Guitar
solo
sFr. 18.00 , € 14.00
Preludio Azul - Conción Amarga - Bambuco Negro - El Jardín Encantado - La Ciudad de los Milagros.
sFr. 23.00 , € 18.00
sFr. 18.00 , € 14.00
sFr. 13.00 , € 10.00
An acrobatic piece of 15 chords to be played on the empty chords, which change their scordatura every 4 seconds until every chord is tuned to the note a.
sFr. 16.00 , € 12.00
sFr. 13.00 , € 10.00
Prélude - Allemande - Courante - Sarabande - Gavotte I / II - Gigue.
sFr. 13.00 , € 10.00
Humorous intermediate/difficult pieces with interesting effects. Relatively comprehensible for both player and listener.
sFr. 23.00 , € 18.00
Four movements in a post-modern manner, transparent like a sunny September day, bursting with subtle melancholy. An intermediate tonal piece written in conventional notation.
sFr. 18.00 , € 14.00
A demanding, deeply heartfelt piece of music with numerous harmonic and musical surprises, a real challenge for any guitarist.
sFr. 23.00 , € 18.00
A conventionally notated, easy to understand and very effective piece for guitar solo. A theme with eight variations using extended tonality, colourful with typical guitarish nuances - an absolute delicacy for any guitarist. Intermediate to difficult.
sFr. 18.00 , € 14.00
This poetic piece in a post modern style has echoes of impressionism and jazz, dreamy slow rubarto passages contrast with rhythmical ones, a conventionally notated piece. Intermediate.
sFr. 34.00 , € 26.00
Five charming, atmospherically dense and playful pieces for guitar. The techniques and tone possibilities of the guitar are presented here in an exemplary manner.
sFr. 29.00 , € 22.00
A continuation of the first cycle. An intermediate / difficult solo piece for guitar full of poetry and colours. Extended tonality.
sFr. 16.00 , € 12.00
Both partners are handled equally. The electronics do not only remain passive but also take the initiative. Sometimes the guitar remains on a percussive sample and the electronics answer with increasingly hectic movements, at other times both partners move with varying pulse, as though on two levels, at other times still, the guitar gives the impulse, occasionally there is an intensive improvised interaction with rapid and spontaneous role changes.
sFr. 23.00 , € 18.00
Guitar with instruments
sFr. 21.00 , € 16.00
sFr. 18.00 , € 14.00
La Ciudad sin ti - Recuerdos de la Sierra - Conferencia de los Enamorados.
sFr. 29.00 , € 22.00
La Ciudad perdida - Burundanga - Raices.
sFr. 42.00 , € 32.00
Texts: Juana de Ibarbourou, Gabriela Mistral, Delmira Agustini La nueva esperanza - Hímno al árbol - Explosión.
sFr. 39.00 , € 30.00
Caprichoso - Indeciso - Enamorado.
sFr. 26.00 , € 20.00
sFr. 16.00 , € 12.00
Texts: Pablo Neruda
sFr. 21.00 , € 16.00
sFr. 31.00 , € 24.00
On searching for ones own identity, one finds ones own songs.
sFr. 42.00 , € 32.00
sFr. 23.00 , € 18.00
Texts: Georg-Philipp Harsdörffer The text, which evokes the four seasons, dates back to the 17th century. The title of the work, as well as the titles for each piece, are taken from the poem: Es bläst der sanffte West – Ihr Hertz ist von safran – Der Erden Kelterblut – Die Gäste gehen fort. The melody is present in the flute part in this version for two performers without voice.
sFr. 29.00 , € 22.00
Texts: Georg-Philipp Harsdörffer The text, which evokes the four seasons, dates back to the 17th century. The title of the work, as well as the titles for each piece, are taken from the poem: Es bläst der sanffte West – Ihr Hertz ist von safran – Der Erden Kelterblut – Die Gäste gehen fort.
sFr. 16.00 , € 12.00
sFr. 31.00 , € 24.00
Texts: Giuseppe Ungaretti (Ingeborg Bachmann). 1. Ich bin eine Kreatur 2. Freude der Schiffbrüche 3. Morgen 4. Phase I 5. Phase II 6. Finale
sFr. 18.00 , € 14.00
Texts: Emanuel Geibel. 1. Beim letzten Erntefeste 2. Intermezzo 1 3. Lass mir die Knaben vom Feste 4. Intermezzo 2 5. …und horch!
