Trombone


solo
8412 Felix Baumann: Fährte (1998) 8'
for trombone solo
sFr. 13.00
When the ground is soft enough, the game leave a trail.

3807 Thomas David Müller: Gehen. 46 Vorwärts- / Rückwärtsbewegungen (1992) ad lib.
for trombone solo
sFr. 18.00

piano and instrument
0206 Walter Baer: Somnium Daedali (1976) 9'40
for tenor/bass trombone and piano
sFr. 26.00
The Dream of Daedalus is a vision of the inventor of momentous creations such as flying machines or the labyrinth. We hear amorphous material confronted by predictable structures in several sequences. An extremely differentiated handling of sound.

10003 Kit Powell: Sonatina for Trombone (1986) 8'
for trombone and piano
sFr. 26.00
(Posaunenstimme bei SME/EMS: sFr. 12.-; € 12.-)
Composed in four movements (like a sonata da chiesa).

10047 Kit Powell: Mother Goose Medley (2006) 5'
for trombone and piano
sFr. 23.00
(Stimmen: sFr. 29; € 22.-)
A medley of English nursery songs.


Trombone with instruments
8303 Dieter Ammann: Developments (1993) 9'30
for 2 trumpets, horn, trombone and tuba
sFr. 21.00
6413 George Barcos: Deux Pièces pour quatuor de trombones (two pieces for four trombones) (1993) 4'
sFr. 18.00
1. Chorongo 2. Canción

17909 Andreas Brenner: Prismen (2011) 12'
for wind quintet (horn, 2 trumpets, trombone, tuba) and organ
sFr. 29.00
(Stimmen: sFr. 18.-; € 14.-)
Short three or four tone phrases of equidistant intervals are combined in such a way as to form sound structures similar to those found in tonal music. This piece uses a radically reduced amount of material in ever-changing combinations to create prismatic radiations. The sound structures are relics, nothing but colour values - no longer bound by gravity to a base tone (as in tonal music), but produced through a constructive law. This is also the case with the E major chord, which brings this piece to a 'concilitory' end.

0923 Jacques Demierre: Quelques remarques (1991) 13'
for flute, clarinet, horn, trombone and four-handed piano
sFr. 57.00
(Parties: sFr. 90.-; € 90.-)
14426 Stefan Feingold: Tantal (1997/99) 40'
"Planet Music"
for brass quintet (1.2.1.1) and piano
sFr. 57.00
This work is in three movements, parts of which are in aleatoric notation.

11906 Claude Ferrier: König Salomo (1996, rev. 1999) 10'
for brass quintet (0.2.3.0) and four-part mixed choir
sFr. 34.00
Text: Bibel / Liturgy Text taken from the Song of Songs. A version for mixed eight-part choir is available from the composer.

14810 Ursula Gut: ricercare (2006) 12'
for two trumpets and two trombones
sFr. 29.00
9053 Edu Haubensak: Spazio Due (2006) 13'
Quartet
for trumpet in B, Eb Alto saxophone, trombone and piano in skordatura (2nd tuning)
sFr. 31.00
151127 Rudolf Jaggi: Im Santyhans (2011) 4' 30
for male choir T1T2B1B2 and four brass instrumentalists and timpani (2tpt in b/2tbn/3timp)
sFr. 23.00
(Stimmen: sFr. 29.-; € 22.-)
Texts: Martin J.P. Schwitter.

2609 Max E. Keller: zerblasen (1992/93) 11'
for instrumental ensemble (fl.ob.cl(bcl).bn/hn.tpt.tbn/db)
sFr. 26.00
An obsessive, pulsating sequence is stopped down again and again and shortened whenever some sound fields establish themselves in the interstitial. A new multifaceted music replaces the worn down rhythm.

2666 Max E. Keller: les pompiers (souvenir de Berlin) (1996) 6'
for four trombones, piano, electric guitar and electronic sound expansion
sFr. 16.00
Contains a large improvised portion - works humorously with the fire brigade-fourth. Simple pitch shifting and echoplex (quasi belt sander with a duration of 20 seconds).

