Oboe
solo
sFr. 16.00 , € 12.00
In 'Intervention', the music is channelled in such a way as to highlight the fragile and the subtle, unthinkable without the large gesture at the beginning, they now become something equivalent to its opposite. It is thus that polar positions seem to nourish subterraneously.
sFr. 18.00 , € 14.00
sFr. 13.00 , € 10.00
sFr. 16.00 , € 12.00
sFr. 16.00 , € 12.00
sFr. 16.00 , € 12.00
Poem by Burkhard Glaetzner.
sFr. 26.00 , € 20.00
An obsessive, pulsating sequence is stopped down again and again and shortened whenever some sound fields establish themselves in the interstitial. A new multifaceted music replaces the worn down rhythm.
sFr. 16.00 , € 12.00
For a different woodwind instrument to the recorder, a somewhat smoother effect because the extreme registers of the recorder have a greater influence on the tone than other instruments with a wider range. World Premiere: 04.02.01 in Wädenswil by Rico Gubler (tsx).
sFr. 16.00 , € 12.00
sFr. 16.00 , € 12.00
sFr. 18.00 , € 14.00
piano and instrument
sFr. 16.00 , € 12.00
Oboe with instruments
sFr. 47.00 , € 36.00
for soli (AB from the choir) two choirs, flute, oboe, harp percussion and organ
sFr. 60.00 , € 46.00
Texts: Xenophanes von Kolophon, Marie Luise Kaschnitz The two choirs are situated as far apart as possible. The vocal parts are demanding both for the soloists and the choir.
sFr. 31.00 , € 24.00
Opposing elements growing increasingly apart. Rights of performance reserved.
sFr. 16.00 , € 12.00
For Ana Lomsaridze and Matthias Arter. 'Ich und Du' takes the canon technique as its starting point to create, in the first few moments, an unexpected constellation full of conflict potential, which is then gradually tackled and illuminated from various sides. This short piece offers the possibility to listen in on the longing and the shared and their possible and impossible realisations.
sFr. 31.00 , € 24.00
sFr. 16.00 , € 12.00
Composition by Eric Gaudibert / Nicolas Bolens. This work is written by two hands, by two different composers who experimented in equally sharing the single instruments: the oboe and double-bass on the one hand side and the violin and the clarinet on the other. The precisely written violin is the conducting element and the three other instruments are grouped accurately around it. A description of the tempi allows easy playing. This piece has a medium level of difficulty.
sFr. 34.00 , € 26.00
Texts: Indian texts The 'Children Songs' (which received a prize from the University of California in 1973) are a kind of half scenic cantata based on Indian text.
sFr. 29.00 , € 22.00
No. III is a markedly beautiful piece to commemorate Berio's 'O King'. No. I and II are confined to the piano and a melodic instrument of choice.
sFr. 42.00 , € 32.00
sFr. 26.00 , € 20.00
Four opposing parts combine to form a whole. Written extensively in space notation.
sFr. 36.00 , € 28.00
Texts: Anonymous The texts, ranging from sorrow to hope, are derived from political prisoners of various dictatorships. The Soprano voice is identical for both versions.
sFr. 31.00 , € 24.00
The notation for the ensemble is traditional but in space notation for the harpsichord. The last section is notated on separate sheets with momentary points of reference. Standard playing techniques. The harpsichord needs an 8', 4' and lute stops.
for two oboes
sFr. 21.00 , € 16.00
The title is a quote by Victor Hugo extracted from 'Les travailleurs de la mer'. The first oboe doubles English horn and the second doubles a Baroque oboe, if the latter is not available the musician can perform the passage in question on a modern oboe while transposing the text half a note deeper. This piece is of a high level of difficulty.
sFr. 16.00 , € 12.00
Composition by Eric Gaudibert / Nicolas Bolens. This work is written by two hands, by two different composers who experimented in sharing the single instruments equally: the oboe and double bass on the one hand side and the violin and the clarinet on the other. The precisely written violin is the conducting element and the three other instruments are grouped accurately around it. A description of the tempi allows easier playing. This piece has a medium level of difficulty.