sFr. 16.00 , € 12.00
Text: Tan Tsien (4th century). 1. Elegie 2. Invention 3. Pastorale
sFr. 34.00 , € 26.00
Ancient Egyptian texts. 1. Lobpreis sei dir, Re 2. O Re, komm zu mir 3. Betrachtet mich doch
sFr. 26.00 , € 20.00
sFr. 23.00 , € 18.00
After anonymous texts from the 15th and 16th centuries. I. Come let us all amaying go II. Weep, o mine eyes III. If it be love to sit and mourn IV. O yes! Has any found a lad? V. Though Philomel
for high voice and piano
sFr. 36.00 , € 28.00
sFr. 13.00 , € 10.00
An easily approachable piece in which equal demands are made on both interpreters. It is not a difficult piece to interpret and is well suited to an advanced student.
for wind quintet, guitar and story-teller
sFr. 39.00 , € 30.00
(Stimmen: sFR. 30.-: € 20.00)
for wind quintet, guitar and story-teller (there is also a version for wind quintet and speaker) Colourful dreamy music, not always easy to perform. Duration: uncut 35', cut 26'.
sFr. 23.00 , € 18.00
A melodic and lyrical piece with appealing rhythms and harmonies and rewarding solo cadenzas. This piece is demanding for all three instruments.
sFr. 13.00 , € 10.00
A relatively easy to play, slow, transparent and colourful piece.
A quick, lively piece - demanding for both guitarists.
sFr. 31.00 , € 24.00
Text: Joachim Ringelnatz Comical songs with surprising harmony and delightful rhythm. This cycle is composed partly in graphic notation and partly in traditional notation. Some special effects are required by the voices and the guitar accompaniment. The harmony of the songs wanders between tonality, polytonality and atonality. Relatively easy to understand and easy to perform post modern bawdy songs.
for mezzo-soprano and orchestra (1.1.1.0/gtr/str)
sFr. 62.00 , € 48.00
Texts: Vladislav Jaros Instrumentation: 1. Dreams: fl, ob, mezzo, gtr, str 2. Recuerdos de la Alhambra: mezzo, gtr, str 3. Tears: fl, ob, kl, mezzo, gtr, str The composer has written an English text and a melodie to the well-known pieces by Francisco Tàrrega and intrumented the pieces for chamber orchestra. In he orchestral version, the music of Francisco Tàrrega sounds in an unknown colour, intensity and musical quality that must be heard.
sFr. 21.00 , € 16.00
sFr. 18.00 , € 14.00
The musicians also perform scenic actions and speak a couple of sentences.
sFr. 16.00 , € 12.00
Each of the musicians follows his/her own course, whereby each independently repeats and varies a single sequence: Isolation, without contact, narcissism - sign of the times…
sFr. 16.00 , € 12.00
Each instrument builds its own world using eight elementary figures; each goes its own way yet parallels are shown to exist. Relationships form and the dialectic of the controlled ‘own way’ and random combination begin to play.
sFr. 16.00 , € 12.00
Contains a large improvised portion - works humorously with the fire brigade-fourth. Simple pitch shifting and echoplex (quasi belt sander with a duration of 20 seconds).
sFr. 23.00 , € 18.00
Text: Max E. Keller, E. Galeano The setting to music of four of my own texts: Globalisation as worldwide exploitation of people and nature; freedon as unlimited and uninhibited profit maximisation; Education as manipulative conformation. The 5th text comes from Eduardo Galeano from Uruguay: repress how the rich countries accumulate their riches.
sFr. 18.00 , € 14.00
for oboe, bassoon, guitar and viola
sFr. 16.00 , € 12.00
In the painting "Wie Kraut und Rüben" by Paul Klee transparent white dots are spread over a red background in irregular rows and create thereby a subtle pulsation within a regular grid. By painting over the dots with the brush, these dots turn into lines, spots and signs. This technique, which Klee called "pointillate", has been transposed to dots of sound, arranged in rows, superimposed in irregular, free rhythms by the four instruments.
sFr. 29.00 , € 22.00
A major, a minor, an augmented and a diminished triad, giving all twelve tones of an octave, are woven together harmonically and melodically (serial). Predominantly modal rhythm, determinate sound room, differentiated dynamic. Three short expressionistic pieces. Difficult.
