Electronics / Tape | |||
solo | |||
| 12803 | Gary Berger: Transition (1995) |
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for recorded material (CD leihweise bei SME/EMS) | |||
| 12804 | Gary Berger: Elastische Studie (1996) |
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for recorded material (CD leihweise bei SME/EMS) | |||
| 12805 | Gary Berger: im selben raum (1997) |
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for recorded material (CD leihweise bei SME/EMS) | |||
| 12807 | Gary Berger: Link (1998) |
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for alto saxophone and live electronics sFr. 18.00 , € 14.00 | ||
| 12810 | Gary Berger: Langsam (1999) |
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for percussion and live electronics sFr. 23.00 , € 18.00 | ||
| 12816 | Gary Berger: X-ation (2001) |
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for oboe and live electronics sFr. 18.00 , € 14.00 | ||
| 12817 | Gary Berger: mâts (2001) |
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for baritone saxophone and live electronics sFr. 18.00 , € 14.00 | ||
| 12822 | Gary Berger: spins (2003) |
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for percussion and live electronics sFr. 34.00 , € 26.00 | ||
| 12823 | Gary Berger: Dauerwelle (2004) |
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for guitar, tape recorders and electronics sFr. 23.00 , € 18.00 | ||
| 8707 | Xavier Dayer: Cantique dans la fournaise (1997) |
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for soprano and electronics sFr. 39.00 , € 30.00 Texts: Bibel The singing can be meditative, joyful or even agitated, it changes from one to the other in the rhythm of thinking - as in an inner monologue. The electronic part consists of the sounds of spoken voice, cymbals, organ and computer generated parts.
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| 1470 | Eric Gaudibert: Solstice (1971-76) |
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for piano and recorded material sFr. 18.00 , € 14.00 (CD leihweise) The pianist plays on the keyboard and the strings on the interior of the piano. The notation is synchronised with the recorded material. Contains aleatoric passages in the notation. The recorded material is composed exclusively of pre-recorded and studio processed piano sounds. The CD that accompanies this piece is delivered with the score.
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| 9004 | Edu Haubensak: Drei Klangbilder (1981) |
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for piano, recorded material and scenery sFr. 34.00 , € 26.00 | ||
| 9027 | Edu Haubensak: Idiorhythmische Studie (1993) |
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Installation (wooden chair, electronics) sFr. 13.00 , € 10.00 The ‘Idiorhythmische Studie’ is a solitary search for rhythms produced by ones own body while sitting upon a stool. When one (the audience) sits upon a wooden stool and, while wearing the headphones, moves slowly one begins to perceive ones own positional changes. The study is a closed system in which each individual visiting the installation is the interpreter and listener of their own concert. A study of oneself.
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| 9055 | Edu Haubensak: Echte Zeit (2008) |
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Three-part composition for soprano saxophone and light projection (video) with audio aparatus (1 player) sFr. 26.00 , € 20.00 | ||
| 2680 | Max E. Keller: agieren und reagieren (1999) |
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for piano and electronic sound alteration (Boss SE-70) sFr. 23.00 , € 18.00 The player of the popular sound modulator reacts not only passively to the piano sounds but acts also actively like the piano itself.
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| 26111 | Max E. Keller: Selbstgespräche (2006) |
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for piano and live electronics sFr. 23.00 , € 18.00 These days, a machine is increasingly the conversational partner of humans and so it is in "Selbstgespräche". A small digital apparatus is positioned directly onto the piano and is operated predominantly by the pianist using two foot pedals. The apparatus changes, morphs or repeats that which is played by the pianist, who in turn reintervenes in this transformed sound.
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| 26125 | Max E. Keller: hasten und warten (2008) |
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for violin and live electronics sFr. 16.00 , € 12.00 The volatile and varying movements of everyday life, a little like the "stop and go" of traffic, provides the basic feeling of tempo for modern times. Irregular rhythms in music are a reflection of this. In "Hasten und Warten", this is taken as the model for the form. The change between stop and go is regular, however, the duration of each section is irregular, ranging from 1 second to 83 seconds. The violin and electronics do not always ride parallel but also in opposition: the violin remains static and the electronics give the impulse or vice versa. The movement contrast does not appear thus in succession but also contrapuntal in simultaneity.
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| 26126 | Max E. Keller: Dialogues (2008) |
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for guitar and live electronics sFr. 16.00 , € 12.00 Both partners are handled equally. The electronics do not only remain passive but also take the initiative. Sometimes the guitar remains on a percussive sample and the electronics answer with increasingly hectic movements, at other times both partners move with varying pulse, as though on two levels, at other times still, the guitar gives the impulse, occasionally there is an intensive improvised interaction with rapid and spontaneous role changes.
