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| 0521 | Nicolas Bolens: Ou le mystère précipité hurlé (2007) |
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for 8 solo voices (2S2A2T2B) sFr. 73.00 , € 56.00 After "Un coup de Dés…" by Stéphane Mallarmé.
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| 0902 | Jacques Demierre: Je deviendrai Médée (1986) |
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for voice solo sFr. 42.00 , € 32.00 Texts: Euripides, Heiner Müller, Pier Paolo Pasolini What is stronger than to see this woman, Medea, who progressively propagates and accomplishes her own myth?
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| 0904 | Jacques Demierre: Bleu (1986) |
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for voice solo sFr. 13.00 , € 10.00 Texts: Everyday advertising and media language The performance of a singer who tries in vain to suppress her fit of giggles. Sponsored by the SME Lucerne.
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| 2863 | Alfred Knüsel: Marianische Antiphon 2007 (2007) |
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A-cappella choir piece for 9 voices sFr. 23.00 , € 18.00 Text: "Salve Regina".
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| 7725 | Pierre Thoma: Vocando (1997) |
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for one voice in any register sFr. 23.00 , € 18.00 | ||
voice and piano | |||
| 17904 | Andreas Brenner: Drei Gedichte nach Gottfried Benn (three poems after Gottfied Benn) (2007) |
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for medium voice and piano sFr. 18.00 , € 14.00 I Drohung II Melancholien III Wohin
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| 6723 | Hans Eugen Frischknecht: De l'Australopithèque à l'homme (1986) |
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for voice and piano sFr. 18.00 , € 14.00 Text: Gudrun Ryhming This piece was created during an experimental cooperation with the singer Gudrun Ryhming. The almost cabaret like piece spans and presents in text, the stages of modern mans development from Australopithecus.
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| 12415 | Fortunat Frölich: 5 Fragmente aus der Ersten Duineser Elegie von R.M. Rilke (1997) |
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for voice and piano sFr. 36.00 , € 28.00 | ||
| 12416 | Fortunat Frölich: 5 Borchert-Lieder (1999) |
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for voice and piano sFr. 39.00 , € 30.00 Text: Wolfgang Borchert.
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| 9259 | Michel Hostettler: Vendanges (1980) |
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for voice and piano sFr. 16.00 , € 12.00 Text: Marianne Bonzon.
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| 9260 | Michel Hostettler: Tourne-girelle (1981) |
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for three identical voices and piano sFr. 16.00 , € 12.00 Text: Marianne Bonzon.
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| 9262 | Michel Hostettler: Trois Chansons (1996) |
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for voice and piano sFr. 16.00 , € 12.00 Text: Eugène Guillevic.
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| 15150 | Rudolf Jaggi: Drei Morgenstern-Lieder (1997) |
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for voice and piano sFr. 21.00 , € 16.00 Text: Christian Morgenstern. 1. Die Stadt aus Elfenbein 2. Es ist Nacht 3. Früh-Herbst
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| 2819 | Alfred Knüsel: Wort und Widerhall (1997) |
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Cycle of four songs for singing, piano and percussion instrument ad lib. sFr. 21.00 , € 16.00 Text: Heinz Zimmermann
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| 6804 | Yehoshua Lakner: "Morning Song" und "Day is Gone" (1949) |
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for voice and piano sFr. 18.00 , € 14.00 Text: Elisheba The morning song is quick and rhythmical, the evening song slow and elegiac.
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| 6806 | Yehoshua Lakner: Been Arbaim Bayam - Dämmerung beim Meer (1959) |
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for voice and piano sFr. 13.00 , € 10.00 Text: Dvora Levinson Quiet but syncopated undulations alternating with highly charged, stormy passages.
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| 15212 | Stephan Lauffer: Eschenzer-Lied (2006) |
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for voice and piano sFr. 16.00 , € 12.00 Composed in the spring of 2006 for the open-air concert 'Dorfmais' in Eschenz.
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| 10223 | Michael Schneider: Strassburgkonfiguration (1998) |
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for vocals and piano sFr. 18.00 , € 14.00 A text by Hans Arp on the emergence of Dada in 1916. Contains numerous musical cross references and aleatoric passages; ambitious a-a" vocal range.
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| 5226 | Balz Trümpy: Zwei Lieder (two songs) (Rückert) (1984/85) |
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for high voice and piano sFr. 16.00 , € 12.00 After poems by Friedrich Rückert.
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| 5231 | Balz Trümpy: Vier Gesänge (four songs) (1986/87) |
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for deep voice and piano sFr. 42.00 , € 32.00 Based on poems by Jürg Signer, Ute Höllrigel, Eveline Hasler and Erwin Jaeckle.