2682 Max E. Keller: Rotondo (1999) 50'
for nonet (oboe, bassoon, trumpet, trombone, viola, double bass, accordion, piano and percussion)
sFr. 122.00
A composition in cooperation with Werner Bärtschi, Ulrich Gasser, Max Eugen Keller, Martin Sigrist and Peter Wettstein ('Komponistensekretariat' Zurich) with sixty segments, each fifty seconds long. Cyclic composition.

2688 Max E. Keller: Zwillinge (2001) 10'
for clarinet (bcl), trombone, violoncello and piano
sFr. 18.00
This work is based on the interactions of the instruments in such a manner that the very close combination of twos (twins) are at the centre and with which one, two or no ‘free’ instruments can consort. The musical process is born of a dialectic between the above mentioned network and its realisation through three almost archetypal musical base models.

2692 Max E. Keller: Sans cesse (2001) 9'
for oboe, bassoon, horn, trombone, violin, viola, violoncello and double bass
sFr. 18.00
26134 Max E. Keller: Grillen (2009) 6'
for trumpet 1 in B, trumpet 2 in B, horn (F), trombone and tuba
sFr. 26.00
The chirping of crickets is generally considered to be soft and quiet, it can, however, become truly clamorous when when many crickets are heard at close quarters - just as one can experience it in the copses or groves of Greece. What is apparently weak can, en mass and under specific circumstances, develop unimagined power. In German the word for cricket is 'Grillen' and carries with it another maeaning: fantastical or dull thoughts.

26159 Max E. Keller: Wiederkehr und Veränderung (2013) 11'
for soprano saxophone, trombone and accordion
sFr. 26.00
Wiederkehr (repetition) and Veränderung (variation) are archetypes of music, and perhaps even of life itself. A series of four basic structures are repeated four times, whereby the duration each time varies enormously, as does the characteristic of each of the basic models. Two of the four basic structures touch on repetition in their internal anatomy. The third basic structure is puzzle-like in its construction, whereby all three instruments repeat the same six elements several times and overlap. On another level, breathing/blowing - an existential basis of life - also plays an important part in this "wind trio".

19416 Burkhard Kinzler: Nürnberger Choräle (2012) 16'30
für Flöte, Klarinette, Saxophon, Posaune, Cello, Kontrabass, Percussion
sFr. 44.00
Zum 3. Teil der Clavierübung von Bach, alternierend aufzuführen; Luthers Katechismuslieder in modernen Bearbeitungen für Instrumentalensemble. - Kyrie Gott Vater (2') - Christe aller Welt Trost (3') - Kyrie Gott Heiliger Geist (2') - Allein Gott in der Höh sei Ehr (1'30'') - Dies sind die Heilgen zehn Gebot (1'30'') - Wir gläuben all an einen Gott (1'15'') - Vater unser im Himmelreich (1'30'') - Christ unser Herr zum Jordan kam (2'30'') - Aus tiefer Not (2') - Jesus Christus unser Heiland (1'15'') Separat (auch einzelne Choräle) aufführbar.

2859 Alfred Knüsel: eine Art Klangvorstellung - unbekannt - als wohltemperierte Gegenwelt zu durchtechnisierter Information (2005) 14'
Trio
for violoncello, double bass and trombone
sFr. 26.00
1. RetroSehnsucht 2. Assoziationsfelder 3. Environment, komplementär

2862 Alfred Knüsel: Vesper als Massstabwechsel von einer Realität in eine andere (2006/07) 20'
for soprano, choir (SATB), flute, zink (tr), trombone and organ
sFr. 34.00
1. Doxologie 2. Antiphon 3. Ektenie I 4. Hymne 5. Ektenie II

2908 Josef Kost: Soliloquio roteante (1994) 9'
for two flutes, trombone and four-handed piano
sFr. 23.00
A virtuosic chamber musical piece designed for advanced amateurs.

15217 Stephan Lauffer: Festliches Präludium in c (2012) 3'20
for 2 trumpets and 2 trombones
sFr. 16.00
3119 Urban Mäder: Annäherung an Dorfmusik (1991) 13'
for clarinet and brass instruments (cn.bugle[=2tpt]/hn.tbn.tb)
sFr. 31.00
Adaptation of folk musical elements.

