Harp | |||
solo | |||
| 9813 | Laurent Mettraux: Miroir du silence, M. 514 (1995) |
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for harp sFr. 16.00 , € 12.00 Myterious and ruminant work, almost oriental. In the middle, the piece retrogrades back to the beginning.
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| 5410 | Daniel Weissberg: Wi(e)der (1993) |
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for harp solo sFr. 23.00 , € 18.00 A widening of the harp's sound spectrum using preparation and unconventional playing techniques.
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| 10819 | Martin Wendel: Solo für Harfe, op. 58 (solo for harp. op. 58) (1992) |
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sFr. 13.00
, € 10.00
A colourful, tonally differentiated ‘address’ using the minimum of material and with as direct a resemblance to spoken language as possible.
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piano and instrument | |||
| 0259 | Walter Baer: Lichtspuren (2011) |
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for harp and piano sFr. 44.00 , € 34.00 This duo is composed of several parts differing in character, tempo and meter. The parts are to be performed atacca.
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Harp with instruments | |||
| 0248 | Walter Baer: Das Symposion des Xenophanes (2003) |
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Cantata for soli (AB from the choir) two choirs, flute, oboe, harp percussion and organ sFr. 60.00 , € 46.00 Texts: Xenophanes von Kolophon, Marie Luise Kaschnitz The two choirs are situated as far apart as possible. The vocal parts are demanding both for the soloists and the choir.
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| 6411 | George Barcos: Poemas Encantados (1992) |
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for four harps sFr. 49.00 , € 38.00 1. El guajiro y la serpiente 2. Luces del trópico 3. La isla del olvido 4. El papagayo adivino
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| 6420 | George Barcos: Piezas Íntimas (1999) |
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for flute, bassoon and harp sFr. 31.00 , € 24.00 Nocturnal - Danzón - Poema Místico.
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| 8406 | Felix Baumann: Le guetteur mélancolique (1994) |
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for two clarinets, two harps, piano, six percussion, two orators and four choir groups sFr. 49.00 , € 38.00 Texts: Guillaume Apollinaire For the 'Stadelhofer Death Dance'. A spatially performable score based on texts by Guillaume Apollinaire about the transition from this world to the next. Speechlessness in the face of death, a dance around the grave and the crossing of the threshold.
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| 6618 | Alfred Felder: Cercles (1992) |
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for flute, clarinet, harp, string quartet and double bass sFr. 26.00 , € 20.00 | ||
| 11908 | Claude Ferrier: Le Chemin sans traces (1996) |
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for baritone and instrumental quintet (fl.cl/hp/va.vc) sFr. 52.00 , € 40.00 Texts: Henri Gaberel Based on the poem by Henri Gaberel.Version for orchestra (2(pic).2(ca).2(bcl)2(cbn)/4.2.3.1/4perc/hp.cel/str) available from the composer.
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| 11919 | Claude Ferrier: Condensations (1998) |
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for sextet (fl.hn.asx/hp.cel/gtr) sFr. 42.00 , € 32.00 | ||
| 11920 | Claude Ferrier: 4 petites pièces (1999) |
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for eight instrumentalists (fl.cl.bn/perc/hp/2vn.vc) sFr. 26.00 , € 20.00 | ||
| 1477 | Eric Gaudibert: Zwielicht (1990) |
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for flute and harp sFr. 26.00 , € 20.00 Zwielicht = Twilight Uses the piccolo flute and the alto flute in G. Written almost entirely in space notation. High level of difficulty. Accessories: a bow for the harp.
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| 18005 | Sarah Haessig: Die Geister am Mummelsee (2008) |
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Melodrama for voice, string quartet, flute and harp sFr. 34.00 , € 26.00 Over a poem by Eduard Mörike.
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| 9232 | Michel Hostettler: Le Renard et la Rose (1997) |
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for flute and harp sFr. 18.00 , € 14.00 (Avec partie pour flûte) | ||
| 9255 | Michel Hostettler: Lisière (2002) |
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for 2 harps sFr. 44.00 , € 34.00 | ||
| 9267 | Michel Hostettler: Ballade (2005) |
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for panpipes and harp sFr. 18.00 , € 14.00 (avec voix) | ||
| 9334 | Vladislav Jaros: Ungarische Rhapsodie (2006) |
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for flute (or violin), bassoon (or bass clarinet or violin) and piano (or harp) sFr. 36.00 , € 28.00 A varied music full of life with an Hungarian rhythm. Instrumentation: 1 - fl.bn.hp 2 - fl.bn.pf 3 - fl.bcl.pf 4 - v.vc.pf
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| 2868 | Alfred Knüsel: inmitten der Fülle das Verschwinden als verbindendes Element (2008) |
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for wind instruments (pic, fl, bcl, bn), string instruments (vn, db, hp) and percussion sFr. 49.00 , € 38.00 | ||
| 2906 | Josef Kost: Vesper (1994) |
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for amateur choir, youth choir (both also speaking choirs), congregation, mezzo-soprano, baritone, liturgist, harp, organ and two percussion sFr. 55.00 , € 42.00 Texts: Bible / Liturgy A composition in various instrumental formations based on texts from Psalms and paraphrases on the subject of creation. Both the youth and amateur choirs are accompanied by the organ or percussion instruments; the singing congregation is accompanied by harp and drums, and the female and male cantor are accompanied by marimbaphone. Intermediate to difficult level. Liturgical duration: 60'
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| 2912 | Josef Kost: ... du wirst schon sehen ... (1996) |
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for boy and mixed choir, clarinet, harp and double bass sFr. 29.00 , € 22.00 Text: Hans Leopold Davi To stimulate moments of pause and contemplation, whether at the beginning, in the middle or at the end of life. Medium level of difficulty - also suitable for an amateur choir.
