SME/EMS: Trombone

Trombone

solo

8412

Felix Baumann: Fährte (1998)

for trombone solo
sFr. 13.00 , € 10.00
When the ground is soft enough, the game leave a trail.

2609

Max E. Keller: zerblasen (1992/93)

11'

for instrumental ensemble (fl.ob.cl(bcl).bn/hn.tpt.tbn/db)
sFr. 26.00 , € 20.00
An obsessive, pulsating sequence is stopped down again and again and shortened whenever some sound fields establish themselves in the interstitial. A new multifaceted music replaces the worn down rhythm.

3807

Thomas David Müller: Gehen. 46 Vorwärts- / Rückwärtsbewegungen (1992)

ad lib.

for trombone solo
sFr. 18.00 , € 14.00

piano and instrument

0206

Walter Baer: Somnium Daedali (1976)

9'40

for tenor/bass trombone and piano
sFr. 26.00 , € 20.00
The Dream of Daedalus is a vision of the inventor of momentous creations such as flying machines or the labyrinth. We hear amorphous material confronted by predictable structures in several sequences. An extremely differentiated handling of sound.

10003

Kit Powell: Sonatina for Trombone (1986)

for trombone and piano
sFr. 26.00 , € 20.00
(Posaunenstimme bei SME/EMS: sFr. 12.-; € 12.-)
Composed in four movements (like a sonata da chiesa).

10047

Kit Powell: (2006)

sFr. 23.00 , € 18.00
(Stimmen: sFr. 29; € 22.-)

Trombone with instruments

8303

Dieter Ammann: Developments (1993)

9'30

for 2 trumpets, horn, trombone and tuba
sFr. 21.00 , € 16.00

6413

George Barcos: Deux Pièces pour quatuor de trombones (two pieces for four trombones) (1993)

sFr. 18.00 , € 14.00
1. Chorongo 2. Canción

17909

Andreas Brenner: Prismen (2011)

12'

for wind quintet (horn, 2 trumpets, trombone, tuba) and organ
sFr. 29.00 , € 22.00
(Stimmen: sFr. 18.-; € 14.-)
Short three or four tone phrases of equidistant intervals are combined in such a way as to form sound structures similar to those found in tonal music. This piece uses a radically reduced amount of material in ever-changing combinations to create prismatic radiations. The sound structures are relics, nothing but colour values - no longer bound by gravity to a base tone (as in tonal music), but produced through a constructive law. This is also the case with the E major chord, which brings this piece to a 'concilitory' end.

0923

Jacques Demierre: Quelques remarques (1991)

13'

for flute, clarinet, horn, trombone and four-handed piano
sFr. 57.00 , € 44.00
(Parties: sFr. 90.-; € 90.-)

14426

Stefan Feingold: Tantal (1997/99)

40'

"Planet Music"
for brass quintet (1.2.1.1) and piano
sFr. 57.00 , € 44.00
This work is in three movements, parts of which are in aleatoric notation.

11906

Claude Ferrier: König Salomo (1996, rev. 1999)

10'

for brass quintet (0.2.3.0) and four-part mixed choir
sFr. 34.00 , € 26.00
Text: Bibel / Liturgy Text taken from the Song of Songs. A version for mixed eight-part choir is available from the composer.

9053

Edu Haubensak: Spazio Due (2006)

13'

Quartet
for trumpet in B, Eb Alto saxophone, trombone and piano in skordatura (2nd tuning)
sFr. 31.00 , € 24.00

2666

Max E. Keller: les pompiers (souvenir de Berlin) (1996)

for four trombones, piano, electric guitar and electronic sound expansion
sFr. 16.00 , € 12.00
Contains a large improvised portion - works humorously with the fire brigade-fourth. Simple pitch shifting and echoplex (quasi belt sander with a duration of 20 seconds).

