Symphony orchestra
solo
sFr. 44.00 , € 34.00
(Orchester-Leihmaterial beim Komponisten)
A piece for the fictive re-opening of the bricked-up Golden Gate in Jerusalem. This gate plays a different role in the myths of Christianity, Judaism and Islam.
für Symphonieorchester (2,2,2,2 - 4,2,3,1 - Pk, Schlgz - Str)
sFr. 47.00 , € 36.00
(Partitur)
Multi-part, single-movement piece.
sFr. 34.00 , € 26.00
This whole five-part piece is developed from a pentatonic core group.
sFr. 42.00 , € 32.00
Commissioned by the Basel Academy of Music. Variations on the choral from the ‘Album für die Jugend’ by Robert Schumann. This piece is relatively simple on the technical side and achieves differentiated sound effects through a spatial distribution of groups.
sFr. 57.00 , € 44.00
sFr. 49.00 , € 38.00
(Material und CD beim Komponisten)
Walking in the Paths of the Warrior (Feuer) Teacher (Wasser) Visionary (Luft) Healer (Erde).
sFr. 26.00 , € 20.00
The orchestra is used throughout in a chamber music fashion.
sFr. 29.00 , € 22.00
What did he leave us? A few poems, a few drinks, a few rooms around town, a few friends (Morton Feldman on Frank O'Hara). The piece pays tribute to the mutual affection and rapport between these two men.
sFr. 16.00 , € 12.00
sFr. 31.00 , € 24.00
(Stimmenmaterial bei SME)
The title relates partly to the timbre of the individual instruments (they remain side by side largely unmixed) and partly to the multifaceted 'colours' audible in the chords.
for orchestra (2.2.2.2./2.2.0.0/perc/pf/str)
sFr. 16.00 , € 12.00
A piece for the 80th birthday of Paul Sacher. The symbolic 'S' appears in the notation of the wind instruments. Quotations of works commissioned by Sacher can be heard in the strings.
sFr. 29.00 , € 22.00
Homage to Armin Jordan on his 60th birthday, composed with quotations of works from the 19th and 20th centuries.
for orchestra (pic.2.2.ca.2.bcl.2.cbn/4.3.3.btbn.0/timp.1perc/str)
sFr. 42.00 , € 32.00
Our life experience constitutes the eighth day. The discovery and expression of our strengths and the acceptance of our joys and sorrows are the building blocks for our eighth day, our myths, and our individual life histories.
for orchestra (I-III)
sFr. 68.00 , € 52.00
sFr. 44.00 , € 34.00
Am Grabe Richard Wagners Caroussel de Madame P-N Resignazione Trübe Wolken - Nuages gris
sFr. 42.00 , € 32.00
for large orchestra (2(2pic).2.2.1/2.2.2.1/4perc/hp/str)
sFr. 47.00 , € 36.00
sFr. 23.00 , € 18.00
Comical variations on two Swiss folk song themes for diverse instrumental groups, sometimes playing register-like and sometimes as a whole orchestra. Medium level of difficulty, can also be played relatively easily by a student or amateur orchestra.
sFr. 60.00 , € 46.00
Two slow outer movements, deep-rooted with partly sad, partly emphatic expression. The middle part, in contrast, is a lively, wild music with an almost over-the-top existence. Postmodern, harmonic structure: extended tonality and free atonality.
sFr. 99.00 , € 76.00
Seven pictures (character pieces) from 'Das Burgfest' (a musical fairytale for children set for speaker and orchestra). Full of colours and surprises, accessible and easy to play. Postmodern, extended tonality, partly 10-tone structures.
sFr. 65.00 , € 50.00
Easily accessible character pieces with a very dense atmospheric and emotional content. Tonality, bitonality and quintal harmony.
sFr. 47.00 , € 36.00
The regular beat is one initial point of departure, on the one hand side, as a reference to the 'Winterthurer Musikfestwochen', a 25 year-young rock and pop festival and on the other, a reference to J.S Bach who died 250 years ago. The second point of departure is the fugal principle, in this instance, however, the fugal theme consists not of single tones but of total structures: clusters, sound surfaces, figures, punctual fields etc..
sFr. 52.00 , € 40.00
This work centres on the pulse and the tension between it and its opposite: sustained tone or sound. Both poles of the musical process are shaped with a maximum colour and tonal spectrum. A third basic element is brisk, loud walking movements, which fly down unexpectedly like a bolt from the blue. Commissioned by the ‘Aargauer Kuratorium’ for the ‘Tonhalle-Orchester Zürich’.
sFr. 18.00 , € 14.00
Several time phases blend together to form a whole.
sFr. 44.00 , € 34.00
Stories of everyday life. This fantastic bazaar of sounds is set in a hermetic sound world.
sFr. 114.00 , € 88.00
A collection of non-cyclic orchestral pieces.