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| 3111 | Urban Mäder: lieber ein Saxophon (1994) |
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for contrabass saxophone (also baritone saxophone) and recorded material sFr. 36.00 , € 28.00 (Inkl. CD) Text: Ernst Jandl A theatrical attempt by a saxophonist to articulate the self-ironic text by Ernst Jandl through the mouthpiece of his instrument while the recorded material plays.
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| 10002 | Kit Powell: Nelson Songs (1986) |
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for baritone and recorded material sFr. 26.00 , € 20.00 (Tonband auf Anfrage) Texts by Michael Harlow. Experimental piece using primarily graphic notation.
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| 10004 | Kit Powell: Flötenspieler und Fledermäuse (1987) |
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for transverse flute (c' - g) and recorded material sFr. 29.00 , € 22.00 (Tonband auf Anfrage) A piece with various modern playing methods based on a picture by Kokoschka bearing the same name.
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| 10006 | Kit Powell: Chinese Songs (1988) |
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for high soprano and recorded material sFr. 34.00 , € 26.00 (Tonband auf Anfrage) Text from 'Tao Te Ching' and 'I Ching'. A confrontation of two contrasting philosophies.
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| 13302 | Marie-Cécile Reber: SRUN (2004) |
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for double bass and electronics sFr. 23.00 , € 18.00 | ||
| 13301 | Marie-Cécile Reber: Twiriwir (2002) |
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for viola and electronics sFr. 21.00 , € 16.00 (CD bei der Komponistin.) | ||
| 19101 | Benedikt Wolfgang Schiefer: Kanon (2006) |
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for violoncello solo and live electronics (ambisonic setup, min. 4 loud speakers) sFr. 21.00 , € 16.00 "Kanon" is based on the overtone series of the cello strings C - G - D - A and works with each string's natural flageolets. The cello signal is picked up by the microphone and turned into a canon using an algorithm created expecially for this piece.
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| 19104 | Benedikt Wolfgang Schiefer: Signal (2009) |
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for horn in F and live electronics (ambisonic setup) sFr. 16.00 , € 12.00 | ||
piano and instrument | |||
| 1472 | Eric Gaudibert: Vernescence (1973) |
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for clarinet (basset horn or bass clarinet), piano and electro-acoustic slide show sFr. 26.00 , € 20.00 The title is a neologism evoking spring or birth. The notation is graphic and rules define its interpretation. Accessories for the piano: a glass with a stem, claves, a percussion stick and a screw. The electro-acoustic device consists of 4 or 6 loud speakers divided in the room, two microphones for direct amplification and 2 Revox, the second of which reproduces, with a delay of about 10", that which is recorded by the first.
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Electronics / Tape with instruments | |||
| 13407 | Leo Bachmann: Shuffle and Repeat (1996) |
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Concept for improvisation for 3-8 musicians (any instruments) and recording device sFr. 13.00 , € 10.00 Requires a recording device (MD, CD) with ‘shuffle’ and ‘repeat’ functions, and a playback device.
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| 13410 | Leo Bachmann: Multiplex (1999) |
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for one wind and/or any size string ensemble plus play-back tape sFr. 13.00 , € 10.00 Play-back is appropriated to each ensemble using their own created sounds.
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| 12814 | Gary Berger: lichtempfindliche Erinnerungen (2000) |
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for bass flute, viola, alto saxophone, guitar, percussion and live electronics sFr. 26.00 , € 20.00 | ||
| 12815 | Gary Berger: doppelte Wendung (2000) |
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for voice, percussion and live electronics sFr. 18.00 , € 14.00 | ||
| 12819 | Gary Berger: bitmap (2001) |
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for saxophone quartet and live electronics sFr. 26.00 , € 20.00 | ||
| 12820 | Gary Berger: zah (2002) |
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for baritone saxophone, violoncello and electronics sFr. 29.00 , € 22.00 | ||
| 12821 | Gary Berger: scri (2002) |
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for voice, britone saxophone, percussion and live electronics sFr. 42.00 , € 32.00 | ||
| 1015 | Jean-Jacques Dünki: Pessoa - Moment (1992) |
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for soprano, clarinet (also Ebcl, bcl), violoncello (also viola), piano (also clavichord) and DAT play-back sFr. 65.00 , € 50.00 Texts: Fernando Pessoa Eight scenes from the poems of Portuguese writer Fernando Pessoa (1888-1935). The Soprano sings and recites in Portuguese, German and French. Very demanding for all performers.
