9813 Laurent Mettraux: Miroir du silence, M. 514 (1995) 10'
for harp
sFr. 16.00
Myterious and ruminant work, almost oriental. In the middle, the piece retrogrades back to the beginning.

4626 Urs Peter Schneider: Robert Walser Trilogie II,3: Studje drej (1996) variabel
for female speaker or harp solo (et al)
sFr. 16.00
5410 Daniel Weissberg: Wi(e)der (1993) 9'
for harp solo
sFr. 23.00
A widening of the harp's sound spectrum using preparation and unconventional playing techniques.

10819 Martin Wendel: Solo für Harfe, op. 58 (solo for harp. op. 58) (1992) 4'30
sFr. 13.00
A colourful, tonally differentiated ‘address’ using the minimum of material and with as direct a resemblance to spoken language as possible.

piano and instrument
0259 Walter Baer: Lichtspuren (2011) 15'
for harp and piano
sFr. 44.00
This duo is composed of several parts differing in character, tempo and meter. The parts are to be performed atacca.

Harp with instruments
0248 Walter Baer: Das Symposion des Xenophanes (2003) 38'
for soli (AB from the choir) two choirs, flute, oboe, harp percussion and organ
sFr. 60.00
Texts: Xenophanes von Kolophon, Marie Luise Kaschnitz The two choirs are situated as far apart as possible. The vocal parts are demanding both for the soloists and the choir.

6411 George Barcos: Poemas Encantados (1992) 12'
for four harps
sFr. 49.00
1. El guajiro y la serpiente 2. Luces del trópico 3. La isla del olvido 4. El papagayo adivino

6420 George Barcos: Piezas Íntimas (1999) 9'30
for flute, bassoon and harp
sFr. 31.00
Nocturnal - Danzón - Poema Místico.

8406 Felix Baumann: Le guetteur mélancolique (1994) 16'
for two clarinets, two harps, piano, six percussion, two orators and four choir groups
sFr. 49.00
Texts: Guillaume Apollinaire For the 'Stadelhofer Death Dance'. A spatially performable score based on texts by Guillaume Apollinaire about the transition from this world to the next. Speechlessness in the face of death, a dance around the grave and the crossing of the threshold.

6618 Alfred Felder: Cercles (1992) 12'
for flute, clarinet, harp, string quartet and double bass
sFr. 26.00
11908 Claude Ferrier: Le Chemin sans traces (1996) 16'
for baritone and instrumental quintet (fl.cl/hp/va.vc)
sFr. 52.00
Texts: Henri Gaberel Based on the poem by Henri Gaberel.Version for orchestra (2(pic).2(ca).2(bcl)2(cbn)/ available from the composer.

11919 Claude Ferrier: Condensations (1998) 9'
for sextet (fl.hn.asx/hp.cel/gtr)
sFr. 42.00
11920 Claude Ferrier: 4 petites pièces (1999) 6'
for eight instrumentalists (fl.cl.bn/perc/hp/2vn.vc)
sFr. 26.00
1477 Eric Gaudibert: Zwielicht (1990) 11'30
for flute and harp
sFr. 26.00
Zwielicht = Twilight Uses the piccolo flute and the alto flute in G. Written almost entirely in space notation. High level of difficulty. Accessories: a bow for the harp.

8840 Rico Gubler: nel blu (2006) 7'
13 marches for decimated plucked-instrument orchestra
for mandolin, guitar and harp
sFr. 39.00
18005 Sarah Haessig: Die Geister am Mummelsee (2008) 9'
for voice, string quartet, flute and harp
sFr. 34.00
Over a poem by Eduard Mörike.

9232 Michel Hostettler: Le Renard et la Rose (1997) 4'30
for flute and harp
sFr. 18.00
(Avec partie pour flûte)
9255 Michel Hostettler: Lisière (2002) 21'
for 2 harps
sFr. 44.00
9267 Michel Hostettler: Ballade (2005) 5'
for panpipes and harp
sFr. 18.00
(avec voix)
9271 Michel Hostettler: Valse (2011) 3'
for 2 celtic harps
sFr. 18.00
(Parts: sFr. 21.-)
9334 Vladislav Jaros: Ungarische Rhapsodie (2006) 12'
for flute (or violin), bassoon (or bass clarinet or violin) and piano (or harp)
sFr. 36.00
A varied music full of life with an Hungarian rhythm. Instrumentation: 1 - fl.bn.hp 2 - fl.bn.pf 3 - fl.bcl.pf 4 - v.vc.pf

2868 Alfred Knüsel: inmitten der Fülle das Verschwinden als verbindendes Element (2008) 8'40
for wind instruments (pic, fl, bcl, bn), string instruments (vn, db, hp) and percussion
sFr. 49.00
Listen: Youtube
2906 Josef Kost: Vesper (1994) 31'
for amateur choir, youth choir (both also speaking choirs), congregation, mezzo-soprano, baritone, liturgist, harp, organ and two percussion
sFr. 55.00
Texts: Bible / Liturgy A composition in various instrumental formations based on texts from Psalms and paraphrases on the subject of creation. Both the youth and amateur choirs are accompanied by the organ or percussion instruments; the singing congregation is accompanied by harp and drums, and the female and male cantor are accompanied by marimbaphone. Intermediate to difficult level. Liturgical duration: 60'

2912 Josef Kost: ... du wirst schon sehen ... (1996) 18'
for boy and mixed choir, clarinet, harp and double bass
sFr. 29.00
Text: Hans Leopold Davi To stimulate moments of pause and contemplation, whether at the beginning, in the middle or at the end of life. Medium level of difficulty - also suitable for an amateur choir.