sFr. 18.00 , € 14.00
This work is inspired by a piano piece with the same title by Schumann (Phantasiestücke op.12). It is a slow and tender piece of music which demands a great deal of concentration to master the contrapuntal lines.
sFr. 21.00 , € 16.00
(Parties en vente chez EMS)
A piece dealing with the transparency of life. An adventure into the essence of our elements: The moon - the soul - the sea - the sky - the guardian angel. The perfect man.
sFr. 52.00 , € 40.00
(Spielpartitur)
sFr. 60.00 , € 46.00
Evening News - Summertime - Today Special - Meteo - Sonntag 03.17 Uhr MEZ - Breaking News.
sFr. 42.00 , € 32.00
sFr. 18.00 , € 14.00
(Parties pour les cordes en vente chez EMS)
sFr. 18.00 , € 14.00
(Parties chez EMS: Sfr. 14.-; € 14.-)
sFr. 29.00 , € 22.00
(Parties: 22.-)
sFr. 34.00 , € 26.00
Text: Hans Häring.
sFr. 23.00 , € 18.00
(Stimmen: sFr. 16.-; € 10.50)
sFr. 13.00 , € 10.00
An easily approachable piece in which equal demands are made on both interpreters. It is not a difficult piece to interpret and is well suited to an advanced student.
sFr. 26.00 , € 20.00
A polyphonic tonal meshwork - fluctuations between chromatic and polypentatonic - irridescent sound surfaces. For chamber musical performances: wind quintet and string quartet.
sFr. 21.00 , € 16.00
In memoriam Sándor Veress. A piece with two themes from Hungarian folk music, slow lyrical parts alternate with lively, quick and very rhythmical parts. Extended tonality.
sFr. 21.00 , € 16.00
"A trio-piece of coagulate sound, quasi-captivated nerviness with bursts of desperate fury" (Frank Schneider on the world premiere).
sFr. 18.00 , € 14.00
The musicians also perform scenic actions and speak a couple of sentences.
sFr. 122.00 , € 94.00
A composition in cooperation with Werner Bärtschi, Ulrich Gasser, Max Eugen Keller, Martin Sigrist and Peter Wettstein ('Komponistensekretariat' Zurich) with sixty segments, each fifty seconds long. Cyclic composition.
sFr. 18.00 , € 14.00
sFr. 21.00 , € 16.00
These three miniatures are the reshaping of the structure and instrumentation of three laconic parts of my opera "Die Axt" after "Graf Öderland" by Max Frisch, which I composed as a commission for the Komischen Oper Berlin. Schlaglicht I is taken from the end of the 2nd act. In Schlaglicht II, the wind instrumentalists play excerpts from the three trumpets in the 1st act, while the percussion and double bass develop a new oppositional layer. Schlaglicht III transposes almost the entire 5th act where the bassoon and oboe intonate the duet between the central character and his partner, while the clarinet and double bass play the accompanying trumpet and tuba and the percussion brings in a new line.
sFr. 34.00 , € 26.00
A text about statistically the most frequent causes of death in Switzerland takes its course and is interspersed by ten extremely varied newsflashes from real life, all of them objets trouvés from two daily newspaper of 12th June, 2007. The statistical information is set to music in a recitative manner with very few, primarily sustained notes. This is in contrast to the ten newsflashes whose music is composed with lively movements and a tangible pulse in various structures. The somewhat macabre text montage reflects the apparent phenomenon of the sometimes-grotesque contrast of various themes and texts, which seems to magically attract humans.
sFr. 26.00 , € 20.00
This work contrasts notated music with improvised music. The sextet is extensively notated; the piano merely has several verbal suggestions. There are, however, also moments of improvisation in the sextet where, for example, each instrument initially and independently of the others repeats a phrase, which gradually changes following verbal instructions. Each begins this process with great intensity, playing as loud and as quickly as possible – very much in the style of early free jazz.
for oboe, bassoon, guitar and viola
sFr. 16.00 , € 12.00
In the painting "Wie Kraut und Rüben" by Paul Klee transparent white dots are spread over a red background in irregular rows and create thereby a subtle pulsation within a regular grid. By painting over the dots with the brush, these dots turn into lines, spots and signs. This technique, which Klee called "pointillate", has been transposed to dots of sound, arranged in rows, superimposed in irregular, free rhythms by the four instruments.
