Soprano
solo
sFr. 39.00 , € 30.00
Texts: Bibel The singing can be meditative, joyful or even agitated, it changes from one to the other in the rhythm of thinking - as in an inner monologue. The electronic part consists of the sounds of spoken voice, cymbals, organ and computer generated parts.
sFr. 16.00 , € 12.00
sFr. 34.00 , € 26.00
(Tonband auf Anfrage)
Text from 'Tao Te Ching' and 'I Ching'. A confrontation of two contrasting philosophies.
voice and piano
sFr. 29.00 , € 22.00
Based on the poems of Pablo Neruda.
sFr. 21.00 , € 16.00
To poems of Adonis.
for piano and soprano
sFr. 47.00 , € 36.00
Texts: Friedrich Schiller 1. Erscheinung 2. Abschied 3. Johanna zu Johanna 4. Interludium 5. Gebet
sFr. 34.00 , € 26.00
Text: Paul Eluard 2 notebooks each with three melodies. 1st notebook: Dit de l'amour – L'unique – Dit de la force de l'amour. This notebook has also been transposed one tone deeper.
sFr. 21.00 , € 16.00
En 2 cahiers de 3 mélodies chacun. Texte de Paul Eluard. 2e cahier : Dit d’un jour – A côté – Par un baiser. Ces mélodies sont de style français, dans le sillage de Debussy et Messiaen.
sFr. 26.00 , € 20.00
After texts by Robert Walser.
sFr. 18.00 , € 14.00
Text: Marianne Bonzon
sFr. 29.00 , € 22.00
Text: François Debluë
for soprano with piano accompaniment
sFr. 47.00 , € 36.00
Texts: Silja Walter, Pablo Neruda, Langstston Hughes, Ingeborg Bachmann Four songs, two German and two English. All texts were translated by the composer.
sFr. 47.00 , € 36.00
Texts by Brigitte Powell. Cycle in seven movements with birds as its theme.
sFr. 52.00 , € 40.00
sFr. 55.00 , € 42.00
sFr. 36.00 , € 28.00
sFr. 44.00 , € 34.00
sFr. 21.00 , € 16.00
Texts: Claudio Saltarelli.
for Soprano and piano after text by Ulrich Suter
sFr. 16.00 , € 12.00
Text: Ulrich Suter Filigree sketches where the quasi-obligatory piano sparingly adds 'shades' to the central soprano.
sFr. 42.00 , € 32.00
Morgen! (John Henry Mackay) 4' Um Mitternacht (Friedrich Rückert) 4' Dein Angesicht (Heinrich Heine) 2' Von ewiger Liebe (Josef Wenzig) 3' Widmung (Friedrich Rückert) 3' and: Cäcilie (Heinrich Hart) 2'30" Romantic poems, which have already served as textual templates for the great lieder composers (Schumann, Brahms, Strauss, Mahler), are set anew to music. The musical language of the lieder can be classified as being somewhere between the romantic lied and commercial (pop) song, where the influence of new music is apparent.
sFr. 16.00 , € 12.00
1. Lass scharren deiner Rosse Huf (C.F. Meyer) 2. Erster Schnee (G. Keller)
sFr. 26.00 , € 20.00
The four poems by Eichendorff are arranged so as to outline a day cycle.
for two sopranos and piano
sFr. 52.00 , € 40.00
After texts by Andrew Marvell. The voices are as a singular unit or in a dialogue with the complicated piano accompaniment.
sFr. 31.00 , € 24.00
Texts: Luisa Famos, Arthur Caflisch 1. Margrittas (Artur Caflisch) The soprano sings to a piano part, becoming ever thinner, similar to a flower whose petals are plucked one by one (…she loves me, she loves me not…) 2. Di d`inviern (Luisa Famos) "Winter landscape" – piano clusters slowly 'thaw'. Shadow scales form, echo chords. Bells sound in the distance. 3. Queder engiadinais (Artur Caflisch) Bizarre text about a man who is asked by his wife not to smoke in the living room. Half sung, half spoken. The piano part is strictly composed using a numerical series. There is no alignment between the two musicians.