sFr. 47.00 , € 36.00
Text: Samuel Backett An audio play after a quote from Samuel Beckett's “Mal vu mal dit” (badly seen badly said).
for guitar duo
sFr. 26.00 , € 20.00
For the guitar, this an unconventional yet guitar-like piece sounding meticulously fine and transparent. Intermediate level of difficulty.
sFr. 31.00 , € 24.00
‘Passages’ is determined by a hugely formal changing process, beginning with block-like, vertical melodies of the solo viola, leading to a linear, horizontal notation with five equal instrumental parts. Quarter tonal. World premiere: 28..8.00 in St.Moritz by the Ensemble Cattrall under the direction of Marc Kissoczy.
sFr. 36.00 , € 28.00
Jede Aktion während der Arbeit an Skizzen eines Werkes löst einen Gedanken aus, in welcher Form diese Notizen in die Ausarbeitung einfliessen, wie sie konkretisiert, gewichtet, beleuchtet werden können. Diese Überlegung läuft zeitgleich mit der Skizzierung ab, geht aber mit der nächsten Aktion vordergründig verloren, versinkt in eine unbewusste Ebene, weil die Arbeit an den folgenden Notizen die Offenheit verlangt, auf den Moment spontan und intuitiv eingehen zu können. Vor und während der Gravur - der Umsetzung der Notizen - kommen einige Gedanken geschärft und klar zurück. Andere vermochten sich nicht zu festigen und bleiben in der Festlegung des Werkes unberücksichtigt. Die beiden Sätze von "Notizen und Gravur" können getrennt oder ineinanderfliessend aufgeführt werden. UA: 14.6.03, Zürich. mille cord
sFr. 23.00 , € 18.00
"Rather a cloud of birds in the sky than one in the hand." (Eduardo Chillida)
sFr. 21.00 , € 16.00
A tentative musical exploration of the 1907 painting "Herbst (Schule)" by Marianne Werefkin.
for 4 guitars, 2 mandolins, dulcimer, viola, 2 double bass, saxophone, trombone, tuba, accordeon and three percussion instruments
sFr. 55.00 , € 42.00
Spatial composition based on the sound memories of the musicians/singers.
sFr. 21.00 , € 16.00
A piece based on a cycle of poems in Romansch, taken from the cycle ‘Dschember Schamblin’ by Denise Mützenberg.
sFr. 13.00 , € 10.00
Text: Sandy Patton.
sFr. 18.00 , € 14.00
sFr. 34.00 , € 26.00
A time/content scheme based on a woodcarving by A. Athanassoglou: A basic tonal motif forms a doubled arch-form development, with the influence of minimal music in the first part, and a more harmonic and dramatic treatment of sound in the second.
sFr. 21.00 , € 16.00
Three imaginary images after Paul Klee. As far as interpretation is concerned (multiphonics, quarter tones), the passages are demanding and alternate between rugged and meditative sound gestures.
sFr. 31.00 , € 24.00
Text: Andreas Neeser Economically used filigree sounds and gestures by both instruments accentuate eight poems on death and transience.
sFr. 18.00 , € 14.00
Composed for a school ensemble with circa 1-2 years of musical education.
sFr. 34.00 , € 26.00
Not only the musicians are connected in a very tight, quasi-breathless time structure and intimately interwoven quartet movement, but also the musical form, which, with its ever-changing background also looses its unique identity. For the ‘Aleph Guitar Quartet’.
sFr. 31.00 , € 24.00
sFr. 36.00 , € 28.00
(Parties: sFr. 26.-; € 26.-)
Estivale - Automnale - Hivernale - Printanière
sFr. 23.00 , € 18.00
(Voix: sFr. 22.-; € 15.-)
sFr. 29.00 , € 22.00
sFr. 29.00 , € 22.00
Jocular, virtuoso piece.
The sound character of this piece is balanced and aligned with the gentle tone of the guitar.
for tenor and guitar
sFr. 31.00 , € 24.00
The self-written onomatopoeic texts are semantically charged by the exaggerated gesture of the music and become thereby a farce.
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automatically generated. last update: 20.04.2012 / 2004 Theo Lustenberger