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| 5233 | Balz Trümpy: Zwei Lieder (two songs) (Heine) (1990) |
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for medium voice and piano sFr. 18.00 , € 14.00 Based on poems by Heinrich Heine.
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| 5258 | Balz Trümpy: Drei Haikus (2006) |
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For the sixtieth birthday of Robert Kahnt for voice and piano sFr. 16.00 , € 12.00 Texte: Martine Lovis (French).
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| 5827 | René Wohlhauser: Ly-Gue-Tin (2008) |
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Ergon 38 for voice(s) and piano sFr. 36.00 , € 28.00 Based on an onomatopoeic text by the composer. A dialogue between contrasting fragments as a sounding monograph for the inauguration of Jean Tinguely's life tables in Basel, 22 May, 2008.
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piano and instrument | |||
| 15182 | Rudolf Jaggi: Zwei Lieder (1957/69) |
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for high or medium voice and piano sFr. 18.00 , € 14.00 1. Ruhe (Hans Schütz) (3') 2. Tristesse (Alfred de Musset) (3')
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Voice with instruments | |||
| 6422 | George Barcos: Bochornos (2004) |
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for voice, violin, bandoneon, piano and double bass sFr. 21.00 , € 16.00 | ||
| 6423 | George Barcos: 4 Pièces (2005) |
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for mixed voices (SATB), piano, violoncello and bassoon sFr. 34.00 , € 26.00 Texts: Antoine de Saint Exupéry, Alfonsina Storni, Beaucarné, Théophile Gautier Passarelles dans a nuit - Maisons alignées - Une triste boutique - Les batôns.
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| 12815 | Gary Berger: doppelte Wendung (2000) |
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for voice, percussion and live electronics sFr. 18.00 , € 14.00 | ||
| 12821 | Gary Berger: scri (2002) |
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for voice, britone saxophone, percussion and live electronics sFr. 42.00 , € 32.00 | ||
| 12824 | Gary Berger: Tank (2005) |
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for voice and percussion sFr. 23.00 , € 18.00 | ||
| 13918 | Pierre-André Bovey: 3 Epigrammes d'André Chénier (1980) |
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for flute (also flute in G) and voice sFr. 13.00 , € 10.00 | ||
| 8533 | Thüring Bräm: Piccoli Stagioni (1997) |
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for piano trio, flute and voice sFr. 31.00 , € 24.00 Texts: Anna Maria Bacher Four-seasons poems by the poet Anna Maria Bacher from Pomatt in the Italian version; short, transparent pieces.
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| 0903 | Jacques Demierre: Expinnocence (1986) |
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for voice, 2 pianos and violoncello sFr. 68.00 , € 52.00 Texts: William Blake Written for an improviser/reader, these pieces attempt to recreate a fantasy world in honour of some of William Blake's poems.
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| 0907 | Jacques Demierre: Désir d'azur: musique de danse (1988) |
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for 8 voices and 2 pianos sFr. 70.00 , € 54.00 Texts: Roberto Juarroz The electric pianos remind one of toy pianos that grew too fast. The words are sonorous, the lists long and dense.
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| 0913 | Jacques Demierre: Nous ici (1993) |
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for voice, flute, clarinet, violin, violoncello and piano sFr. 70.00 , € 54.00 Texts: Jacques Roman Three main 'characters'. A text by Jacques Roman based on African rhythm organisation and inspired by the solo fragments of jazz saxophonist Charlie Parker.
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| 18005 | Sarah Haessig: Die Geister am Mummelsee (2008) |
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Melodrama for voice, string quartet, flute and harp sFr. 34.00 , € 26.00 Over a poem by Eduard Mörike.
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| 15183 | Rudolf Jaggi: Phasen (1974/75) |
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for medium voice, flute and guitar sFr. 31.00 , € 24.00 Texts: Giuseppe Ungaretti (Ingeborg Bachmann). 1. Ich bin eine Kreatur 2. Freude der Schiffbrüche 3. Morgen 4. Phase I 5. Phase II 6. Finale
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| 15184 | Rudolf Jaggi: Roserich (1977) |
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for medium voice and guitar sFr. 18.00 , € 14.00 Texts: Emanuel Geibel. 1. Beim letzten Erntefeste 2. Intermezzo 1 3. Lass mir die Knaben vom Feste 4. Intermezzo 2 5. …und horch!