sFr. 23.00 , € 18.00
sFr. 18.00 , € 14.00
Text: Paul Celan
sFr. 23.00 , € 18.00
Text: Peter Härtling
arranged for soprano and piano
sFr. 31.00 , € 24.00
Based on the novel "Mein Name sei Gantenbein" by Max Frisch. The opera "Gantenbein" saw its premiere in November 2004 at the Lucerne Theater, performed by four vocal soloists and the Lucerne Symphony Orchestra. The subject of the opera is the relationship between Max Frisch and Ingeborg Bachmann. In the "Rachearie" (revenge aria) she strikes back at his accusations and suspicions made out of jealousy.
Soprano with instruments
sFr. 34.00 , € 26.00
Texts: Jorge Manrique, Paul Eluard, Georg Philipp Harsdörffer, T.S. Eliot In this composition, four texts from different authors, languages and historical origin have been used, but all bear on the same theme: the fragility of existence, the problem of the concept of reality. A work of meditation, floating and fragile, it hints at the irrational in both ist vocal and instrumental sounds. The Soprano sings in Spanish, French, German and English.
sFr. 26.00 , € 20.00
The simple notation combines with the texts by Gottfried Keller and Angelus Silesius to produce a multi-faceted musical statement. High-demands in intonation.
for soli (SATB), mixed choir and four-handed piano
sFr. 44.00 , € 34.00
Texts: Johannes Hadlaub.
for orator, solo soprano, violoncello and ensemble (fl.cl/perc/pf/vn.vc)
sFr. 70.00 , € 54.00
(Stimmen beim Komponisten)
Texts: Sarah Kirsch, Sappho, Michel Serres, Stefan Buri, Hans Magnus Enzensberger Commissioned by and with the support of 'Pro Helvetia', (the Swiss culture foundation) for the 50th anniversary of the Zurich Chamber Voice Choir. First performed in Zurich on the 20th November, 2001 by the Chamber Voice Choir Zurich, Martina Fausch, Martina Schucan and the Ensemble for New Music Zurich (Bernhard Erne). A piece dealing with the proximity of music and speech, the border area between commutation and murmuring, exactly there where the word is weak and the music has already begun.
sFr. 34.00 , € 26.00
Words deriving from the spoken language of the Lisu, a Tibetan-Burmese population.
sFr. 44.00 , € 34.00
Texts: Japanese texts Six short Japanese three-liners. The choir part is advanced but can be performed by good amateurs.
sFr. 21.00 , € 16.00
Texts: Dieter Fringeli Four songs in the original scoring: Soprano, viola and bassoon. Text by the Basel poet Dieter Fringeli. There are some free passages in addition to the through-composed parts.
sFr. 34.00 , € 26.00
Texts: Indian texts The 'Children Songs' (which received a prize from the University of California in 1973) are a kind of half scenic cantata based on Indian text.
sFr. 18.00 , € 14.00
Original text: Giacinto Scelsi, 'L'Archipel Nocturne'.
for soprano, alto saxophone and piano
sFr. 31.00 , € 24.00
for soprano, alto saxophone and piano I Auch (Abdo Wazin) II Dunkel (Hans Arp) III Aegyptisches Sterbegebet (anonym) IV Patrouille (August Stramm) V Schafott (Fuad Rifka)
sFr. 65.00 , € 50.00
Texts: Fernando Pessoa Eight scenes from the poems of Portuguese writer Fernando Pessoa (1888-1935). The Soprano sings and recites in Portuguese, German and French. Very demanding for all performers.
for soprano, violoncello and organ
sFr. 31.00 , € 24.00
Texts: Bibel / Liturgie, Johann Wolfgang von Goethe, W.A. Mozart, Richard Scheid
for soprano, clarinet and horn
sFr. 29.00 , € 22.00
Texts: Wilhelm Felix Swoboda, Georg von der Vring
sFr. 16.00 , € 12.00
Five singers generate a multiplicity of vocal sounds on a purely phonetic basis. The pitch levels are purely graphically notated (with no exact indication to elevation). The work oscillates between dense superimpositions and stationary sound surfaces.