7107 Valentin Marti: Rainshadows (1996/99) 10'30
for bass clarinet, trombone, violoncello and percussion
sFr. 42.00
Shadowy diffused sounds are generated below the sound spectrum of the rainstick. Sounds which, the stronger and more corporeal they appear, the more fragile they really are. Requires three rainsticks. World premiere: 25.02.00 in Baden by the 'Ensemble Avance'.

7126 Valentin Marti: Exposure (2003) 7'
for alto saxophone, trombone, accordion, piano and percussion
sFr. 26.00
World premiere: 20.9.03 in Lugano by Ensemble Oggimusica.

9703 Hans-Jürg Meier: das licht um einen schatten heller machen (1993/95) 8'
for violin and trombone
sFr. 16.00
Three-part piece: grosse Entfernung - Nähe - Entfernung, ohne die innere Beziehung zu verlieren.

9708 Hans-Jürg Meier: zeitsand (1995) 14'
for two recorders, zink, trombone, violin and two violoncelli
sFr. 26.00
The 'Harmonies' by Erik Satie are the basis for several parts. Conductor of use.

9713 Hans-Jürg Meier: at (1998) 14'
for alto flute, trombone, violin, viola and violoncello
sFr. 26.00
In the middle of the players sits a tub of water into which small pebbles are thrown. This triggers musical actions from the players.

9729 Hans-Jürg Meier: nie setzt es ein (2002) 12'
for flute, (bfl, cbfl), horn, two trumpets, trombone and tuba
sFr. 26.00
Helical searching for osculation points.

9752 Hans-Jürg Meier: das dasein ist nicht das wesentliche (sestiere - prima lettura) (2010) 16'
for panpipes, transverse flutes, recorders, clarinets, saxophone, horns, trombones, trumpets
sFr. 60.00
9754 Hans-Jürg Meier: locus (2012) 14'
for melodica and objects, saxophone (bar, a) trombone, violin, viola, double bass and voice (soprano)
sFr. 52.00
A trip to and into the Pantheon in Rome in four parts: Tympanon, Pronaos, Innenraum, Opaion. The performance places the Endless Column in Targo Jiu by Constantin Brancusi into the Pantheon.

3415 Thomas K. J. Mejer: Macula Matris (1995/96) 72'
for seven musicians (fl(pic,bfl,cbfl).cl(bcl,cbcl).bn(cbn)/tbn/hp/perc/vc), seven speakers and seven dancers.
sFr. 200.00
Texts: Hermann Berger, André Gide, Marisa Holder, Elfriede Jelinek, Milan Kundera, Irmgard Morgner, Karin Struck A stage work, somewhere between performance and installation.

9817 Laurent Mettraux: Elégie, M. 529 (1995/97) 5'
for trombone and organ
sFr. 21.00
(Partie séparée: sFr. 10.-; € 10.-)
A piece of noble temperament, very well suited to the character of the trombone.

3811 Thomas David Müller: Zwei Sequenzen: Stehstelle / Gehstelle (1993) 13'
for violin, violoncello, clarinet, three trombones and piano
sFr. 42.00
Both sequences are attempts at reaching emptiness and consequently to liberate space through non-speech and anti-speech methods respectively. The performers perform and, as it were, 'speak' on scrap metal taken from Thomas Bernhard's 'Gehen'.

Listen: Youtube
9911 Maria A. Niederberger: Images (1997) 20'
for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, double-bass, piano and percussion
sFr. 57.00
I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries. Piano and trumpet accentuated.

4002 Daniel Ott: im museum (1987) 45'
Musical theatre piece
for a group of children and piccolo, bass clarinet, tuba, accordion, mandolin (guitar), violin and four percussion instruments
sFr. 31.00
Texts: Folksong Can be played individually: ‘kinderspiele’ for 2 percussionists (glock.vib.cym) [2'] ‘le ranz des vaches’ for 6 tuned cow bells (f#+2,g2,d2,g#+3,a3,e4), one player [2']

4009 Daniel Ott: 17 1/2 (1995) 25'
Scenic composition
for 4 guitars, 2 mandolins, dulcimer, viola, 2 double bass, saxophone, trombone, tuba, accordeon and three percussion instruments
sFr. 55.00
Spatial composition based on the sound memories of the musicians/singers.

