Saxophone
solo
sFr. 13.00 , € 10.00
Uniform quarter-tone sequences stumble through a walking-bass-like line. On reaching the end, they loop - this time accompanied by the players voice sung into the instrument - and again stagger through.
sFr. 13.00 , € 10.00
‘Unzuhause’ is, according to Heidegger, a more primordial phenomenon than fear.
sFr. 18.00 , € 14.00
sFr. 18.00 , € 14.00
Listen:
sFr. 18.00 , € 14.00
for soprano saxophone and light projection (video) with audio aparatus (1 player)
sFr. 26.00 , € 20.00
sFr. 16.00 , € 12.00
Eight elements are gradually built up and dismantled again. Within this simple complete-form occur numerous momentary flares and douses. This work uses polyphonics, the fingerings of which are notated and extensively extracted from Daniel Kientzy’s "Les sons multiples aux saxophones".
sFr. 18.00 , € 14.00
sFr. 36.00 , € 28.00
(Inkl. CD)
Text: Ernst Jandl A theatrical attempt by a saxophonist to articulate the self-ironic text by Ernst Jandl through the mouthpiece of his instrument while the recorded material plays.
sFr. 16.00 , € 12.00
For a different woodwind instrument to the recorder, a somewhat smoother effect because the extreme registers of the recorder have a greater influence on the tone than other instruments with a wider range. World Premiere: 04.02.01 in Wädenswil by Rico Gubler (tsx).
sFr. 16.00 , € 12.00
Solo version of the 4th movement from the saxophone quartet "Le Journal de Sisyphos". World premiere: 12.04 08 Wilmington (North Carolina) USA, Laurent Estoppey
for tenor saxophone solo
sFr. 18.00 , € 14.00
Rawness is as present as lightness, crudeness as present as elegance and obstinacy as present as excursiveness. Sound palette features specific to the tenor saxophone. Many special fingerings are derived directly from standard fingerings. World premiere: 23.4.08, Zurich, Marcus Weiss
sFr. 16.00 , € 12.00
The bagpiper’s songs of love, courage and energy reach us in a submerged form, soft and fragmented - even if heard from close.
sFr. 16.00 , € 12.00
'Tartarelischer Tanz' comes from the Greek 'Tartaros' - the underworld where the souls of the dead repose in a happy and trouble-free half-state of being. Flittering 1/8 notes, only just audible as sound, build a spooky pulse which is animated in an irrational way by firmly pushed counter accents. (P.B.)
sFr. 13.00 , € 10.00
Uses some particularities of contemporary notation to produce a passionate and dreamlike atmosphere.
sFr. 29.00 , € 22.00
sFr. 16.00 , € 12.00
A transcription of the 'sacral' piano piece bearing the same name. To be played as a floating ritual.
sFr. 18.00 , € 14.00
piano and instrument
sFr. 26.00 , € 20.00
(Saxophonstimme: sFr. 16.-; € 16.-)
The title relates to the dream experiences of Indians.
sFr. 18.00 , € 14.00
(Partie séparée: sFr. 10.-; € 10.-)
Very song-like piece accentuating the expressive qualities of the saxophone.
sFr. 16.00 , € 12.00
sFr. 21.00 , € 16.00
1. Margrittas 2. Di d'inviern Transcription of two parts from "3 Lieder auf rätoromanische Texte" for saxophone and piano. The saxophone part highlights the text of the poem.
Saxophone with instruments
sFr. 21.00 , € 16.00
sFr. 18.00 , € 14.00
The title has two meanings: On one hand side, the material for the pitch is derived mainly from parallel chords which have been placed horizontally to build up the melodic lines. (d'accords = in the sense of originating from chords). On the other hand side, there are textures where both instruments play consensually, in substantial accord, together. This leads up to (mostly fast) homorhythmical passages.
sFr. 13.00 , € 10.00
Repetitive layered samples increase resp. decrease in tempo.
sFr. 18.00 , € 14.00
A piece about roughing up the unsisono, which is displaced from a static into a liquid state.