sFr. 36.00 , € 28.00
Texts: Anonymous The texts, ranging from sorrow to hope, are derived from political prisoners of various dictatorships. The Soprano voice is identical for both versions.
sFr. 16.00 , € 12.00
sFr. 18.00 , € 14.00
Texts: Giambattista Marino, Catharina von Greiffenberg Extracts of the Concerto lirico. 1) " Miro, rimiro… " for soprano and violoncello (or accordion) Lyrical air on a poem by Giambattista Marino. 2) " Schwing dich, meine Seel" for soprano and percussion ad libitum Large dramatic air on a poem by Catharina von Greiffenberg. The percussion comprises a tam tam and six temple blocks.
sFr. 29.00 , € 22.00
Texts: Georg-Philipp Harsdörffer The text, which evokes the four seasons, dates back to the 17th century. The title of the work, as well as the titles for each piece, are taken from the poem: Es bläst der sanffte West – Ihr Hertz ist von safran – Der Erden Kelterblut – Die Gäste gehen fort.
sFr. 13.00 , € 10.00
Texts: Everyday advertising and media language 'Adventure' is a journey in which joyful anticipation is transformed in a tumult, before man can again reach safe haven. With its sparse instrumentation, the piece requires a very sensitive approach. Sponsored by SME Lucerne.
sFr. 49.00 , € 38.00
Based on a poem by Lord Byron.
sFr. 21.00 , € 16.00
(Parties en vente chez EMS)
A piece dealing with the transparency of life. An adventure into the essence of our elements: The moon - the soul - the sea - the sky - the guardian angel. The perfect man.
sFr. 52.00 , € 40.00
(Spielpartitur)
sFr. 16.00 , € 12.00
for high soprano and tempered piano
sFr. 31.00 , € 24.00
Props: tea cup, floor vase, cardboard box.
sFr. 18.00 , € 14.00
The aphorisms of Robert Walser (he calls them phrases) unexpectedly caught my attention during nightly readings of his prose. The resulting compositional sketches, all of which were produced in one day, were graphically and verbally fixed (drawn), later interpreted (crystallised) and then precisely notated. The melodic steps of the female voice are often microtonal and are to be performed in the tiniest of intervals in accordance with the interpretation of the texts. In the sixth miniature the violin is retuned resulting in new, profound harmonic situations as well as creating friction between the strings and the voice. To set the texts of Walser to music, to elevate them and endure their depths filled me with an “incredibly intense joy”.
sFr. 42.00 , € 32.00
sFr. 16.00 , € 12.00
for soprano solo, English horn and four strings
sFr. 23.00 , € 18.00
(Voix chez EMS: sFr. 20.-; € 13.50)
Psalm 130 (129) in Armenian.
sFr. 13.00 , € 10.00
sFr. 60.00 , € 46.00
Texts: Anna Achmatova Midnight ghostly spook. The concert version of a scene from the forthcoming opera 'Poem ohne Held'. Commisioned by the 'Ensemble Klangheimlich', Berne.
sFr. 18.00 , € 14.00
Text: E.T.A. Hoffmann A 'carnival' for four players in fifteen combinations with R. Schuhmann and E.T.A Hoffmann. For the 60th birthday of Urs Peter Schneider.
sFr. 16.00 , € 12.00
Text: Tan Tsien (4th century). 1. Elegie 2. Invention 3. Pastorale
sFr. 39.00 , € 30.00
Text: Omar Khayam. Morning… Perpetual change Away, away Carpe diem
sFr. 26.00 , € 20.00
(inkl. Stimmen)
sFr. 47.00 , € 36.00
Text from the book 'knaben wunderhorn'.
sFr. 60.00 , € 46.00
sFr. 86.00 , € 66.00
(Stimmen beim Komponisten)
A cycle of songs based on texts by W. C. Williams.
sFr. 52.00 , € 40.00
Text: Ernst Herbeck 27 songs and four intermezzi based on the schizophrenic lyrics contained in the poems of Ernst Herbeck (Alexander). Relatively simple for the instrumentalists. In some sections, the musicians have to sing and whistle as well.