2682

Max E. Keller: Rotondo (1999)

50'

for nonet (oboe, bassoon, trumpet, trombone, viola, double bass, accordion, piano and percussion)
sFr. 122.00 , € 94.00
A composition in cooperation with Werner Bärtschi, Ulrich Gasser, Max Eugen Keller, Martin Sigrist and Peter Wettstein ('Komponistensekretariat' Zurich) with sixty segments, each fifty seconds long. Cyclic composition.

2688

Max E. Keller: Zwillinge (2001)

10'

for clarinet (bcl), trombone, violoncello and piano
sFr. 18.00 , € 14.00
This work is based on the interactions of the instruments in such a manner that the very close combination of twos (twins) are at the centre and with which one, two or no ‘free’ instruments can consort. The musical process is born of a dialectic between the above mentioned network and its realisation through three almost archetypal musical base models.

2692

Max E. Keller: Sans cesse (2001)

for oboe, bassoon, horn, trombone, violin, viola, violoncello and double bass
sFr. 18.00 , € 14.00

26134

Max E. Keller: (2009)

sFr. 26.00 , € 20.00

2859

Alfred Knüsel: eine Art Klangvorstellung - unbekannt - als wohltemperierte Gegenwelt zu durchtechnisierter Information (2005)

14'

Trio
for violoncello, double bass and trombone
sFr. 26.00 , € 20.00
1. RetroSehnsucht 2. Assoziationsfelder 3. Environment, komplementär

2862

Alfred Knüsel: Vesper als Massstabwechsel von einer Realität in eine andere (2006/07)

20'

for soprano, choir (SATB), flute, zink (tr), trombone and organ
sFr. 34.00 , € 26.00
1. Doxologie 2. Antiphon 3. Ektenie I 4. Hymne 5. Ektenie II

2908

Josef Kost: Soliloquio roteante (1994)

for two flutes, trombone and four-handed piano
sFr. 23.00 , € 18.00
A virtuosic chamber musical piece designed for advanced amateurs.

3119

Urban Mäder: Annäherung an Dorfmusik (1991)

13'

for clarinet and brass instruments (cn.bugle[=2tpt]/hn.tbn.tb)
sFr. 31.00 , € 24.00
Adaptation of folk musical elements.

7107

Valentin Marti: Rainshadows (1996/99)

10'30

for bass clarinet, trombone, violoncello and percussion
sFr. 42.00 , € 32.00
Shadowy diffused sounds are generated below the sound spectrum of the rainstick. Sounds which, the stronger and more corporeal they appear, the more fragile they really are. Requires three rainsticks. World premiere: 25.02.00 in Baden by the 'Ensemble Avance'.

7126

Valentin Marti: Exposure (2003)

for alto saxophone, trombone, accordion, piano and percussion
sFr. 26.00 , € 20.00
World premiere: 20.9.03 in Lugano by Ensemble Oggimusica.

9703

Hans-Jürg Meier: das licht um einen schatten heller machen (1993/95)

for violin and trombone
sFr. 16.00 , € 12.00
Three-part piece: grosse Entfernung - Nähe - Entfernung, ohne die innere Beziehung zu verlieren.

9708

Hans-Jürg Meier: zeitsand (1995)

14'

for two recorders, zink, trombone, violin and two violoncelli
sFr. 26.00 , € 20.00
The 'Harmonies' by Erik Satie are the basis for several parts. Conductor of use.

9713

Hans-Jürg Meier: at (1998)

14'

for alto flute, trombone, violin, viola and violoncello
sFr. 26.00 , € 20.00
In the middle of the players sits a tub of water into which small pebbles are thrown. This triggers musical actions from the players.

9729

Hans-Jürg Meier: nie setzt es ein (2002)

12'

for flute, (bfl, cbfl), horn, two trumpets, trombone and tuba
sFr. 26.00 , € 20.00
Helical searching for osculation points.