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| 15186 | Rudolf Jaggi: O Westen, öffne mir deine Arme (1991) |
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for high voice, flute and guitar sFr. 34.00 , € 26.00 Ancient Egyptian texts. 1. Lobpreis sei dir, Re 2. O Re, komm zu mir 3. Betrachtet mich doch
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| 151106 | Rudolf Jaggi: Five Ayres (2006) |
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for medium voice and guitar sFr. 23.00 , € 18.00 After anonymous texts from the 15th and 16th centuries. I. Come let us all amaying go II. Weep, o mine eyes III. If it be love to sit and mourn IV. O yes! Has any found a lad? V. Though Philomel
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| 151123 | Rudolf Jaggi: Die grosse Gondel (2009) |
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15 Songs for high voice and piano sFr. 36.00 , € 28.00 | ||
| 9315 | Vladislav Jaros: Zwei Lieder nach Gedichten von Peter Weibel (two songs after poems by Peter -Veibel) (1985) |
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for singing voice and strings (or string quartet) sFr. 23.00 , € 18.00 Text: Peter Weibel The autumn atmosphere becomes music, as delicate as poems by Weibel. Relatively simple to perform. An appeal to the musicality of interpreters…
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| 2810 | Alfred Knüsel: Erinnerung an Bevorstehendes (1993) |
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for double choir or 4-7solo voices and a-cappella tutti choir sFr. 52.00 , € 40.00 Text: Fritjof Capra In eleven parts, the form of which involves the integration of a heterophonic soundscape rather more than its actual development.
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| 2843 | Alfred Knüsel: Sechs Miniaturen als Tafelmusik (1994) |
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for recorder quartet, string quartet, harpsichord and voice sFr. 34.00 , € 26.00 | ||
| 2820 | Alfred Knüsel: ... und lässt in gewisser Weise Bindung hinter sich (1997) |
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Collection of four ecclesiastical songs for singing, keyboard instrument (organ) and percussion instrument ad lib. sFr. 31.00 , € 24.00 Text: André Duplain
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| 2824 | Alfred Knüsel: Frühling gestehen (1997) |
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for singing voice, strings (1.1.1.1.1), flute and percussion sFr. 47.00 , € 36.00 | ||
| 2828 | Alfred Knüsel: Fluchtweg ist nicht zu erkennen (1999) |
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Cycle of songs for voice, piano and percussion ad libitum sFr. 34.00 , € 26.00 Texts: Michèle M. Salmony A cycle in five parts based on text fragments by Michèle M. Salmony.
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| 3132 | Urban Mäder: Das Eine. Das Selbe. Das Gleiche (202) |
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for voice (altus), recorder(s), violin, gamba and double bass sFr. 31.00 , € 24.00 (CD und Video beim Komponisten) This project is a collaboration between video art and a musically open play disposition in the room. Based on a text by Thomas Locher, with the Scappatella Ensemble and the video artist Judith Albert. CD and video available from the composer.
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| 15418 | Kurt Meier: Du Leuchte der Welten (1999) |
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for medium voice and lyre sFr. 13.00 , € 10.00 | ||
| 15419 | Kurt Meier: Der da ist die vollkommenste Liebe (1999) |
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for medium voice and lyre sFr. 13.00 , € 10.00 | ||
| 9743 | Hans-Jürg Meier: Arianna: scena sesta - coro (2007) |
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for solo voice and a wind instrument sFr. 16.00 , € 12.00 Text: Ottavio Rinuccini Music in four parts, presented between the four sections of the madrigal version of "Lamento d'Arianna" in five voices (1610) by Claudio Monteverdi.
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| 9747 | Hans-Jürg Meier: les mots jaunes (plötzlich diese Ganzheit) (2008) |
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for voice (mezzo-soprano) and flute sFr. 18.00 , € 14.00 Text by Marianne Schuppe (staging: Hans-Jürg Meier) "Between two languages lies a room. Between language and music lies a room. And between reading, resp. listening and writing lies time. Translating is the setting of one's own words resp. signs into relation." (Marianne Schuppe)
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| 4322 | Ernst Pfiffner: Monologe über Frieden und Krieg (1983) |
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for voice and string quartet sFr. 29.00 , € 22.00 Texts: Dschang Dji, Andreas Gryphius, Hugo Ball, Li-Tai-Pe Work series A: Music for concerts.
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| 10008 | Kit Powell: Father's Telescope (1989) |
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Music theatre piece for singer, speaker and recorded material sFr. 34.00 , € 26.00 Texts by Michael Harlow. Playful work dealing with power and submission.
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| 17702 | Peter Schärli: Ballade pour une pierre (1985) |
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for voice, trumpet (with muffler), piano (or guitar), double bass sFr. 13.00 , € 10.00 Text: Sandy Patton.