sFr. 23.00 , € 18.00
Text: Kurt Marti The poems are taken from different collections to form a cycle, the inner and outer components of which convey particularly Swiss characteristics: weighty burden, efficiency, precision as a substitute for happiness and indifference. The soprano's phraseology encompasses both recitative and flamboyant melodies.
sFr. 23.00 , € 18.00
Text: Max E. Keller, E. Galeano The setting to music of four of my own texts: Globalisation as worldwide exploitation of people and nature; freedon as unlimited and uninhibited profit maximisation; Education as manipulative conformation. The 5th text comes from Eduardo Galeano from Uruguay: repress how the rich countries accumulate their riches.
sFr. 16.00 , € 12.00
Text: Max E. Keller A contribution to the 'Zepernicker Liederbuch', 2001.
sFr. 21.00 , € 16.00
Text: Klaus Merz In laconic, melancholic and simultaneously playfully poetic miniatures Klaus Merz mirrors in ‘Löwen Löwen’ surprising facets of the much praised lagunal city of Venice. Profound ambiguity is the point of departure for this musicalisation which partly proceeds as if on two levels before reuniting unawares.
sFr. 34.00 , € 26.00
A text about statistically the most frequent causes of death in Switzerland takes its course and is interspersed by ten extremely varied newsflashes from real life, all of them objets trouvés from two daily newspaper of 12th June, 2007. The statistical information is set to music in a recitative manner with very few, primarily sustained notes. This is in contrast to the ten newsflashes whose music is composed with lively movements and a tangible pulse in various structures. The somewhat macabre text montage reflects the apparent phenomenon of the sometimes-grotesque contrast of various themes and texts, which seems to magically attract humans.
sFr. 29.00 , € 22.00
Text: Georg Christoph Lichtenberg "It is almost impossible to carry the torch of truth through a crowd without singing somebody's beard." One of ten aphorisms written by Lichtenberg more than two hundred years ago - and still surprisingly relevant today. This musical version attempts to transpose the concise, acuminate formulation into succinct, very divergent miniatures.
sFr. 18.00 , € 14.00
sFr. 68.00 , € 52.00
(Violin-Stimme: sFr. 12.-; € 8.00)
sFr. 44.00 , € 34.00
Text: Spanish (Christof Jung) A seven-part cycle based on anonymous Spanish verse, translated by Christof Jung.
sFr. 39.00 , € 30.00
Text: Henriette Hardenberg Cycle of three songs.
sFr. 52.00 , € 40.00
Texts: Clara of Assisi, Francis of Assisi, Bible / Liturgy Homage to Clara of Assisi. The soprano is expected to use her voice in a widely colourful manner.
sFr. 47.00 , € 36.00
Texts: Anna Achmatova (Mathilde F. Anneke), Dorothee Sölle, Hanna-Renate Laurien, Käthe Kollwitz, Wera Figner, Adelheid Duvanel Five songs requiring a broad, expressive spectrum.
sFr. 21.00 , € 16.00
Texts: Bible / Liturgy, folksong
sFr. 31.00 , € 24.00
A short musical theatre in three parts to be handled as a non-stop performance.
sFr. 34.00 , € 26.00
1. Doxologie 2. Antiphon 3. Ektenie I 4. Hymne 5. Ektenie II
sFr. 70.00 , € 54.00
Texts: Niklaus von Flüe Easy to easy/intermediate for amateur choir and semi professional vocal ensemble. Liturgical performance duration 50’- 65’
sFr. 47.00 , € 36.00
Text: Samuel Backett An audio play after a quote from Samuel Beckett's “Mal vu mal dit” (badly seen badly said).
sFr. 18.00 , € 14.00
The core of this piece is created by the convergence of two sounds with very different tonal characters. It is an attempt at bringing together two differing tonal qualities (one soft and elastic, the other sharp and determined), to recoulour them and transform them. Is it possible to create a moment where a new mutual sounding body is formed, where a combination colour becomes a new primary colour? How can this threshold be approached: via the fusion of harmony, by increasing the disharmony, through the alternation of tone and tempo dispositions? The more the voice becomes a sound dispenser, the more instrumental it becomes. As there is no room here for language as a carrier of meaning, the phonetical formation of syllables allows the vocal sound to become purely tonal.