sFr. 26.00 , € 20.00
sFr. 29.00 , € 22.00
sFr. 42.00 , € 32.00
for soprano, alto saxophone and piano
sFr. 31.00 , € 24.00
for soprano, alto saxophone and piano I Auch (Abdo Wazin) II Dunkel (Hans Arp) III Aegyptisches Sterbegebet (anonym) IV Patrouille (August Stramm) V Schafott (Fuad Rifka)
sFr. 42.00 , € 32.00
sFr. 26.00 , € 20.00
The percussionist plays both a principal and theatrical role performing on a table. The remaining instruments are, for the most, independent of one another; the piano is placed at the far-end of the scene. The sounds produced on the table are amplified.
sFr. 49.00 , € 38.00
(4 Suiten für Viktor: sFr. 94.-; € 94.-)
Quartet for bass clarinet, violin, violoncello, and piano [vetro] (3') Quintet [incontro] (2') Quartet for clarinet, baritone saxophone, violin and violoncello [with bundled energy] (1'45) Solo violin with accompaniment [like eternally broken glass] (4') Quintet II [Melody granulated] (2'30)
sFr. 47.00 , € 36.00
(4 Suiten für Viktor: sFr. 94.-; € 94.-)
Duo for violin and violoncello [battuto – roughly a dance] (2’) Trio for clarinet, soprano saxophone and violin [approximately] (2’15) Duo for clarinet and violoncello [mute ballet from billiard balls] (2’) Solo for clarinet (with additional instrumentation) [uneasy, murky] (2’) Trio for violin, violoncello and piano [inside pulsating] (2’) Quartet for bass clarinet, baritone saxophone, violoncello, and piano with poco solo violin [conspicuously quiet] (2’)
sFr. 49.00 , € 38.00
(4 Suiten für Viktor: sFr. 94.-; € 94.-)
Trio for clarinet, tenor saxophone, and violoncello [too coarsely assembled, rupturing] (2') Quartet for clarinet, tenor saxophone, violin and piano [inert, of stone and columns] (2') Quintet [somewhat course, in the interstice] (1'45) Duo for violoncello and piano [reserved, singing I] (2') Duo for clarinet and tenor saxophone [linear, with defiance] (2'30) Duo violin and piano [reserved, singing II] (2')
sFr. 47.00 , € 36.00
(4 Suiten für Viktor: sFr. 94.-; € 94.-)
Quintet [Impulse, a choice] (2') Solo for violoncello [circling the resistance] (2'45) Quartet for clarinet, tenor saxophone, violoncello and piano [muted screaming] (2') Duo for baritone saxophone and violoncello [deep ground] (2') Duo for clarinet and piano [... and a waltz] (1'45) Duo for violin and soprano saxophone [exercise for the death of agogics] (2'30)
sFr. 70.00 , € 54.00
(Stimmen beim Komponisten)
sFr. 55.00 , € 42.00
sFr. 16.00 , € 12.00
sFr. 34.00 , € 26.00
(inkl. Sax-Stimme)
sFr. 47.00 , € 36.00
(inkl. Sax-Stimme)
sFr. 42.00 , € 32.00
sFr. 21.00 , € 16.00
Quite demanding for the saxophone.
for saxophne and percussion
sFr. 13.00 , € 10.00
for alto saxophone and viola (scordatura)
sFr. 16.00 , € 12.00
for trumpet in B, Eb Alto saxophone, trombone and piano in skordatura (2nd tuning)
sFr. 31.00 , € 24.00
sFr. 34.00 , € 26.00
This piece in five movements is derived from the same material as the vocal piece 'Requiem'. The sonogram of the same but differently pronounced words of a Russian text is processed in often very short sequences. With microtonal colouring. Commissioned by the City of Zurich.
sFr. 34.00 , € 26.00
Text: Hans Häring.
sFr. 60.00 , € 46.00
Texts: Thomas Huonker, Peter Zahl, everyday advertising and media language A piece requiring demanding rehearsals. The speaker should draw on his talent for rhythm. The sung sections can be performed by a tenor with a good lower register. Uses texts by Thomas Huonker, Peter Zahl, and newspaper cuttings.
sFr. 18.00 , € 14.00
This work forms the intertwining, togetherness and conflict of the two quartets with calculated emotional intention. The security net provided by the rational prearrangements allows greater freedom and confidence in the emotional decisions made regarding concrete sounds, instruments, complexity and developments.