4317 Ernst Pfiffner: Sestetto d'Isissa (1995/96) 11'
for oboe, clarinet, bassoon, horn, trombone and percussion
sFr. 31.00
Work series A: Music for concerts.

10027 Kit Powell: Salmagundi (1998) 10'
for brass ensemble (four trumpets, two horns, tuba and four trombones)
sFr. 60.00
An entertainment piece using German and English folksongs.

10036 Kit Powell: Das Ausland (2003) 7'
for soprano and trombone
sFr. 23.00
(Stimmen: sFr. 16.-; € 12.-)
Setting of a short story by Jürg Schubiger.

10038 Kit Powell: Verschiedene Tiere (2004-2005) 17'
for soprano, trombone and piano
sFr. 57.00
(Stimmen: sFr. 16; € 12.-)
Setting of 4 prose texts by Jürg Schubiger.

10045 Kit Powell: 6 Fragments for 4 Trombones (2004) 10'
for 3 tenor trombones and bass trombone
sFr. 34.00
(Stimmen: sFr. 47; € 36.-)
For professional players.

16023 Alex Rüedi: Blechtett (2009) 15'
for 2 trumpets, horn, trombone and tuba
sFr. 47.00
(Stimmen SME: sFr. 46.-; € 46.-)
4534 Martin Schlumpf: Cumuli III (3-4-1-5-2 - Kapitel II im Buch der Proportionen) (1999) 20'
for flute, clarinet, soprano saxophone, trombone, electric piano (or piano), electric bass (or double bass) and percussion
sFr. 34.00
10237 Michael Schneider: Fanfare for Sandringham (1991-2010) 2
for trumpet and trombone
sFr. 16.00
"Bright and noble" - a festive fanfare in D flat major.

16304 Felix Schüeli: Stück für Klarinette & Posaune (piece for clarinet and trombone) (1999) 3'
sFr. 16.00
16308 Felix Schüeli: Septett (2001) 7'
for trumpet, alto saxophone, tenor saxophone, trombone, violin, violoncello and double bass
sFr. 26.00
(Stimmen: sFr. 18.-; € 12.00)
"I dealt with the subject of the four-part fugue in g minor from the WTK (Vol.I) as a model for this piece. I used these parts continually in various appendages and confronted them with a groovy theme." (composer).

4811 Andreas Stahl: sextett (1993/94) 20'
for soprano, violin, violoncello, trombone, percussion, piano, electronic tape and a piece of mechanical equipment
sFr. 31.00
A half-scenic attempt to look at the common ground between musical and theatrical operation and the resulting relationship between movement and sound.

4814 Andreas Stahl: again, sam! (1998) 20'
for violoncello, double-bass, baritone saxophone, bass clarinet, two tenor-bass trombones and two percussion instruments
sFr. 47.00
An initial piece based on repetition presented in such a way that the repeated elements, located on many different levels, are not always immediately recognizable. This gives the impression of a loosely fabricated form. It is sonorously very soft with lots of sounds and lots of interlocking rhythms. Requires a conductor.

4926 Mathias Steinauer: Sott'acqua, op. 17.3 (1999) 10'
for soprano saxophone, horn, trombone, percussion and piano
sFr. 29.00
Partly with an improvised second piano (ad libitum).

Listen: Youtube
17107 Bruno Stöckli: Bribes (2001) 10'
for viola, violoncello, trombone, tuba and piano
sFr. 34.00
5264 Balz Trümpy: An Florestan und Eusebius (2010) 19'
Duos and trios
for saxophone (soprano, baritone), trombone and piano
sFr. 57.00
In December 2010, I held a lecture on polyphony in the music of Schumann. This event led me to perform the complete piano works by this composer, who has remained dear to me since childhood. My composing has been influenced on a subliminal level by Schuhmann's sound meshes and quirky-fantastical lines. I became accutely aware of this fact while working on my piece for the trio Weiss-Svoboda-Henneberger. Since the content of the three main pieces ("Rezitativ und Arioso" for trombone and piano, "Lied" for saxophone and piano as well as "Mit Leidenschaft" for the trio) turned out to be rather Schumannian, I decided to dedicate it to the two main characters of the circle of the Davidsbündler (League of David).