3415

Thomas K. J. Mejer: Macula Matris (1995/96)

72'

for seven musicians (fl(pic,bfl,cbfl).cl(bcl,cbcl).bn(cbn)/tbn/hp/perc/vc), seven speakers and seven dancers.
sFr. 200.00 , € 158.00
Texts: Hermann Berger, André Gide, Marisa Holder, Elfriede Jelinek, Milan Kundera, Irmgard Morgner, Karin Struck A stage work, somewhere between performance and installation.

9817

Laurent Mettraux: Elégie, M. 529 (1995/97)

for trombone and organ
sFr. 21.00 , € 16.00
(Partie séparée: sFr. 10.-; € 10.-)
A piece of noble temperament, very well suited to the character of the trombone.

3811

Thomas David Müller: Zwei Sequenzen: Stehstelle / Gehstelle (1993)

13'

for violin, violoncello, clarinet, three trombones and piano
sFr. 42.00 , € 32.00
Both sequences are attempts at reaching emptiness and consequently to liberate space through non-speech and anti-speech methods respectively. The performers perform and, as it were, 'speak' on scrap metal taken from Thomas Bernhard's 'Gehen'.

9911

Maria A. Niederberger: Images (1997)

20'

for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, double-bass, piano and percussion
sFr. 57.00 , € 44.00
I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries. Piano and trumpet accentuated.

4002

Daniel Ott: im museum (1987)

45'

Musical theatre piece
for a group of children and piccolo, bass clarinet, tuba, accordion, mandolin (guitar), violin and four percussion instruments
sFr. 31.00 , € 24.00
Texts: Folksong Can be played individually: ‘kinderspiele’ for 2 percussionists (glock.vib.cym) [2'] ‘le ranz des vaches’ for 6 tuned cow bells (f#+2,g2,d2,g#+3,a3,e4), one player [2']

4009

Daniel Ott: 17 1/2 (1995)

25'

Scenic composition
for 4 guitars, 2 mandolins, dulcimer, viola, 2 double bass, saxophone, trombone, tuba, accordeon and three percussion instruments
sFr. 55.00 , € 42.00
Spatial composition based on the sound memories of the musicians/singers.

4317

Ernst Pfiffner: Sestetto d'Isissa (1995/96)

11'

for oboe, clarinet, bassoon, horn, trombone and percussion
sFr. 31.00 , € 24.00
Work series A: Music for concerts.

10027

Kit Powell: Salmagundi (1998)

10'

for brass ensemble (four trumpets, two horns, tuba and four trombones)
sFr. 60.00 , € 46.00
An entertainment piece using German and English folksongs.

10036

Kit Powell: (2003)

sFr. 23.00 , € 18.00
(Stimmen: sFr. 16.-; € 12.-)

10038

Kit Powell: (2004-2005)

17'

sFr. 57.00 , € 44.00
(Stimmen: sFr. 16; € 12.-)

10045

Kit Powell: (2004)

10'

sFr. 34.00 , € 26.00
(Stimmen: sFr. 47; € 36.-)

16023

Alex Rüedi: Blechtett (2009)

15'

for 2 trumpets, horn, trombone and tuba
sFr. 47.00 , € 36.00
(Stimmen SME: sFr. 46.-; € 46.-)

4534

Martin Schlumpf: Cumuli III (3-4-1-5-2 - Kapitel II im Buch der Proportionen) (1999)

20'

for flute, clarinet, soprano saxophone, trombone, electric piano (or piano), electric bass (or double bass) and percussion
sFr. 34.00 , € 26.00

10237

Michael Schneider: (1991-2010)

sFr. 16.00 , € 12.00

16304

Felix Schüeli: Stück für Klarinette & Posaune (piece for clarinet and trombone) (1999)

sFr. 16.00 , € 12.00

16308

Felix Schüeli: Septett (2001)

for trumpet, alto saxophone, tenor saxophone, trombone, violin, violoncello and double bass
sFr. 26.00 , € 20.00
(Stimmen: sFr. 18.-; € 12.00)
"I dealt with the subject of the four-part fugue in g minor from the WTK (Vol.I) as a model for this piece. I used these parts continually in various appendages and confronted them with a groovy theme." (composer).