for double bass solo and chamber ensemble (1(pic).1.1.1(cbn)/1.0.0.0/perc/pf/2vn.va.vc)
sFr. 65.00 , € 50.00
sFr. 29.00 , € 22.00
(Instrumentalstimmen sFr. 20.-, € 20.-; Chorpartitur sFr. 16.-, € 16.-)
Texts: Bible / Liturgy Musical setting of the 100th Psalm.
sFr. 18.00 , € 14.00
(Stimmen: sFr. 14.-; € 9.50)
sFr. 21.00 , € 16.00
Fragile transitions between noise and tone, fluctuating chromatic modulations and a metre that masks the rhythm are characteristics of this trio. World premiere: 28.9.97 in Wädenswil by theTrio Lepic.
sFr. 36.00 , € 28.00
Text: Everyday advertising and media language The basis of the text for ‘Fernruf J 12’ is the the list of the Bolshevist musicians from the Berlin department for art preservation from 1935: it is the list of musicians which had to be displaced from the music scene. The piece works, from a musical point of view, with different levels of understanding i.e. repression and forgetting. World premiere: 22.05.02 in Basel by the aequator ensemble.
sFr. 13.00 , € 10.00
WP: 1.3. 09, Zürich, Ani Lomsaridze, Matthias Arter
sFr. 49.00 , € 38.00
A nine-part piece - a confrontation between the music of Guillaume de Machaut and Hans-Jürg Meier.
sFr. 34.00 , € 26.00
Four conversational partners embroil, increasingly dramatically and then calm down in a multi-sounding room.
sFr. 23.00 , € 18.00
"Rather a cloud of birds in the sky than one in the hand." (Eduardo Chillida)
sFr. 31.00 , € 24.00
sFr. 42.00 , € 32.00
Structured in four consecutive tonal images, each one takes its inspiration from a species of nymph: Orestiads, Dryades, Naiads and Nereids.
sFr. 21.00 , € 16.00
Traditional interplay with some dodgy rhythmics. Partly over-the-top high register. Reduced but colourful harmony.
sFr. 60.00 , € 46.00
Accentuated horn and percussion.
sFr. 83.00 , € 64.00
Fantasy, prelude, I. Nächtlicher Kojotentanz, II. Morgensonn’ das Meer enthüllet, III. Purple Horses, IV. Yosemite. Accentuated percussion.
sFr. 57.00 , € 44.00
I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries. Piano and trumpet accentuated.
sFr. 57.00 , € 44.00
This piece is suitable for oboe and ensemble, but oboe and a small orchestra is preferable. The oboe is very demanding but the harp and horn also play important parts.
sFr. 26.00 , € 20.00
sFr. 36.00 , € 28.00
This piece is based on the poem 'Empfangen und genähret' (Received and Nourished) by Matthias Claudius together with extracts from the book Kohelet (300 BC). Despite being scored for three vocal and three instrumental parts, the fascinating phenomenon of monophony is kept throughout. Work series A: Music for concerts.
sFr. 34.00 , € 26.00
Da der Tod - ...ahnten sie nicht - Trio pasquale: A variety of settings: the whole ensemble in the first part; in the second the choir and the speaker are omitted whilst the third part features flute, oboe, and English horn. The three pieces are a religious triptych, but they can be performed separately. The first two cycles set texts by the Graz writer Karl Mittlinger to music. In the first part, death is objectified in its many aspects whilst the last part sees the speaker narrate sentences from Mozart's letters to his father, in which he describes his attitude towards death. The middle piece is concerned with form, life and the mission of Jesus and closes with death and resurrection. The ‘Trio Pasquale’ is deals with Easter, as seen by Maria Magdalena. Work series A: Music for concerts.
sFr. 31.00 , € 24.00
Work series A: Music for concerts.
sFr. 34.00 , € 26.00
This piece evokes, magical, mystical (sound) landscapes - mostly in space notation.
sFr. 13.00 , € 10.00
(DAT vom Komponisten zur Verfügung gestellt.)