5288 Balz Trümpy: Der Geist des Tals (2013) 17'
for soprano, trombone, cello, percussion and piano
sFr. 75.00
The Ensemble Eunoia's suggestion that I write a piece dealing with the letter 'U' set off in me a chain of associations relating to this vowel. The starting point was the tonal character of the phoneme U: For me its dark, earthy, warm timbre equated to the symbolic image of the Mother ("uterus", "ursprung" (=origin)...). My text selection combines the following excerpts taken from literature and lore that evoke different aspects of the Mother symbol: In the 3rd hymn of the legendary poet and Dionysus priest Orpheus, night is celebrated as the Mother of gods and men. In the second part of Goethe's "Faust", Mephistopheles describes the nocturnal and sinister descent into the obscure realm of the Mothers ("No way! Into the untrodden ..."), where Faust wants to lead Helena back to life. A mother grieving for her son and creation forms the basis of the liturgical "Stabat Mater". And finally, the text of "Tao te Ching" to the "valley spirit" elevates the image of the Mother as the origin of heaven and earth to the spiritual.

17515 Raymond Vauterin: Intrada (1996) 6'
for brass (2.3.3.2.btba) and 2 timpani
sFr. 42.00
10717 De-Qing Wen: Piping and Drumming (2000) 12'
for wind and percussion instruments (fl.ob.cl.asx.bn/tpt.tbn/3perc/pf)
sFr. 62.00
(Matériel SME/EMS: sFr. 62.-; € 20.-)
'Piping and Drumming' is a traditional Chinese musical form that uses only wind instruments and percussion. It is often played at ceremonies.

10814 Martin Wendel: Fünf Stücke für Blechbläserquartett, op. 42 (five pieces for brass quartet, op. 42) (1983) 9'
for two trumpets and two trombones
sFr. 29.00
This piece is not a collection of isolated miniatures - the five pieces result in a cyclic whole.

7836 Hansruedi Willisegger: Frau Musica zur Ehr (1973) 5'30
for youth choir, mixed choir, three trumpets, three trombones and tuba
sFr. 34.00
text: Folksong

8213 Alfons Karl Zwicker: Konstellation mit Mondtransit (1998/99) 16'
for soprano, violin, trombone, violoncello, clarinet and piano
sFr. 55.00
A piece with aperspective performance practice. The ever-changing aspects on the radix planets (instrumentalists) by the transitory moon (soprano) are made audible.


Trombone with orchestra
5247 Balz Trümpy: EIS EROTA (2002) 12'
for soprano, baritone, horn, two trumpets, trombone, percussion and strings
sFr. 62.00
Sappho and Alkaios from the isle of Lesbos are amongst the most prestigious representatives of Greek lyrics strongly connected with the Orpheus saga. After the heavenly singer has lost his beloved Eurydice to the underworld and, spurned by his endless mourning, he seeks the love of other women. Bacchante tear him to pieces in an angry rage and cast his head into the sea. The tide washes it onto the shores of Lesbos - here his mouth is once again brought to speech by the lyric of the island. Mythological notions merge with personal experience and sufferance in connection with the erotic. Eros is the ‘weirdest God’ (Alkaois) whose effect is to rip open the abyss between the highest fulfilment and the degeneration towards death. The elemental force with which he encompasses man awakes in him an orpheic longing for immortality and the desire to overcome the underworld; simultaneously bringing even more painfully the forlornness of his wish to consciousness. While Alkaios attempts to forget in wild drunkenness and sexual indulgence, we eavesdrop on Sappho, and the dark tones of a wish for love in which pain resonates with the transient. EIS EROTA combines fragments from both poets to produce a dialogue on the subject of love and death.


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automatically generated. last update: 28.08.2015 / 2004 Theo Lustenberger