Harpsichord
solo
sFr. 13.00 , € 10.00
sFr. 23.00 , € 18.00
sFr. 16.00 , € 12.00
sFr. 21.00 , € 16.00
A serious and not particularly easy piece based on many intellectual absurdities, e.g. Wagners Tristan Chord.
Three short characteristic pieces with wild cascading, bubbly tone-chains or echo stop cantilena.
sFr. 18.00 , € 14.00
Prélude - Pastourelle I - Blues - Pastourelle II - Toccate.
Harpsichord with instruments
for recorder(s), viola da gamba and harpsichord
sFr. 34.00 , € 26.00
'aussprechen' has something installative about it: in apparently endlessly excessive lengths almost nothing happens, which causes inflexibility to appear with quiet humour.
sFr. 16.00 , € 12.00
Between reception and perception. This short piece allows the opportunity to meditate over the difference between the recording of foreign content and sensual perception as a level of knowledge.
sFr. 21.00 , € 16.00
In a transverse flute sound is generated using a labium, in a harpsichord it is produced using a quill. In this piece various tones are set in contrast against each other.
sFr. 31.00 , € 24.00
The notation for the ensemble is traditional but in space notation for the harpsichord. The last section is notated on separate sheets with momentary points of reference. Standard playing techniques. The harpsichord needs an 8', 4' and lute stops.
sFr. 26.00 , € 20.00
sFr. 31.00 , € 24.00
(Parties chez EMS: Sfr. 22.-; € 22.-)
sFr. 26.00 , € 20.00
sFr. 18.00 , € 14.00
(avec partie de flûte)
sFr. 39.00 , € 30.00
Text: Henriette Hardenberg Cycle of three songs.
sFr. 34.00 , € 26.00
sFr. 34.00 , € 26.00
Text: Lewis Carroll Entertainment for anybody between the ages of four and ninety-nine. Suitable for a children's programme. The text is from ‘Alice Through the Looking Glass’ by Lewis Carroll, also available in French and German. The original is in English gibberish but is easily transferable to German or French gibberish.
sFr. 42.00 , € 32.00
sFr. 23.00 , € 18.00
Text: Thomas Locher Based on text clippings from ‘Das Eine. Das Selbe. Das Gleiche’ by Thomas Locher. Introduction and dance that allow the Baroque elements to shine through. Tonally subtle and transparent music. Typical Baroque performance technique combined with a variety of contemporary experimental (noisy, brittle) playing methods.
sFr. 29.00 , € 22.00
Eight fragments for recorder(s) and harpsichord. For Andel Strube and Verena Habel.
sFr. 31.00 , € 24.00
Two instruments which never meet tonally, but produce ‘knots’ which carry the whole fabric. Double manual harpsichord. World premiere: 17.01.97 in Prague by Monika Körner (Fl) and Sandra Lechner (hpd).
sFr. 39.00 , € 30.00
In 6 movements. The 6th movement is a modest hommage to György Ligeti: "Clarity".
sFr. 34.00 , € 26.00
Various positions or points of origin lead to different perceptions, to different truths about an object or event. Minimally displaced observation points lead to a drifting apart and drifting together of individual lines, to individual stickings on a single tone or form of articulation.
sFr. 29.00 , € 22.00
sFr. 21.00 , € 16.00
'Aussch(l)uss' for alto flute, violoncello and harpsichord (1988/98) (2'30) 'EinSchluss' for violoncello, harpsichord and recitation ad lib. (1998) (3') Text (ad lib.) by Christian Uetz.
for mezzo-soprano, bass, flute, harpsichord, four violins, viola, violoncello and double bass
sFr. 83.00 , € 64.00
An erotic, sticky piece that takes the incestuous relationship between Trakls and his sister as its theme. 'Nachtduett' is a series of scenic poems predestined for the stage.
for mezzo-soprano and ensemble (fl(pic).cl(bcl)/hp.pf.hpd/2vn.va.vc.db)
sFr. 78.00 , € 60.00
Large-scale song cycle in which the metaphors of ice, cold and freezing are centralised. The leading part for the mezzo-soprano is extremely demanding in the emotional and technical areas. (Vocal range e# - b").
sFr. 39.00 , € 30.00
Text: Nelly Sachs Tracing the characters in sand. Dismantled word sounds emerge and disappear - only guessing remains. The text particles are in strict rhythmic notation and are spoken as “speechsound”, only at the end is the voice recognised as a singing voice.
Harpsichord with orchestra
sFr. 34.00 , € 26.00
The improvised part is composed for wind instruments, double bass and drums but can just as easily be realised using other instruments.
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automatically generated. last update: 20.04.2012 / 2004 Theo Lustenberger