4811

Andreas Stahl: sextett (1993/94)

20'

for soprano, violin, violoncello, trombone, percussion, piano, electronic tape and a piece of mechanical equipment
sFr. 31.00 , € 24.00
A half-scenic attempt to look at the common ground between musical and theatrical operation and the resulting relationship between movement and sound.

4814

Andreas Stahl: again, sam! (1998)

20'

for violoncello, double-bass, baritone saxophone, bass clarinet, two tenor-bass trombones and two percussion instruments
sFr. 47.00 , € 36.00
An initial piece based on repetition presented in such a way that the repeated elements, located on many different levels, are not always immediately recognizable. This gives the impression of a loosely fabricated form. It is sonorously very soft with lots of sounds and lots of interlocking rhythms. Requires a conductor.

4926

Mathias Steinauer: Sott'acqua, op. 17.3 (1999)

10'

for soprano saxophone, horn, trombone, percussion and piano
sFr. 29.00 , € 22.00
Partly with an improvised second piano (ad libitum).

17107

Bruno Stöckli: Bribes (2001)

10'

for viola, violoncello, trombone, tuba and piano
sFr. 34.00 , € 26.00

17515

Raymond Vauterin: Intrada (1996)

for brass (2.3.3.2.btba) and 2 timpani
sFr. 42.00 , € 32.00

10717

De-Qing Wen: Piping and Drumming (2000)

12'

for wind and percussion instruments (fl.ob.cl.asx.bn/tpt.tbn/3perc/pf)
sFr. 62.00 , € 48.00
(Matériel SME/EMS: sFr. 62.-; € 20.-)
'Piping and Drumming' is a traditional Chinese musical form that uses only wind instruments and percussion. It is often played at ceremonies.

10814

Martin Wendel: Fünf Stücke für Blechbläserquartett, op. 42 (five pieces for brass quartet, op. 42) (1983)

for two trumpets and two trombones
sFr. 29.00 , € 22.00
This piece is not a collection of isolated miniatures - the five pieces result in a cyclic whole.

7836

Hansruedi Willisegger: Frau Musica zur Ehr (1973)

5'30

for youth choir, mixed choir, three trumpets, three trombones and tuba
sFr. 34.00 , € 26.00
text: Folksong

8213

Alfons Karl Zwicker: Konstellation mit Mondtransit (1998/99)

16'

for soprano, violin, trombone, violoncello, clarinet and piano
sFr. 55.00 , € 42.00
A piece with aperspective performance practice. The ever-changing aspects on the radix planets (instrumentalists) by the transitory moon (soprano) are made audible.

Trombone with orchestra

5247

Balz Trümpy: EIS EROTA (2002)

12'

for soprano, baritone, horn, two trumpets, trombone, percussion and strings
sFr. 62.00 , € 48.00
Sappho and Alkaios from the isle of Lesbos are amongst the most prestigious representatives of Greek lyrics strongly connected with the Orpheus saga. After the heavenly singer has lost his beloved Eurydice to the underworld and, spurned by his endless mourning, he seeks the love of other women. Bacchante tear him to pieces in an angry rage and cast his head into the sea. The tide washes it onto the shores of Lesbos - here his mouth is once again brought to speech by the lyric of the island. Mythological notions merge with personal experience and sufferance in connection with the erotic. Eros is the ‘weirdest God’ (Alkaois) whose effect is to rip open the abyss between the highest fulfilment and the degeneration towards death. The elemental force with which he encompasses man awakes in him an orpheic longing for immortality and the desire to overcome the underworld; simultaneously bringing even more painfully the forlornness of his wish to consciousness. While Alkaios attempts to forget in wild drunkenness and sexual indulgence, we eavesdrop on Sappho, and the dark tones of a wish for love in which pain resonates with the transient. EIS EROTA combines fragments from both poets to produce a dialogue on the subject of love and death.

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automatically generated. last update: 20.04.2012 / 2004 Theo Lustenberger