In memory of Edison Denissow. A relatively simple oboe piece with glistening, breathing sounds provided by the play-back (DAT).
sFr. 21.00 , € 16.00
Three imaginary images after Paul Klee. As far as interpretation is concerned (multiphonics, quarter tones), the passages are demanding and alternate between rugged and meditative sound gestures.
for three oboes
sFr. 16.00 , € 12.00
Three different 'veils' for oboe trio which attempt to avoid the typical oboe stereotypes.
sFr. 42.00 , € 32.00
for oboe and trumpet (or two other, slightly different instruments)
sFr. 16.00 , € 12.00
A cycle based on savage and partly lost writings; "Die schöne Frau von Thun" uses six instruments, which can be relatively freely chosen; "Tobold" is a compositional concept, formal and extremely variable in its instrumentation (the composer has arranged one version); "Das Mädchen mit den schönen Augen" is the last work before the composer's non-composing phase, maliciously simple, supposedly humorous - it is dedicated to the performer Marion Leyh.
for oboe, violoncello and piano
sFr. 23.00 , € 18.00
for baritone and instruments (1(pic).1(ca).1(bcl).1/hn/hp/vn.va.vc(db ad lib.))
sFr. 86.00 , € 66.00
(Réduction chez SME/EMS: sFr. 34.-; € 34.-)
Based on a poem by Patrice de la Tour du Pin. Fusion of a series of twelve tones with a constant reference to tonality. Very expressive French poetry.
sFr. 23.00 , € 18.00
Constructed on a series of intervals.
sFr. 47.00 , € 36.00
Written for the ensemble ‘pre-art’ for the 1700th anniversary of the Christianisation of Armenia. Text (mostly spoken) and music both refer to the processes of memory and remembrance (resp. forgetting). Formally, it is a triple duet (fl/vn, ob/vc, voc/pno) and is, as usual, situated on the rather extreme sector of sound production.
sFr. 29.00 , € 22.00
A piece about pitch, almost about melody. But certainly so that the borders between identical, similar and different dissolve to leave one hearing melodies where no melodies exist (?).
for double-reed quartet (double-reed instruments, heckelephone, bassoon), orator/singer (bass/baritone) and one percussion
sFr. 70.00 , € 54.00
Texts: Aristoteles, Hippokrates, Ch. Mullack, Xenophon, Aristophanes, Hans Saner, Platon, Leonides von Tarent, Epikur
sFr. 29.00 , € 22.00
Jocular, virtuoso piece.
sFr. 62.00 , € 48.00
(Matériel SME/EMS: sFr. 62.-; € 20.-)
'Piping and Drumming' is a traditional Chinese musical form that uses only wind instruments and percussion. It is often played at ceremonies.
for violin, oboe and Bb clarinet
sFr. 18.00 , € 14.00
Comissioned by the ‘Conservatoir de Musique de Genève’ for the students of the second classes. The theme of this piece is borrowed from the folkloristic Chinese song ‘Cai diao’.
for oboe and English horn
sFr. 26.00 , € 20.00
The piece was inspired by the singing of my neighbor's two beautiful birds encased in one cage in front of my new residency in Fuzhou, China. Their singing aroused my curiosity. What were they singing for? How well were they getting along with each other? What were they discussing? About the past or the future? Life or death? Love or hatred? Nature or art? Freedom or confinement? Food or philosophy? Were they happy or sad? What if it was I myself who was encased in the cage with my love? No, no, no... It is not a good idea for us, but my neighbor and his wife should be!
Three movements as steps in a metamorphosis of a melodic material which stays strongly connected on the level of intervals.
Two sounding pairs become isolated and re-converge in a quartet relationship. A multi-faceted composition in five parts.
sFr. 18.00 , € 14.00
After a picture by Hans Erni.
Oboe with orchestra
sFr. 42.00 , € 32.00
sFr. 130.00 , € 100.00
I Jünger II Apostel III Märtyrer
sFr. 44.00 , € 34.00
The oboist plays the oboe d'amore in the movements I, III, IV; oboe in the movements II, V and the English horn in movement IV. Work series A: Music for concerts.
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