sFr. 23.00 , € 18.00
(Stimmen beim Komponisten)
A comfortable afternoon in a dusty café: As in times past, a string quartet plays a waltz that nobody listens to, a never-ending, continuously repetitive violin melody and an almost imperceptibly shifting accompaniment. Added to this is a completely inappropriate baritone saxophone - sometimes blending in, sometimes detached and sometimes obstinately defiant. Suddenly a bang! And everything collapses into shadowy ruins.
sFr. 34.00 , € 26.00
A text about statistically the most frequent causes of death in Switzerland takes its course and is interspersed by ten extremely varied newsflashes from real life, all of them objets trouvés from two daily newspaper of 12th June, 2007. The statistical information is set to music in a recitative manner with very few, primarily sustained notes. This is in contrast to the ten newsflashes whose music is composed with lively movements and a tangible pulse in various structures. The somewhat macabre text montage reflects the apparent phenomenon of the sometimes-grotesque contrast of various themes and texts, which seems to magically attract humans.
sFr. 21.00 , € 16.00
The improvisational models "Kartenspiel", "Zündschnur", "Sonntagnachmittag", "Wasserfall" and "Gewitter" are first and foremost to be understood as individual concepts. Duration and instrumentation remain open. The pieces can be realised using normal instruments or everyday objects (plastic bags, paper, pan lids, table tops, pieces of wood, pieces of metal, cutlery, crockery etc.). "Wasserfall" and "Kartenspiel" are possible exceptions as the graphics require pitch and pitch modulation, but even this can be realised using carnival market instruments, lotus flutes or the voice as well as conventional instruments. "Gewitter" can also be the framework of a whole form: One of the other concepts can be played during a stop under a balcony etc.. "In Regen, Blitz und Donner" is ultimately a through-composed version of the preceding possibility where three further instruments are added.
for bass clarinet/tenor saxophone, percussion, piano, violin, viola and double bass
sFr. 26.00 , € 20.00
The wide scope between improvisation and composition is calibrated. There are, however, no long notated passages but form sequences, short notated phrases as starting points, verbal instructions and graphics - right through to improvisation as one extreme. The musical material is based on the archetypal elements 'accent', 'figure' and 'layer' as mentioned in the title. The through-composed parts "unione e tremolo" for violin and viola (movement II) and the violin solo "NONONONO" (movement VII) are inserted between the six movements as the other extreme.
sFr. 16.00 , € 12.00
sFr. 16.00 , € 12.00
sFr. 18.00 , € 14.00
sFr. 29.00 , € 22.00
(Saxophonstimme: 32.-)
Four movements (2nd and 4th movement with improvised cadenza).
sFr. 47.00 , € 36.00
Three movements: vögel ziehn ins offene, die ahnung, ein süsser duft.
sFr. 49.00 , € 38.00
"The fascinating colours, the successful combination of the three wind players and their perfect connection with the string players are very well mastered from a formal point of view, they let arise an ensemble piece in the truest sense of the word." (S. Palm) World premiere: 31.7.97 in Klagenfurt by Janus-Ensemble Wien Robert HP Platz (conductor).
sFr. 21.00 , € 16.00
Fragile transitions between noise and tone, fluctuating chromatic modulations and a metre that masks the rhythm are characteristics of this trio. World premiere: 28.9.97 in Wädenswil by theTrio Lepic.
sFr. 31.00 , € 24.00
‘Passages’ is determined by a hugely formal changing process, beginning with block-like, vertical melodies of the solo viola, leading to a linear, horizontal notation with five equal instrumental parts. Quarter tonal. World premiere: 28..8.00 in St.Moritz by the Ensemble Cattrall under the direction of Marc Kissoczy.
sFr. 26.00 , € 20.00
World premiere: 20.9.03 in Lugano by Ensemble Oggimusica.
sFr. 49.00 , € 38.00
A nine-part piece - a confrontation between the music of Guillaume de Machaut and Hans-Jürg Meier.
sFr. 34.00 , € 26.00
Four conversational partners embroil, increasingly dramatically and then calm down in a multi-sounding room.
sFr. 23.00 , € 18.00
"Rather a cloud of birds in the sky than one in the hand." (Eduardo Chillida)
sFr. 16.00 , € 12.00
Spatial music to the Legend of Amphion.
sFr. 13.00 , € 10.00
sFr. 13.00 , € 10.00
This composition is based on a poem bearing the same name by Rose Auslander. It advances in stages from spoken image through associated image to aural image. Version a: English horn and vibraphone Version b: alto saxophone and vibraphone
sFr. 42.00 , € 32.00
Structured in four consecutive tonal images, each one takes its inspiration from a species of nymph: Orestiads, Dryades, Naiads and Nereids.