sFr. 47.00 , € 36.00
Searching for the subtlest sound track, fearful eruption, internalised epilogue.
for large orchestra (3(pic, afl).2.3(bcl).3(cbn)/2.2.2.0/3perc/10.8.6.6.4)
sFr. 57.00 , € 44.00
sFr. 57.00 , € 44.00
Three movements attacca: I nebel; (haze) II schleier; (mist) III blendung (glare). The simple basic idea of ‘Blendung’ is the process of constant accentuation in the musical course of action, to lurid density during the third movement. World premiere: 26.04.02 in Berne by the Berne Symphony Orchestra under the direction of D. Kitajenko.
sFr. 49.00 , € 38.00
sFr. 55.00 , € 42.00
Movement order: "In Catene - in Fuga - In Scioglimento". In a self-explanatory way, the title and movement order show that the piece does not try to follow classical and romantic form, even if it makes use of a large orchestral setting. The movement titles are merely a starting point for the compositional process, not a programme. In the final movement a theme from a motet by Felice Anerio (1560-1614) is re-worked and a Gregorian melody incorporated. Work series A: Music for concerts.
sFr. 73.00 , € 56.00
(Stimmen: sFr. 160; € 120.-)
sFr. 57.00 , € 44.00
This work is inspired by the promenades and talks in the gardens of Jinan, capital of the Chinese province Shandong. This is especially apparent in the pianissimi and the big divisi of the strings and sounds and its alternating impression.
sFr. 57.00 , € 44.00
sFr. 36.00 , € 28.00
Dynamic with contrasting blocks of sound in the orchestration and short intermezzi with transparent melodic fragments shining through.
sFr. 88.00 , € 68.00
A professional orchestra will encounter no particular difficulties here.
for orchestra (2(pic).2.2.2/4.2.3.1/timp/str)
sFr. 47.00 , € 36.00
Reworking of ‘Variationen und Fantasie’ from 1959.
sFr. 148.00 , € 112.00
sFr. 52.00 , € 40.00
A spatially distributed orchestra, with ever changing group assemblage, which (independent of the conductor) moves between individual solo and various tutti-attempts. Critical questions of identity, individuality, coherence and unity are central in this composition.
sFr. 29.00 , € 22.00
Initially planned as a constituent piece of a ballet, this piece accentuates the rhythmical arrangement of time and highlights the first violin and the percussion line as soloists.
sFr. 55.00 , € 42.00
(2.2.2.2/2.2.2.1/timp/str)
sFr. 47.00 , € 36.00
Written for Toni Mummenthaler and the ‘Bern Mediziner Orchestra’. The six parts vary in character from full orchestra tutti to delicate chamber music. Created for a very good amateur orchestra.
sFr. 88.00 , € 68.00
1. Aufschwung 2. Abgesang
sFr. 75.00 , € 58.00
sFr. 57.00 , € 44.00
The strings can be set soloistically.
sFr. 42.00 , € 32.00
for orchestra (afl.bfl.ob.ca.bcl.cbcl.bn.cbn/3.2.2.1/2perc/8.6.4.4.2)
sFr. 39.00 , € 30.00
Almost in the spirit of the fast growing theory of complex, physical conditions, a stubborn dialectic between chaos and order which touches on the experience of the perception of the transition between stillness, noise and an unstable developing microtonal area.
Symphony orchestra with instruments
for mezzo-soprano and orchestra (1.1.1.0/gtr/str)
sFr. 62.00 , € 48.00
Texts: Vladislav Jaros Instrumentation: 1. Dreams: fl, ob, mezzo, gtr, str 2. Recuerdos de la Alhambra: mezzo, gtr, str 3. Tears: fl, ob, kl, mezzo, gtr, str The composer has written an English text and a melodie to the well-known pieces by Francisco Tàrrega and intrumented the pieces for chamber orchestra. In he orchestral version, the music of Francisco Tàrrega sounds in an unknown colour, intensity and musical quality that must be heard.
Symphony orchestra with orchestra
sFr. 44.00 , € 34.00
sFr. 62.00 , € 48.00
(Violinstimme bei SME: Sfr. 12.-; € 8.00)
The violin concerto succeeds thanks to its sonorous and atmospheric sound world, and without a need to rely on traditional forms and structures.
sFr. 65.00 , € 50.00
(Klavierauszug: sFr. 52.-; € 40.-)
Multi-part, single-movement piece with solo cadence.
sFr. 57.00 , € 44.00
A work in three movements, written for the Tibor Varga Competition in 1996. Notation is traditional. The soloist's part contains a few cadenzas, which are written without bar lines.
sFr. 26.00 , € 20.00
Based the sonnet 154 by William Shakespeare.