7119 Valentin Marti: Expansion of a Verse (2000) 9'45
for alto flute, basset horn, violoncello and harp
sFr. 29.00
A further independent version of ‘Re-version of a Verse’ which was left open for harmonic and formal additions. Intertwining structured sound surfaces; timbral changes. World premiere: 12.5.00 in Zumikon by I.Bende (fl), V.Wandeler (bhn), B.Göttert (vc), I.-L. Stettler-Jansen (hp), Philipp Hefti (cond.).

7125 Valentin Marti: Notizen und Gravur (2003) 10'
for mandolin, guitar and harp
sFr. 36.00
Jede Aktion während der Arbeit an Skizzen eines Werkes löst einen Gedanken aus, in welcher Form diese Notizen in die Ausarbeitung einfliessen, wie sie konkretisiert, gewichtet, beleuchtet werden können. Diese Überlegung läuft zeitgleich mit der Skizzierung ab, geht aber mit der nächsten Aktion vordergründig verloren, versinkt in eine unbewusste Ebene, weil die Arbeit an den folgenden Notizen die Offenheit verlangt, auf den Moment spontan und intuitiv eingehen zu können. Vor und während der Gravur - der Umsetzung der Notizen - kommen einige Gedanken geschärft und klar zurück. Andere vermochten sich nicht zu festigen und bleiben in der Festlegung des Werkes unberücksichtigt. Die beiden Sätze von "Notizen und Gravur" können getrennt oder ineinanderfliessend aufgeführt werden. UA: 14.6.03, Zürich. mille cord

9744 Hans-Jürg Meier: Schwärme von Lichtfischen (2008) 8'30
for 6 pianos and 8 pairs of high instruments (flutes, clarinets, trumpets, cornets, harps and violins)
sFr. 21.00
(Stimmen beim Autor)
Spatial composition based on a text by Elisabeth Binder (from "Orfeo"). For students. For students.

7203 Mela Meierhans: Vagabundinnen (1992) 13'
for flute, string trio, harp (or bass), piano and electronic recorded material (CD/DAT or MD)
sFr. 39.00
After a text by Christina Thürmer-Rohr.

3415 Thomas K. J. Mejer: Macula Matris (1995/96) 72'
for seven musicians (fl(pic,bfl,cbfl).cl(bcl,cbcl).bn(cbn)/tbn/hp/perc/vc), seven speakers and seven dancers.
sFr. 200.00
Texts: Hermann Berger, André Gide, Marisa Holder, Elfriede Jelinek, Milan Kundera, Irmgard Morgner, Karin Struck A stage work, somewhere between performance and installation.

3802 Thomas David Müller: Trauerarbeit (1978) 7'
for viola, double-bass, harp, piano and percussion (6 players in total)
sFr. 18.00
Quite quiet music, easy to perform.

9919 Maria A. Niederberger: Concerto for Oboe and Instrumental Ensemble (1999/00) 20'
for oboe solo, flute (piccolo), clarinet, horn, harp, two violins, viola, violoncello and double bass
sFr. 57.00
This piece is suitable for oboe and ensemble, but oboe and a small orchestra is preferable. The oboe is very demanding but the harp and horn also play important parts.

19103 Benedikt Wolfgang Schiefer: Kadenz (2007) 9'
for 2 celli, double bass and harp
sFr. 26.00
10310 Henri Scolari: Le Christ voilé (1948) 19'
for baritone and instruments (1(pic).1(ca).1(bcl).1/hn/hp/vn.va.vc(db ad lib.))
sFr. 86.00
(Réduction chez SME/EMS: sFr. 34.-; € 34.-)
Based on a poem by Patrice de la Tour du Pin. Fusion of a series of twelve tones with a constant reference to tonality. Very expressive French poetry.

17114 Bruno Stöckli: Dal peso di un piccolo uccel (1991) 15'
Seven pieces
for female voice and instrumental ensemble (fl.cl/pf.hp/perc/vn.vc.db)
sFr. 57.00
7720 Pierre Thoma: Whisperings (Murmures) (1992) 12'
for 4 harps
sFr. 49.00
(Matériel: sFr. 40.-; € 40.-)
5278 Balz Trümpy: Tarots (2012) 16'
for mezzo-soprano and harp
sFr. 36.00
These nine pieces set to music texts written about the tarot cards by Niki de Saint Phalle. The texts are 'programme notes' for her sculptures in the "Jardin des Tarots".

7826 Hansruedi Willisegger: Impressionen (1967) 15'
for eight instruments (fl.cl/hn/cel/hp.pf/2perc)
sFr. 47.00
8204 Alfons Karl Zwicker: Erfrorene Träume (1990/92) 29'
Cycle based on poems by Josef Kopf
for mezzo-soprano and ensemble (fl(pic).cl(bcl)/hp.pf.hpd/2vn.va.vc.db)
sFr. 78.00
Large-scale song cycle in which the metaphors of ice, cold and freezing are centralised. The leading part for the mezzo-soprano is extremely demanding in the emotional and technical areas. (Vocal range e# - b").

8207 Alfons Karl Zwicker: Tropfen auf Stein (1995) 30'
Cycle based on poems by Elisabeth Heck
for baritone, flute (pic, afl, bfl), harp, piano, one percussion and viola
sFr. 62.00
Very introspective and contemplative song cycle with an increasingly ruminant character. A very subtle and diversified sound world whose centre is the metaphor of stone in all its varieties.

Harp with orchestra
0255 Walter Baer: Concerto (2007) 21'
for alto saxophone, string orchestra, harp, vibraphone and marimbaphone
sFr. 52.00
18708 Ruedi Debrunner: SOHO (2007) 19'
for saxophone quartet, harp and string orchestra
sFr. 75.00
(Stimmen: sFr. 75.-; € 58.-)
Listen: Youtube

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