sFr. 36.00 , € 28.00
Text: Everyday advertising and media language The basis of the text for ‘Fernruf J 12’ is the the list of the Bolshevist musicians from the Berlin department for art preservation from 1935: it is the list of musicians which had to be displaced from the music scene. The piece works, from a musical point of view, with different levels of understanding i.e. repression and forgetting. World premiere: 22.05.02 in Basel by the aequator ensemble.
for soprano, mezzo-soprano and organ
sFr. 16.00 , € 12.00
for soprano and organ
sFr. 18.00 , € 14.00
for soprano and organ
sFr. 21.00 , € 16.00
sFr. 34.00 , € 26.00
Texts: Samuel Beckett Seven poems from the 'Mirlitonnades' by Samuel Beckett form the textual base of this piece.
for soprano, mezzo-soprano and organ
sFr. 18.00 , € 14.00
for soprano and organ
sFr. 16.00 , € 12.00
Text: Michael Bauer.
for soprano and organ
sFr. 29.00 , € 22.00
sFr. 148.00 , € 112.00
(Stimmen beim Autor)
Texts: Hans-Jürg Meier, Rainer Maria Rilke, Hilde Domin, Virginia Woolf, William Butler Yeats, Mona van Duyn, Dante Alighieri, antique authors and the Bible Profane consideration of the Annunciation scene. Sacred music in a double proscenium and a three-part main piece.
sFr. 52.00 , € 40.00
Texts: Rainer Maria Rilke Music in four parts with texts from "Die Sonette an Orpheus" (1922): I Blume und Buch II Tempel im Gehör III Gesang ist Dasein IV Lied überm Land
sFr. 49.00 , € 38.00
Texts: Karoline von Günderrode, Christina Thürmer-Rohr
for Soprano, piano, actor, small amplification equipment and a small wooden table
sFr. 52.00 , € 40.00
Text: Heinrich Heine Twelve pieces of music (songs and a piano piece) with texts by Heine throughout, representing a biography in five stages. The Soprano needs a strong low register.
for soprano, flute, clarinet, violin, viola and violoncello
sFr. 34.00 , € 26.00
Also in a version for mezzo-soprano and the same instrumentation. Mutations in the same edition. Seven songs: ABC-Schützen - Papiers Natur ist Rauschen - Ein Musikant wollt fröhlich sein - Ich sass auf einem Birnenbaum - Das Vöglein Butschli Butschli Bu (Brentano) - Letzter Zweck aller Krüppelei - Ich hört ein Sichlein rauschen.
for soprano (with a strong lower register), baritone and piano
sFr. 88.00 , € 68.00
Der Morgen (fantasy for piano solo); Der Tag (scherzo for vocals and piano); Der Abend (song cycle); intermezzo; Der Nacht (fragments for voices and piano). Text by C. Brentano and others.
sFr. 26.00 , € 20.00
Text: Giuseppe Ungaretti The quartets can be performed as solos. Standard vocal techniques. One section contains altered vocal effects. Demanding to perform. Sponsored by the SME Lucerne.
sFr. 21.00 , € 16.00
The four German a-cappella songs (2 to 4-part) are in a traditional tonal style and suitable for an amateur choir; it is not without difficulties. The pieces can be performed individually. 1. Carl Sandburg: Der Nebel (2-part) 2. Gertrud Burkhalter: D Chrinne (2-part) 3. Friedrich Bischoff: Schneefall (4-part) 4. Ernst Penzoldt: Abreise (canon for three sopranos)
sFr. 23.00 , € 18.00
Texts: Bettina Ruchti
sFr. 23.00 , € 18.00
(Stimmen: sFr. 16.-; € 12.-)
sFr. 31.00 , € 24.00
(Stimmen: sFr. 42.-; € 32.-)
sFr. 57.00 , € 44.00
(Stimmen: sFr. 16; € 12.-)
sFr. 44.00 , € 34.00
sFr. 21.00 , € 16.00
A piece based on a cycle of poems in Romansch, taken from the cycle ‘Dschember Schamblin’ by Denise Mützenberg.
