying, they still love the story. That is where the charm of traditional culture lies. This piece makes the two ancient characters live in today's setting by traveling through time and do what they did in their own time, which is full of humor and wit. Besides, it combines factors of contemporary music with the Chinese traditional form of talking and singing, the arrangement of the tenor and soprano part sung by one male and the artistic appeal of Xi'an dialect and Qin Opera of China.

10825 Martin Wendel: Anmerkungen, op. 52 (1995) 21'
for high singing voice, clarinet and piano
sFr. 49.00
After ancient Chinese texts. I tried to avoid all allusions to ancient Chinese exotics in the realisation of the aphoristic and directness of the still up-to-date texts. All fourteen pieces are connected in a meaningful compositional manner.

78106 Hansruedi Willisegger: Bitte, Lob und Dank (1973) 12'
for cantor, three sopranos, mixed choir, congregation, three speakers, three flutes, violoncello, double bass and bongos
sFr. 18.00

Voice with orchestra
19412 Burkhard Kinzler: Müthel-Brücken (2013) 20'
für Chor, Solisten, Streicher, Horn, Alphorn und Fagott
sFr. 62.00
Für ein komponiertes Programm mit Werken von Johann Gottfried Müthel.

4305 Ernst Pfiffner: Biblische Szene (1989/91) 20'
for high voice and orchestra (2.2(2obda).2.2/ 2.2.0.0/perc/str)
sFr. 55.00
Text: Bible / Liturgy This piece is based on the story of the healing of the boy in Mark’s gospel. The voice assumes the roles of Jesus, the Father and a chronicler, by singing, whispering, speaking, and humming. Four timpani and nine other percussion instruments (two players) enlarge the classical strings and wind orchestra. There is a Gregorian credo motive and Beethoven's credo motive from the ‘Missa Solemnis’ In the final section. Work series A: Music for concerts.


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automatically generated. last update: 28.08.2015 / 2004 Theo Lustenberger