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| 6728 | Hans Eugen Frischknecht: Komposition für Flöte, Klarinette und Tonband (composition for flute, clarinet and recorded material) (1971) |
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sFr. 16.00
, € 12.00
A two-channel tape plays recordings of a variety of diversely processed piano sounds as a background to the live instruments (flute and clarinet (bass clarinet)).
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| 1505 | Eliane Frances George: Etats d'Ame (1990) |
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for string quartet and electronic (ad libitum) sFr. 21.00 , € 16.00 (Parties en vente chez EMS) This piece expounds on the life development of the soul. The acoustics of the strings resonate in balance with our own heartstrings, while electronic sounds reflect our environment and its influence over us.
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| 1509 | Eliane Frances George: La Mariposa (1993) |
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for two violins with electronic effects sFr. 26.00 , € 20.00 (Parties en vente chez EMS) 'La Mariposa' (the butterfly) - symbol of change - looks at the uncharted realm of death and rebirth. A world of sensual delights and passionate struggle, finally magnifying all the forces of life.
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| 1510 | Eliane Frances George: Gossamery Dreams (1993) |
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for electronics, flute, violin, viola percussion, and dance (ad lib.) sFr. 34.00 , € 26.00 (Parties et bande en vente chez EMS) A combination of live music, recorded material and dance. This piece evokes the inside of archetypal images, images that, throughout time and evolution, have expressed to us the hope of a world of communication that lies beyond our illusory daily lives.
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| 15011 | Martin Imholz: Duo (1992) |
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for violin and violoncello with electronic amplification sFr. 16.00 , € 12.00 A process from a fixed-pitch grid off into unexplored parts of intonation.
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| 2212 | Regina Irman: "... wie eine Heuschrecke über die Meere..." (1995/96) |
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for large mixed choir and play-back tapes sFr. 55.00 , € 42.00 (Stimmen bei SME/EMS: sFr. 40.-; € 40.-) Text: Meret Oppenheim Based on text, images and an object by Meret Oppenheim. The very large sounding body is set like a sculpture in the room. Commissioned by the Fifth Swiss Women’s Congress in Berne.
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| 2666 | Max E. Keller: les pompiers (souvenir de Berlin) (1996) |
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for four trombones, piano, electric guitar and electronic sound expansion sFr. 16.00 , € 12.00 Contains a large improvised portion - works humorously with the fire brigade-fourth. Simple pitch shifting and echoplex (quasi belt sander with a duration of 20 seconds).
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| 26105 | Max E. Keller: Changements (2003) |
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for tuba, percussion, piano and live electronics (BOSS SE-70) sFr. 21.00 , € 16.00 Changements - between various instrumental groups, between natural and transformed sound, between calm and hectic, between cut and transition, between air and tone, between pulse and free rhythm, between repetition and progress, between sound and noise, between…
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| 9408 | Marc Kilchenmann: Divertimento barbaro (1995) |
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for violin, viola and electronic recorded material sFr. 31.00 , € 24.00 | ||
| 3123 | Urban Mäder: Die Morgenröte (1987/91) |
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for choir (SATB) wind music (clarinet, cornet, bugle, horn, trombone, tuba) and recorded material sFr. 47.00 , € 36.00 Text: Folksong Satirical adaptation of the Swiss National Anthem in a collage like combination with other existing folk songs. The wind passage (score flexible) requires a professional player. The choral passage can be performed by a good amateur choir.
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| 3126 | Urban Mäder: hornamental (1999) |
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for five alphorns and simple electronics (ad libitum) sFr. 21.00 , € 16.00 Solo voice (with freedom to improvise) to a rhythmically flowing alphorn quartet movement. Required: five horns in F, three horns in F#, and one horn in E. Recorded transformed alphorn figures on CD can be used freely as a counterpart to the solo alphorn.
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| 9711 | Hans-Jürg Meier: par le murmure déchiré (1997/98) |
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for soprano, three Renaissance recorders, percussion and recorded material sFr. 34.00 , € 26.00 Texts: Samuel Beckett Seven poems from the 'Mirlitonnades' by Samuel Beckett form the textual base of this piece.
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| 7203 | Mela Meierhans: Vagabundinnen (1992) |
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for flute, string trio, harp (or bass), piano and electronic recorded material (CD/DAT or MD) sFr. 39.00 , € 30.00 After a text by Christina Thürmer-Rohr.
