Horn
solo
sFr. 13.00 , € 10.00
sFr. 13.00 , € 10.00
A piece demanding very high technical skills, composed as a homage to Robert Faller. It is inspired by the music of Robert Schumann. At the end the hornist simultaneously sings one tone and plays.
for orchestra (4 string groups and 8 horns)
sFr. 34.00 , € 26.00
sFr. 26.00 , € 20.00
An obsessive, pulsating sequence is stopped down again and again and shortened whenever some sound fields establish themselves in the interstitial. A new multifaceted music replaces the worn down rhythm.
for horn solo
sFr. 16.00 , € 12.00
In four parts.
sFr. 16.00 , € 12.00
1. Intrada 2. Presto 3. Aria I - Rezitativo - Aria II
for horn solo
sFr. 16.00 , € 12.00
sFr. 16.00 , € 12.00
sFr. 18.00 , € 14.00
for horn solo (and tam-tam)
sFr. 23.00 , € 18.00
In a high range of possible subtleties in the mixing of sounds this piece arranges and deals with breathing in music. The piece is based on fine nuances between cerulean blue and manganese blue, between cadmium red and permanent red, embedded in the grammar of intensity, opacity, pigmentation of a sound colour alphabet. Micro breath-lines of various length bind to macro breath-lines by artificial extension.
piano and instrument
sFr. 23.00 , € 18.00
Very virtuosic for the horn. The pianist sings in the second movement (ad libitum).
sFr. 26.00 , € 20.00
Drawn-out lines of the horn face gong-beats and dazzling interpolations of a piano prepared with two chains.
Horn with instruments
sFr. 21.00 , € 16.00
sFr. 31.00 , € 24.00
Opposing elements growing increasingly apart. Rights of performance reserved.
sFr. 31.00 , € 24.00
sFr. 23.00 , € 18.00
A soft spatial piece for eight spatially distributed hornists.
sFr. 23.00 , € 18.00
(Stimmen: sFr. 31.-; € 24.-)
On the formal level, Sinus D generates an arch (lat. sinus) - like a D placed on ist back: the elements of a phrase - chords and their resulting melodic motifs - glide into each other successively to create a core of maximum density and a finish, which, with regard to this density, returns to the begining.
sFr. 57.00 , € 44.00
(Parties: sFr. 90.-; € 90.-)
sFr. 70.00 , € 54.00
The solo horn is scored also for an authentic 19th century invention-horn, and the solo piano part (normal tuning) also plays a hammer piano (five octaves F - f4, sounding a quarter tone lower). The second piano in the ensemble is tuned a quarter tone lower. A discourse with Robert Schumann's music.
for soprano, clarinet and horn
sFr. 29.00 , € 22.00
Texts: Wilhelm Felix Swoboda, Georg von der Vring
for brass quintet (1.2.1.1) and piano
sFr. 57.00 , € 44.00
This work is in three movements, parts of which are in aleatoric notation.
sFr. 26.00 , € 20.00
The percussionist plays both a principal and theatrical role performing on a table. The remaining instruments are, for the most, independent of one another; the piano is placed at the far-end of the scene. The sounds produced on the table are amplified.
sFr. 31.00 , € 24.00
This work quotes a Haiku recited once by the hornist. It is inspired by the acidic sounds of Gagaku (music of the imperial court of Japan) and by the tense melismas of Nô. The string quartet's tempo is generally independent of the horn's. The five instrumentalist need to have a good command of micro intervals. The particular timbre of the quartet derives from researching the "fake" unisons.
sFr. 34.00 , € 26.00
(Stimmen bei SME/EMS: sFr. 28.-; € 28.-)
Listen:
for clarinet, bassoon, horn, string quartet and speaker
sFr. 57.00 , € 44.00
Text: Gert Loschütz.
sFr. 18.00 , € 14.00
(Stimmen: sFr. 54.-; € 36.00)
Including the fourth movement of the septet op. 20 by Ludwig van Beethoven.
sFr. 60.00 , € 46.00
Evening News - Summertime - Today Special - Meteo - Sonntag 03.17 Uhr MEZ - Breaking News.
sFr. 73.00 , € 56.00
(inkl. Stimmen)
sFr. 39.00 , € 30.00
(2 partitions et partie de cor)
sFr. 26.00 , € 20.00
A polyphonic tonal meshwork - fluctuations between chromatic and polypentatonic - irridescent sound surfaces. For chamber musical performances: wind quintet and string quartet.
sFr. 18.00 , € 14.00
sFr. 34.00 , € 26.00
A text about statistically the most frequent causes of death in Switzerland takes its course and is interspersed by ten extremely varied newsflashes from real life, all of them objets trouvés from two daily newspaper of 12th June, 2007. The statistical information is set to music in a recitative manner with very few, primarily sustained notes. This is in contrast to the ten newsflashes whose music is composed with lively movements and a tangible pulse in various structures. The somewhat macabre text montage reflects the apparent phenomenon of the sometimes-grotesque contrast of various themes and texts, which seems to magically attract humans.
sFr. 18.00 , € 14.00
Il filo (the thread) is the name of the underlying theme: the sustained note, from which other things slowly emerge, split off or even oppose. The two instruments start unisono while the sustained tone soon gets rhythmized and played around by a second tone. They veer away from the unisono to find themselves reunited on the same note after various phases. In the final part both spin together or alternately on the same thread, leave it, play around it and give it individual colours.