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| 17708 | Peter Schärli: Krieg I-IV (1998) |
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for brass quintet (1.2.1.1), voice and timpani sFr. 16.00 , € 12.00 | ||
| 17709 | Peter Schärli: Requiem für die Unschuld (1998) |
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for brass quintet, voice and timpani or trumpet, French horn or saxophone, trombone, piano, double bass and percussion sFr. 13.00 , € 10.00 | ||
| 10238 | Michael Schneider: (2011) |
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sFr. 21.00 , € 16.00
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| 10239 | Michael Schneider: (2011) |
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sFr. 23.00 , € 18.00
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| 4615 | Urs Peter Schneider: Robert Walser Trilogie I,2: Tobold (1987/88) |
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Scenes of humility for choir voices and orchestral groups sFr. 29.00 , € 22.00 A cycle based on savage and partly lost writings; "Die schöne Frau von Thun" uses six instruments, which can be relatively freely chosen; "Tobold" is a compositional concept, formal and extremely variable in its instrumentation (the composer has arranged one version); "Das Mädchen mit den schönen Augen" is the last work before the composer's non-composing phase, maliciously simple, supposedly humorous - it is dedicated to the performer Marion Leyh.
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| 17008 | Raphael Staubli: Dionysos und Apollon (1995) |
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for viola, lyre, overtone singing and eurythmics sFr. 16.00 , € 12.00 | ||
| 7712 | Pierre Thoma: Rugir/écrire/marcher (1988) |
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for one voice and any brass instrument sFr. 29.00 , € 22.00 To a text by Vahé Godel.
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| 7727 | Pierre Thoma: Vocando II (1999) |
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for three voices in any register sFr. 23.00 , € 18.00 | ||
| 5202 | Balz Trümpy: Libera (1975) |
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for eight voices, electronic organ and synthesizer sFr. 70.00 , € 54.00 A snippet of text from the Catholic Requiem Mass is phonetically ‘dissolved’, reassembled as loud formations and returned to its original unit.
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| 5225 | Balz Trümpy: Phasia (1976) |
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for voices sFr. 31.00 , € 24.00 Based on a poem by Bertold Brecht.
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| 10704 | De-Qing Wen: Complainte (1994) |
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for one reciter of Peking opera and 3 percussionists sFr. 23.00 , € 18.00 I chose unusual percussion instruments on purpose because these objects are part of our everyday life, yet their sound is rarely heard in concert halls. Some instruments and tones have symbolic meanings. Because there is no set pitch, rhythmic organization is of the utmost importance.
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| 10740 | De-Qing Wen: A New legend of Yang Zongbao and Mu Guiying (2008) |
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for voice and recorder sFr. 39.00 , € 30.00 The hero Yang Zhongbao and his wife Mu Guiying were two of the impressive warriors from the famous historical story in China, Heroic Legend of the Yang's Family, which was set in the Northern Song Dynasty (960-1127). Although as time goes, the social value has been changed and people today easily find incredible and ridiculous what was cherished in the time of Yang Zhongbao and Mu Guiying, they still love the story. That is where the charm of traditional culture lies. This piece makes the two ancient characters live in today's setting by traveling through time and do what they did in their own time, which is full of humor and wit. Besides, it combines factors of contemporary music with the Chinese traditional form of talking and singing, the arrangement of the tenor and soprano part sung by one male and the artistic appeal of Xi'an dialect and Qin Opera of China.
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| 10825 | Martin Wendel: Anmerkungen, op. 52 (1995) |
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for high singing voice, clarinet and piano sFr. 49.00 , € 38.00 After ancient Chinese texts. I tried to avoid all allusions to ancient Chinese exotics in the realisation of the aphoristic and directness of the still up-to-date texts. All fourteen pieces are connected in a meaningful compositional manner.
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| 78106 | Hansruedi Willisegger: Bitte, Lob und Dank (1973) |
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for cantor, three sopranos, mixed choir, congregation, three speakers, three flutes, violoncello, double bass and bongos sFr. 18.00 , € 14.00 | ||
Voice with orchestra | |||
| 4305 | Ernst Pfiffner: Biblische Szene (1989/91) |
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for high voice and orchestra (2.2(2obda).2.2/ 2.2.0.0/perc/str) sFr. 55.00 , € 42.00 Text: Bible / Liturgy This piece is based on the story of the healing of the boy in Mark’s gospel. The voice assumes the roles of Jesus, the Father and a chronicler, by singing, whispering, speaking, and humming. Four timpani and nine other percussion instruments (two players) enlarge the classical strings and wind orchestra. There is a Gregorian credo motive and Beethoven's credo motive from the ‘Missa Solemnis’ In the final section. Work series A: Music for concerts.
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automatically generated. last update: 20.04.2012 / 2004 Theo Lustenberger | |||