sFr. 23.00 , € 18.00
The parts are well balanced to ensure that the saxophone doesn't cover the violin. Four movements: appassionato, rêveur, energico and intérieur.
sFr. 34.00 , € 26.00
sFr. 26.00 , € 20.00
The running motion that characterises the ‘Gehen’ pieces is here tapered to a musicianly progression - with associated imminent crash.
sFr. 21.00 , € 16.00
Traditional interplay with some dodgy rhythmics. Partly over-the-top high register. Reduced but colourful harmony.
sFr. 16.00 , € 12.00
Music for the play ‘monologue’ by Simone de Beauvoir (based on a text from ‘The Bundle’ by Edward Bono).
for 4 guitars, 2 mandolins, dulcimer, viola, 2 double bass, saxophone, trombone, tuba, accordeon and three percussion instruments
sFr. 55.00 , € 42.00
Spatial composition based on the sound memories of the musicians/singers.
sFr. 29.00 , € 22.00
sFr. 44.00 , € 34.00
Moderato - Lento - Allegro.
for flute, alto saxophone (or clarinet/soprano saxhophone) and piano
sFr. 21.00 , € 16.00
(Stimmen: sFr. 12.-; € 8.00)
sFr. 18.00 , € 14.00
(Stimmen SME: sFr. 20.-; € 20.-)
sFr. 16.00 , € 12.00
(Stimmen SME: sFr. 20.-; € 20.-)
sFr. 21.00 , € 16.00
(Stimmen SME: sFr. 20.-; € 20.-)
sFr. 23.00 , € 18.00
(Stimmen SME: sFr. 18.-; € 18.-)
sFr. 34.00 , € 26.00
(Stimmen SME: sFr. 26.-; € 26.-)
sFr. 18.00 , € 14.00
sFr. 34.00 , € 26.00
sFr. 26.00 , € 20.00
sFr. 26.00 , € 20.00
sFr. 26.00 , € 20.00
(Stimmen: sFr. 18.-; € 12.00)
"I dealt with the subject of the four-part fugue in g minor from the WTK (Vol.I) as a model for this piece. I used these parts continually in various appendages and confronted them with a groovy theme." (composer).
sFr. 23.00 , € 18.00
The sounds and differences in articulation result from the use of different mouthpieces or reeds. Through the further use of a variety of playing techniques (tooth tone, high register, ff in the low register, different slaps etc.) they become the central focus of the piece itself.
sFr. 47.00 , € 36.00
An initial piece based on repetition presented in such a way that the repeated elements, located on many different levels, are not always immediately recognizable. This gives the impression of a loosely fabricated form. It is sonorously very soft with lots of sounds and lots of interlocking rhythms. Requires a conductor.
sFr. 21.00 , € 16.00
1. Version: für Saxophon, Klavier und Schlagzeug (1999) (SME/EMS) 2. Version: für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug (2005) (Adesso)
sFr. 29.00 , € 22.00
Partly with an improvised second piano (ad libitum).
sFr. 57.00 , € 44.00
1. .. au dessus des nuages 2. .. dans la tempête 3. .. au dessus de la ville endormie 4. .. premier envol
sFr. 62.00 , € 48.00
(Matériel SME/EMS: sFr. 62.-; € 20.-)
'Piping and Drumming' is a traditional Chinese musical form that uses only wind instruments and percussion. It is often played at ceremonies.
for saxophone, percussion and piano
sFr. 49.00 , € 38.00
This work, world premiered by the Oggimusica ensemble at the Expo 2002, works with various concepts of spatio-temporal relations and attempts to fathom the depth of the sound room
Saxophone with orchestra
sFr. 44.00 , € 34.00
sFr. 18.00 , € 14.00
(Stimmen: sFr. 18.-; € 12.00)
Through composed segments alternate with improvised solo parts and free orchestral development. Suitable for a good amateur string orchestra.
sFr. 52.00 , € 40.00
sFr. 109.00 , € 84.00
"A rhythmically moved, gesture-full, richly chromatic music." (Th. Gartmann) Second part of the trilogy based on Mozart's 'Don Giovanni'.
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