sFr. 49.00 , € 38.00
Texts: Josef Freiherr von Eichendorff Written for the 1000-year anniversary of the city of Danzig. A representation of five poems by the romantic poet Josef Freiherr von Eichendorff for high voice (tenor, soprano) and orchestra with transparent texture.Todeslust - Im Alter - Die Zeit geht schnell - Memento - In Danzig.
sFr. 52.00 , € 40.00
(Réduction pour violon et piano: sFr. 20.-; € 20.-)
sFr. 52.00 , € 40.00
(Stimmenmaterial bei SME)
The organ and orchestra are equal concerting partners in this piece. An amateur orchestra can tackle the orchestral part but the organ, with its two large-scale cadenzas, requires an experienced organist.
sFr. 49.00 , € 38.00
Melody and counter-melody. A piece rich in contrast and full of distinguished sounds.
sFr. 60.00 , € 46.00
(Parties en vente chez EMS)
for tenor solo, choir (SATB) and orchestra
sFr. 88.00 , € 68.00
(Stimmen: SME sFr. 62.-; € 41.00)
for speaker and orchestra (2(pic)2.2.2/2.2.0.0/cel.3perc/str)
sFr. 104.00 , € 80.00
Text: Vladislav Jaros Also in a versions for: speaker and string orchestra speaker and wind quintet speaker and piano An amusing, modern and completely atypical fairytale in which, for once, the woman plays the active role and takes her destiny into her own hands. A diversified, colourful story with lively music.
sFr. 57.00 , € 44.00
A colourful concertino in one movement, playful and blithe, dancey. Extended tonality throughout, middle part is atonal. An easily comprehensible and rewarding piece for both musicians and audience alike.
for mezzo-soprano and orchestra (fl, ob, cl, bn, drm, drmset, bongos, piano, bassgtr, str) or mezzo and pf
sFr. 34.00 , € 26.00
Texts: Vladislav Jaros Tonally composed in the Musical style. Second version is without bass guitar and drum set.
sFr. 29.00 , € 22.00
Texts: Vladislav Jaros In the Musical style.
for mezzo-soprano and orchestra (2fl, 2ob, 2cl, 2hn, 2tpt, tbn. drm, drmset, bassgtr, str)
sFr. 36.00 , € 28.00
Tonally composed in the Musical style.
for mezzo-soprano and orchestra (2fl, 2ob, 2cl(bcl), 2hn, 2tpt, tbn. drm, drmset, pf, bassgtr, str) or mezzo, baritone and pf
sFr. 34.00 , € 26.00
Tonally composed in the Musical style.
(2.2.2(2bcl).2/2.2.1.0/perc/7.7.4.4.2)
sFr. 44.00 , € 34.00
To explore the whole of vastness is the utopic aim, and yet the whole can only be seen in part. Dialectic between part and whole is expressed in terms of the exploration to extremities of a dimension and the freezing of other parameters. A simple orchestral part with aleatoric passages in which each individual plays independently.
sFr. 47.00 , € 36.00
Texts: Bible / Liturgy Music for the Pentecostal Liturgy with Latin text. Seven parts distributed throughout the service. The choir and instrumental groups are distributed throughout and incorporate the whole church room. The congregation sings (with accompaniment) four integrated Gregorian chants. Easy to intermediate level of difficulty. Liturgical performance duration: 65'
sFr. 73.00 , € 56.00
Text: Christina Thürmer-Rohr A version for chamber orchestra (wind quintet, strings, piano and recorded material) is also available (1994).
sFr. 122.00 , € 94.00
(Parties séparées chez le compositeur; réduction voix/piano: sFr. 70.-; € 70.-)
Texts: Gilgamesh epic, Emily Brontë, Vedas (Indian), Guillaume Apollinaire Numerous, equally overlapping texts regarding the problem of death: from the epic of Gilgamesh to E. Brontë, from the Vedas to Apollinaire. A very impressive work in its expressivity and its musical and philosophical progression, with a multitude of climates and a very serene ending.
sFr. 34.00 , € 26.00
(Partie séparée: sFr. 12.-; € 12.-: réduction violon/piano: sFr. 16.-; € 16.-)
In two parts, the first is sad and tragic with a cadenza almost at the beginning; the second ruminant and deep. It disappears in the end towards the high in the solo part, towards the low in the orchestral and towards silence.
sFr. 21.00 , € 16.00
sFr. 55.00 , € 42.00
Text: Bible / Liturgy This piece is based on the story of the healing of the boy in Mark’s gospel. The voice assumes the roles of Jesus, the Father and a chronicler, by singing, whispering, speaking, and humming. Four timpani and nine other percussion instruments (two players) enlarge the classical strings and wind orchestra. There is a Gregorian credo motive and Beethoven's credo motive from the ‘Missa Solemnis’ In the final section. Work series A: Music for concerts.