sFr. 31.00 , € 24.00
Texts: Ralph Waldo Emerson, Emily Dickinson In May when south winds pierced our solitudes - A light exists in spring. Sensible American natural poetry by Ralph Waldo Emerson and Emily Dickinson. From a fading vocal part dotted with various natural effects to a network of variously coloured instrumental timbres.
sFr. 49.00 , € 38.00
A lyrical and atmospheric piece about the world of mountain gorillas. The choir parts can be performed by a good amateur choir, the small percussion instruments (cymbals, small tam-tam, wood blocks, glass rattle) are to be played by the pianists.
for soprano and violoncello
sFr. 18.00 , € 14.00
1. Einzug: Blasius-Segen (2'30) 2. Fürchtet Euch nicht - Folget mir nach (3'30) 3. Gabenbereitung: Nimm, o Herr! (2')
sFr. 31.00 , € 24.00
A half-scenic attempt to look at the common ground between musical and theatrical operation and the resulting relationship between movement and sound.
for solo soprano, mixed choir, chamber choir, childrens voice and instrumental ensemble (cl(bcl)/amphpd.org/egtr/2perc/vn.va) and a couple of easy to play additional instruments
sFr. 62.00 , € 48.00
Texts: Giuseppe Ungaretti, Hans Saner, Rudolf Rechsteiner, E.M. Cioran, R. Heinzelmann, M. Buselmeier, Elias Canetti, Hermann Burger, G. Bachmann, Ph. Luidl, B. Oleschinski, Erich Fried A disruptive, conflicting cycle with a tendency to decline (from blinding light to ferocious darkness). To be played exclusively in a church and utilising the whole room.
for soprano, mezzo-soprano, flute, clarinet, violin, violoncello and piano
sFr. 55.00 , € 42.00
Texts: Paul Scheerbart, Oskar Pastior, Bruno Stöckli Uses the quarter-tone system.
sFr. 68.00 , € 52.00
Texts: Francesco Petrarca Each of the four movements illuminates one of several aspects of love from the poet to Laura: The glorification, the steady sorrow in loss, the deceptive vision, and the final idolisation.
sFr. 23.00 , € 18.00
A wealth of discourse is presented in this piece, a poem interpreted according to the Yi Chang technique used for thousands of years to declaim poetry, quotes from contemporary Zen texts, Buddhist prayers and the Swiss yodel.
sFr. 16.00 , € 12.00
Text: Paul Celan
sFr. 16.00 , € 12.00
for soprano, choir, flute and organ
sFr. 34.00 , € 26.00
sFr. 18.00 , € 14.00
sFr. 18.00 , € 14.00
After a picture by Hans Erni.
sFr. 39.00 , € 30.00
Texts: Kurt Marti, Silja Walter, Gabriel Garcia Marquez, Novalis
trio for soprano, flute and piano
sFr. 47.00 , € 36.00
Moment forms, contrasting structures and characters between complexity and simplicity combined with a particular kind of lyricism leads to changes in the perception of tempo. Parallel to the conflict with various forms of perception, there develops a grammar of constructive congruity, which should allow the beaten path to emerge as conclusive.
for soprano, flute, clarinet and violoncello
sFr. 31.00 , € 24.00
Based on an onomatopoeic text by the composer. The development of an aesthetic of fragments as a metaphor for fragmentary perception.
for soprano, flute, clarinet, violoncello and piano
sFr. 55.00 , € 42.00
Based on an onomatopoeic text by the composer. Sounds change from instrumental noises to sound frictions and from virtuousic buzzing to vocal noises.
sFr. 21.00 , € 16.00
Texts: Rose Ausländer
sFr. 55.00 , € 42.00
A piece with aperspective performance practice. The ever-changing aspects on the radix planets (instrumentalists) by the transitory moon (soprano) are made audible.