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| 7119 | Valentin Marti: Expansion of a Verse (2000) |
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for alto flute, basset horn, violoncello and harp sFr. 29.00 , € 22.00 A further independent version of ‘Re-version of a Verse’ which was left open for harmonic and formal additions. Intertwining structured sound surfaces; timbral changes. World premiere: 12.5.00 in Zumikon by I.Bende (fl), V.Wandeler (bhn), B.Göttert (vc), I.-L. Stettler-Jansen (hp), Philipp Hefti (cond.).
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| 7125 | Valentin Marti: Notizen und Gravur (2003) |
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for mandolin, guitar and harp sFr. 36.00 , € 28.00 Jede Aktion während der Arbeit an Skizzen eines Werkes löst einen Gedanken aus, in welcher Form diese Notizen in die Ausarbeitung einfliessen, wie sie konkretisiert, gewichtet, beleuchtet werden können. Diese Überlegung läuft zeitgleich mit der Skizzierung ab, geht aber mit der nächsten Aktion vordergründig verloren, versinkt in eine unbewusste Ebene, weil die Arbeit an den folgenden Notizen die Offenheit verlangt, auf den Moment spontan und intuitiv eingehen zu können. Vor und während der Gravur - der Umsetzung der Notizen - kommen einige Gedanken geschärft und klar zurück. Andere vermochten sich nicht zu festigen und bleiben in der Festlegung des Werkes unberücksichtigt. Die beiden Sätze von "Notizen und Gravur" können getrennt oder ineinanderfliessend aufgeführt werden. UA: 14.6.03, Zürich. mille cord
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| 9744 | Hans-Jürg Meier: Schwärme von Lichtfischen (2008) |
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for 6 pianos and 8 pairs of high instruments (flutes, clarinets, trumpets, cornets, harps and violins) sFr. 21.00 , € 16.00 (Stimmen beim Autor) Spatial composition based on a text by Elisabeth Binder (from "Orfeo"). For students. For students.
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| 7203 | Mela Meierhans: Vagabundinnen (1992) |
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for flute, string trio, harp (or bass), piano and electronic recorded material (CD/DAT or MD) sFr. 39.00 , € 30.00 After a text by Christina Thürmer-Rohr.
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| 3415 | Thomas K. J. Mejer: Macula Matris (1995/96) |
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for seven musicians (fl(pic,bfl,cbfl).cl(bcl,cbcl).bn(cbn)/tbn/hp/perc/vc), seven speakers and seven dancers. sFr. 200.00 , € 158.00 Texts: Hermann Berger, André Gide, Marisa Holder, Elfriede Jelinek, Milan Kundera, Irmgard Morgner, Karin Struck A stage work, somewhere between performance and installation.
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| 3802 | Thomas David Müller: Trauerarbeit (1978) |
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for viola, double-bass, harp, piano and percussion (6 players in total) sFr. 18.00 , € 14.00 Quite quiet music, easy to perform.
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| 9919 | Maria A. Niederberger: Concerto for Oboe and Instrumental Ensemble (1999/00) |
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for oboe solo, flute (piccolo), clarinet, horn, harp, two violins, viola, violoncello and double bass sFr. 57.00 , € 44.00 This piece is suitable for oboe and ensemble, but oboe and a small orchestra is preferable. The oboe is very demanding but the harp and horn also play important parts.
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| 19103 | Benedikt Wolfgang Schiefer: Kadenz (2007) |
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for 2 celli, double bass and harp sFr. 26.00 , € 20.00 | ||
| 10310 | Henri Scolari: Le Christ voilé (1948) |
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Catata for baritone and instruments (1(pic).1(ca).1(bcl).1/hn/hp/vn.va.vc(db ad lib.)) sFr. 86.00 , € 66.00 (Réduction chez SME/EMS: sFr. 34.-; € 34.-) Based on a poem by Patrice de la Tour du Pin. Fusion of a series of twelve tones with a constant reference to tonality. Very expressive French poetry.
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| 7720 | Pierre Thoma: Whisperings (Murmures) (1992) |
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for 4 harps sFr. 49.00 , € 38.00 (Matériel: sFr. 40.-; € 40.-) | ||
| 7826 | Hansruedi Willisegger: Impressionen (1967) |
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for eight instruments (fl.cl/hn/cel/hp.pf/2perc) sFr. 47.00 , € 36.00 | ||
| 8204 | Alfons Karl Zwicker: Erfrorene Träume (1990/92) |
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Cycle based on poems by Josef Kopf for mezzo-soprano and ensemble (fl(pic).cl(bcl)/hp.pf.hpd/2vn.va.vc.db) sFr. 78.00 , € 60.00 Large-scale song cycle in which the metaphors of ice, cold and freezing are centralised. The leading part for the mezzo-soprano is extremely demanding in the emotional and technical areas. (Vocal range e# - b").
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| 8207 | Alfons Karl Zwicker: Tropfen auf Stein (1995) |
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Cycle based on poems by Elisabeth Heck for baritone, flute (pic, afl, bfl), harp, piano, one percussion and viola sFr. 62.00 , € 48.00 Very introspective and contemplative song cycle with an increasingly ruminant character. A very subtle and diversified sound world whose centre is the metaphor of stone in all its varieties.
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Harp with orchestra | |||
| 0255 | Walter Baer: Concerto (2007) |
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for alto saxophone, string orchestra, harp, vibraphone and marimbaphone sFr. 52.00 , € 40.00 | ||
| 18708 | Ruedi Debrunner: SOHO (2007) |
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sFr. 75.00 , € 58.00 (Stimmen: sFr. 75.-; € 58.-) | ||
automatically generated. last update: 20.04.2012 / 2004 Theo Lustenberger | |||