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| 7211 | Mela Meierhans: RéSONANCE?! (1996/97) |
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for bass clarinet, horn (Alphorn), violoncello and electronic (CD/DAT or MD) sFr. 21.00 , € 16.00 After texts by Hannah Arendt. This piece uses a half conventional score with 'cell' improvisation. All instruments are to be amplified where possible.
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| 7212 | Mela Meierhans: 4instruments2 (1997/98) |
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for dance, double bass (or violoncello), thunder board and recorded material (CD/DAT or MD) sFr. 16.00 , € 12.00 | ||
| 3708 | Roland Moser: Heinelieder. Für Stimmen mit Begleitung (1970 ff) |
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Version 1985 for Soprano, piano, actor, small amplification equipment and a small wooden table sFr. 52.00 , € 40.00 Text: Heinrich Heine Twelve pieces of music (songs and a piano piece) with texts by Heine throughout, representing a biography in five stages. The Soprano needs a strong low register.
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| 3823 | Thomas David Müller: Howl (2000) |
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for viola, violoncello, clarinet, piano counter tenor (or alto) CD player and short wave radio (possibly 1 actor) sFr. 34.00 , € 26.00 Text: Allen Ginsberg Alternating score and part notation. The solo voice is simple to intermediate. The interplay is not time-bound throughout.
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| 10008 | Kit Powell: Father's Telescope (1989) |
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Music theatre piece for singer, speaker and recorded material sFr. 34.00 , € 26.00 Texts by Michael Harlow. Playful work dealing with power and submission.
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| 19107 | Benedikt Wolfgang Schiefer: TRUO (2009) |
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for e-guitar, baritone saxophone, percussion and live electronics sFr. 18.00 , € 14.00 | ||
| 4535 | Martin Schlumpf: Rattaplasma 2 (Kapitel III im Buch der Proportionen) (2001) |
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for clarinet/bass clarinet and computer generated multi-channel ambisonic tape sFr. 26.00 , € 20.00 | ||
| 10216 | Michael Schneider: 67 pas sur la nappe de l'étang glacé (1997) |
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for oboe and a frozen lake (play-back) sFr. 13.00 , € 10.00 (DAT vom Komponisten zur Verfügung gestellt.) In memory of Edison Denissow. A relatively simple oboe piece with glistening, breathing sounds provided by the play-back (DAT).
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| 16306 | Felix Schüeli: Sieben Geheimnisse (2000/01) |
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for mixed choir, orator, CD playback and ensemble (piano quartet and one percussionist: marimbaphone, vibraphone, large drum, small drum, flexatone, whip, cipher) sFr. 34.00 , € 26.00 (Chorstimmen: sFr. 14.-; € 14.-; Instrumentalstimmen: sFr. 20.-; € 20.-) Text: Commentary from the French national football team winning the world championships: "Aux larmes citoyens!", "La victoire est en eux!", "Ils iront tous aux paradis!"
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| 4811 | Andreas Stahl: sextett (1993/94) |
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for soprano, violin, violoncello, trombone, percussion, piano, electronic tape and a piece of mechanical equipment sFr. 31.00 , € 24.00 A half-scenic attempt to look at the common ground between musical and theatrical operation and the resulting relationship between movement and sound.
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| 4915 | Mathias Steinauer: AnDante, op. 1.2 (1985) |
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for percussion trio and large electronic tape loop sFr. 23.00 , € 18.00 (Tonbandschlaufe leihweise) | ||
| 8206 | Alfons Karl Zwicker: Rituale für Fada (1994) |
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for string quartet sFr. 65.00 , € 50.00 Large-scale string quartet that opens a discourse on the African way of making music, be it vocally or instrumentally. This piece is based on rituals still alive in Togo today. ‘Fada’ is Togolian and means ‘Father’. Fada is clergyman Karl Rohrbach, who has offered his exemplary services for development aid in Togo for more than twenty years. The strings also play pedal drums, rattles and blow a whistle. The third passage is to be performed with live electronic.
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Electronics / Tape with orchestra | |||
| 7204 | Mela Meierhans: Vagabundinnen (1992/98) |
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for recorded material (CD/DAT or MD) and orchestra (1.2(ca).2(bcl).2(cbn)/2.2.1.1/hp/str) sFr. 73.00 , € 56.00 Text: Christina Thürmer-Rohr A version for chamber orchestra (wind quintet, strings, piano and recorded material) is also available (1994).
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| 4536 | Martin Schlumpf: Waves (2002) |
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Concert for solo cello, obligatory trumpet, string orchestra and electronics sFr. 47.00 , € 36.00 | ||
automatically generated. last update: 20.04.2012 / 2004 Theo Lustenberger | |||