sFr. 88.00 , € 68.00
Texts: Euripides, Karl Jaspers, Blaise Pascal, William Shakespeare, Bible / Liturgy Work series A: Music for concerts.
sFr. 68.00 , € 52.00
The improvised part is composed for wind instruments, cello and drums but can just as easily be realised using other instruments.
sFr. 70.00 , € 54.00
The piano is an integral part of the orchestra. Not uncomfortably virtuosic, jazzy in parts, very rhythmical (with cadenza).
sFr. 88.00 , € 68.00
(Avec partie de flûte)
Demands an exceptional level of virtuosity for the solo flute. Written for Aurèle Nicolet.
sFr. 42.00 , € 32.00
for flute and orchestra (Solo: pic.fl-c.fl-g.bfl/ 2(pic:fl-g).1(ca).2(bcl).1(cbn)/1.0.0.btbn.0/3-5perc/hp.pf/6.0.4.4.2)
sFr. 49.00 , € 38.00
Based on Jean Gebser's idea of the five-phase conscience changes of humanity (archaic, magic, mythic, mental, integral), the soloist personifies the individual changing in its environment.
sFr. 57.00 , € 44.00
An attempt at a musical commentary on the poetry of the Sarabande - its presumed Aztec origins and its almost 200 year long chastisement. Spatial music. Can also be performed by a good amateur orchestra. Parts, small additional instruments, and preparation devices for the piano (Steinway D-274) are available on loan.
sFr. 78.00 , € 60.00
Texts: Anonymus, Heinrich von Morungen, Walter von der Vogelweide This three-part work is based on texts from a minnelied. The vocal line, which uses various sound modulations, is harmonically, melodically and rhythmically interwoven with the accompaniment.
sFr. 91.00 , € 70.00
sFr. 99.00 , € 76.00
After poems by John Donne. Orchestral version of the six songs for bass and piano. The orchestra highlights the complexity of the metaphysical poetry of Shakespeare's contemporaries.
for violin and large orchestra (3.3.3.3/4.3.3.1/3perc/hp/30.12.10.8)
sFr. 57.00 , € 44.00
(Partition et partie de soliste)
This piece is inspired by a Chinese drama of the 12th century. A woman is unjustly exectued, nature testifies her innocence: her blood doesn't drop to the ground but flies away on a white blanket; a heavy snow falls in the middle of summer and the winds begin to howl. The rhythm is influenced by the poetic form of the Song dynasty (960-1279). The organisation of the musical material is inspired by certain codes which allow one to understand the taoistic texts.
sFr. 47.00 , € 36.00
The theme of the work is borrowed from a folk song of Xianjiang province (China) "A lovable rose". How deep love is, how deep it hurts.
for suo-na, calligraphy and large orchestra (3.3.3.3/4.3.3.1/perc(4)/hp.pf/12.10.8.8.6)
sFr. 70.00 , € 54.00
sFr. 62.00 , € 48.00
This composition was received the 'Primo Premio Città di Trieste' award in 1967.
sFr. 57.00 , € 44.00
for large orchestra and piano solo (2.2.3.2/3.2.3.1/4perc/hp/24.6.6.4(five stringed))
sFr. 65.00 , € 50.00
‘Vom Klang der Bilder’ (from the sound of images): An orchestral cycle based on pictures by Buchholz, Klee, Kandinsky, Klein and Fruhtrunk. The five pieces span a cyclic arch that is anchored in the laws of life. I. ‘Blutgesang’ (blood song): destruction, swan song, tears, sadness, grievance II. ‘Choral und Landschaft’ (choral landscape): hope, confidence, humbleness, belief, nature III. ‘Gegenklänge’ (a mediant): re-polarisation, existence of contradictions IV. ‘Monochromes Blau’ (monochrome blue): Movement in statics, pause, mediation, illusion, paradise on earth V. ‘Orgelpunkt’ (pedal point): painful recurrence of the same in being different.
for large orchestra and piano solo (2.2.3.2/3.2.3.1/4perc/hp/24.6.6.4(five stringed))
sFr. 57.00 , € 44.00
‘Vom Klang der Bilder’ (from the sound of images): An orchestral cycle based on pictures by Buchholz, Klee, Kandinsky, Klein and Fruhtrunk. The five pieces span a cyclic arch that is anchored in the laws of life. I. ‘Blutgesang’ (blood song): destruction, swan song, tears, sadness, grievance II. ‘Choral und Landschaft’ (choral landscape): hope, confidence, humbleness, belief, nature III. ‘Gegenklänge’ (a mediant): re-polarisation, existence of contradictions IV. ‘Monochromes Blau’ (monochrome blue): Movement in statics, pause, mediation, illusion, paradise on earth V. ‘Orgelpunkt’ (pedal point): painful recurrence of the same in being different.
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automatically generated. last update: 20.04.2012 / 2004 Theo Lustenberger