Soprano with orchestra
sFr. 26.00 , € 20.00
Based the sonnet 154 by William Shakespeare.
sFr. 210.00 , € 164.00
Texts by Emmy Hennings, Klabund, Richard Huelsenbeck and Hugo Ball.
sFr. 26.00 , € 20.00
Texts: Angelus Silesius A very good amateur choir with a professional orchestral accompaniment can perform this varified piece.
sFr. 49.00 , € 38.00
Texts: Josef Freiherr von Eichendorff Written for the 1000-year anniversary of the city of Danzig. A representation of five poems by the romantic poet Josef Freiherr von Eichendorff for high voice (tenor, soprano) and orchestra with transparent texture.Todeslust - Im Alter - Die Zeit geht schnell - Memento - In Danzig.
sFr. 60.00 , € 46.00
sFr. 130.00 , € 100.00
I Jünger II Apostel III Märtyrer
sFr. 18.00 , € 14.00
(Stimmen: sFr. 18.-; € 12.-)
sFr. 62.00 , € 48.00
(Stimmen: sFr. 44.-; € 30.-)
1. Hoch steht am Himmel uns der Stern 2. Flieg, mein Vogel
sFr. 78.00 , € 60.00
(Stimmen: sFr. 32.-; € 20.00)
for female choir (SSA), three soloists (SSA) and small orchestra (2ob,2tp,perc,v1,v2,va,vc,db
sFr. 91.00 , € 70.00
(Stimmen bei SME: sFr. 30.-; € 30.-)
sFr. 122.00 , € 94.00
(Parties séparées chez le compositeur; réduction voix/piano: sFr. 70.-; € 70.-)
Texts: Gilgamesh epic, Emily Brontë, Vedas (Indian), Guillaume Apollinaire Numerous, equally overlapping texts regarding the problem of death: from the epic of Gilgamesh to E. Brontë, from the Vedas to Apollinaire. A very impressive work in its expressivity and its musical and philosophical progression, with a multitude of climates and a very serene ending.
sFr. 148.00 , € 112.00
(Aufführungsmaterial bei Akademie für Schul- und Kirchenmusik Luzern)
Texts from the Bible and eastern Liturgy; twelve single verses from Martin Gutl, Huub Oosterhujs, Nelly Sachs, Rabindranath Tagore; quotes from Helder Camara, Ernesto Cardenal, Johannes XXIII., Josef Quadflieg und J.M. Sailer. Wie? Pfingsten? die Gott verschlafen Verheissungen Als Pfingsten gekommen "Licht wird aus Sand" Geist - Heiliger GeistSchenk uns neue Begeisterung Work series A: Music for concerts.
sFr. 65.00 , € 50.00
(Stimmen: sFr. 55; € 42.-)
sFr. 78.00 , € 60.00
Texts: Anonymus, Heinrich von Morungen, Walter von der Vogelweide This three-part work is based on texts from a minnelied. The vocal line, which uses various sound modulations, is harmonically, melodically and rhythmically interwoven with the accompaniment.
sFr. 62.00 , € 48.00
Sappho and Alkaios from the isle of Lesbos are amongst the most prestigious representatives of Greek lyrics strongly connected with the Orpheus saga. After the heavenly singer has lost his beloved Eurydice to the underworld and, spurned by his endless mourning, he seeks the love of other women. Bacchante tear him to pieces in an angry rage and cast his head into the sea. The tide washes it onto the shores of Lesbos - here his mouth is once again brought to speech by the lyric of the island. Mythological notions merge with personal experience and sufferance in connection with the erotic. Eros is the ‘weirdest God’ (Alkaois) whose effect is to rip open the abyss between the highest fulfilment and the degeneration towards death. The elemental force with which he encompasses man awakes in him an orpheic longing for immortality and the desire to overcome the underworld; simultaneously bringing even more painfully the forlornness of his wish to consciousness. While Alkaios attempts to forget in wild drunkenness and sexual indulgence, we eavesdrop on Sappho, and the dark tones of a wish for love in which pain resonates with the transient. EIS EROTA combines fragments from both poets to produce a dialogue on the subject of love and death.
sFr. 57.00 , € 44.00
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