sFr. 26.00 , € 20.00
for double bass solo and chamber ensemble (1(pic).1.1.1(cbn)/1.0.0.0/perc/pf/2vn.va.vc)
sFr. 65.00 , € 50.00
8 horns
sFr. 31.00 , € 24.00
As this is a kind of spatial music, the eight horns are positioned in a circle around the audience. A conductor is essential. Standard playing techniques, but the part of the first horn is difficult.
sFr. 31.00 , € 24.00
Adaptation of folk musical elements.
sFr. 65.00 , € 50.00
Four horns stand face on with a string quartet. These two close and self-contained sounding groups are led into a kind of duet. It begins with the construction of two sounds before developing into a back and forth oscillation between the two sounding groups. There follows a mutual attempt at tonal alignment and then fine variations where the groups enter an area of wavering tones. Re-colouring moments of the horizontal figurations or a hocket-like interplay between the two parties arises. The themetization of the instrument-specific base elements, the fifths tuning of the strings and the natural spectrum of the horn become the harmonic culture medium for the whole piece.
sFr. 26.00 , € 20.00
Helical searching for osculation points.
sFr. 18.00 , € 14.00
Formal references lead to the grotesque paintings of the Domus Aurea rooms in Rome. As regards content, the sirens have their grand appearance.
sFr. 31.00 , € 24.00
sFr. 21.00 , € 16.00
After texts by Hannah Arendt. This piece uses a half conventional score with 'cell' improvisation. All instruments are to be amplified where possible.
sFr. 18.00 , € 14.00
A horn line is sweet-talked with high intensity by perfect fourths and fifths, only on a low dynamic level.
sFr. 60.00 , € 46.00
Accentuated horn and percussion.
sFr. 57.00 , € 44.00
I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries. Piano and trumpet accentuated.
sFr. 57.00 , € 44.00
This piece is suitable for oboe and ensemble, but oboe and a small orchestra is preferable. The oboe is very demanding but the harp and horn also play important parts.
sFr. 31.00 , € 24.00
Work series A: Music for concerts.
sFr. 60.00 , € 46.00
An entertainment piece using German and English folksongs.
sFr. 23.00 , € 18.00
(Hornstimme: sFr. 13; € 10.-)
sFr. 47.00 , € 36.00
(Stimmen SME: sFr. 46.-; € 46.-)
sFr. 34.00 , € 26.00
This piece evokes, magical, mystical (sound) landscapes - mostly in space notation.
sFr. 42.00 , € 32.00
for baritone and instruments (1(pic).1(ca).1(bcl).1/hn/hp/vn.va.vc(db ad lib.))
sFr. 86.00 , € 66.00
(Réduction chez SME/EMS: sFr. 34.-; € 34.-)
Based on a poem by Patrice de la Tour du Pin. Fusion of a series of twelve tones with a constant reference to tonality. Very expressive French poetry.
sFr. 29.00 , € 22.00
Short, fierce (also complex) cry out against equality in its handling of various aspects such as mankind, musical instruments, parameters, etc..
sFr. 31.00 , € 24.00
Version I: cl.hn.vn.pf (op. 10a) Version II: cl.vn.vc.pf (op. 10b) After three fantastical poems about the origin of the world.
sFr. 29.00 , € 22.00
Partly with an improvised second piano (ad libitum).
sFr. 23.00 , € 18.00
This piece deals with the deciphering of rules, making possible a joint language for the four instruments.
sFr. 68.00 , € 52.00
Texts: Anonymus, Heinrich von Morungen, Walter von der Vogelweide This three-part work is based on texts from a minnelied. The vocal line, which uses various sound modulations, is harmonically, melodically and rhythmically interwoven with the accompaniment.
for mixed choir, flute, two clarinets and horn
sFr. 55.00 , € 42.00
Night has probably never been praised higher and in so many facets by anyone other than Joseph von Eichendorff. For myself, his poems are equivalent to the music of Schubert and Schumann. A possible discovery of reality on the edge of the concrete, proceeding to point out another reality.
sFr. 42.00 , € 32.00
sFr. 47.00 , € 36.00
Horn with orchestra
sFr. 31.00 , € 24.00
sFr. 18.00 , € 14.00
This piece, written for the Lucerne Festival Strings, can be easily introduced into a 'normal' string orchestra programme. It does, however, require great solo skills from the horn player.
sFr. 62.00 , € 48.00
Sappho and Alkaios from the isle of Lesbos are amongst the most prestigious representatives of Greek lyrics strongly connected with the Orpheus saga. After the heavenly singer has lost his beloved Eurydice to the underworld and, spurned by his endless mourning, he seeks the love of other women. Bacchante tear him to pieces in an angry rage and cast his head into the sea. The tide washes it onto the shores of Lesbos - here his mouth is once again brought to speech by the lyric of the island. Mythological notions merge with personal experience and sufferance in connection with the erotic. Eros is the ‘weirdest God’ (Alkaois) whose effect is to rip open the abyss between the highest fulfilment and the degeneration towards death. The elemental force with which he encompasses man awakes in him an orpheic longing for immortality and the desire to overcome the underworld; simultaneously bringing even more painfully the forlornness of his wish to consciousness. While Alkaios attempts to forget in wild drunkenness and sexual indulgence, we eavesdrop on Sappho, and the dark tones of a wish for love in which pain resonates with the transient. EIS EROTA combines fragments from both poets to produce a dialogue on the subject of love and death.
sFr. 39.00 , € 30.00
| Schweizer Musik - Home Musique Suisse - Home Swiss Music - Home |
automatically generated. last update: 20.04.2012 / 2004 Theo Lustenberger