Viola
solo
sFr. 18.00 , € 14.00
In one movement. A harmonic work in memory of Carl Phillip Emanuel Bach, with a solo viola part (cadenza), which can be performed as an individual piece.
sFr. 13.00 , € 10.00
An adaptation of the piece for horn solo.
sFr. 16.00 , € 12.00
This piece is a re-interpretation of the same work composed for double bass. The music is based on three songs by Guillaume de Machaut, one of them "Le remède de fortune" is quoted towards the end.
sFr. 18.00 , € 14.00
This composition was written for 'The International Viola Book' and is dedicated to Andrew Toovey. In this piece, loosely based on the blues, the viola must alternate (and increasingly during the piece) fulfill all instrumental functions inherent in a jazz combo.
sFr. 18.00 , € 14.00
These five pieces can be played separately or in any order. They must accentuate the qualities of the viola.
sFr. 16.00 , € 12.00
Three movements: elegiaco, con passione et meditativo
sFr. 16.00 , € 12.00
An early work revised in 2010. It is written in the form of a sonatina and contains some parts of a deformed waltz. Although there is no contemporary writing it is rather difficult because of constant double stops.
sFr. 21.00 , € 16.00
Work series A: Music for concerts.
sFr. 21.00 , € 16.00
(CD bei der Komponistin.)
sFr. 16.00 , € 12.00
Begining with the tuning of the strings, the soloist throws him/herself into the flow of the music and explores the instrument: it is an absolute theatrical and virtuoso piece about the polarity of "before" and "during" the concert.
sFr. 29.00 , € 22.00
- Notturno I "Aria" My aria material comes from an Italian lullaby, which is actually quoted in this piece. The title "Aria" is also meant literally (aria = air) as the song alternates between being "breathed" and being played on the strings. - Notturno II "Siciliano" A play with the rhythmns of the Baroque dance bearing the same title. Each one is danced from top to bottom. - Notturno III "Labyrinth Musick" The violin strides through a tonal labyrinth of 3 intervals and 5 durations. It finally finds its way out - via the octaves. - Notturno IV "Heaven and Hell" A high (heaven) and a low (hell) sound landscape slowly merges. The begining and the end of the piece, however, is played on the earth. - Notturno V "When the Shantyboy comes down" Zapping through 18 radio stations (all played by the viola) searching for the song which lends its name to the title of this piece. Shortly before the end the composer believes he has found the right station - or is he mistaken?
piano and instrument
sFr. 26.00 , € 20.00
(Stimmen: sFr. 12.-; € 8.-)
sFr. 23.00 , € 18.00
The separate tones in this traditional three-movement composition search each other out and feel for worthy connections. Shrill aplenty but not without euphony.
Viola with instruments
sFr. 47.00 , € 36.00
sFr. 31.00 , € 24.00
Opposing elements growing increasingly apart. Rights of performance reserved.
sFr. 16.00 , € 12.00
sFr. 26.00 , € 20.00
sFr. 31.00 , € 24.00
sFr. 55.00 , € 42.00
sFr. 55.00 , € 42.00
sFr. 21.00 , € 16.00
Texts: Dieter Fringeli Four songs in the original scoring: Soprano, viola and bassoon. Text by the Basel poet Dieter Fringeli. There are some free passages in addition to the through-composed parts.
sFr. 34.00 , € 26.00
Texts: Indian texts The 'Children Songs' (which received a prize from the University of California in 1973) are a kind of half scenic cantata based on Indian text.
sFr. 100.00 , € 77.00
(Stimmen: sFr. 73.-; € 56.-)
sFr. 57.00 , € 44.00
Texts: Wilhelm Busch Musical version of the adventures of those two lovable rascals…
sFr. 62.00 , € 48.00
In the first and at the end of the fifth movement the solo violin switches to viola.
sFr. 26.00 , € 20.00
(Stimmen: sFr. 14.-; € 9.50)
sFr. 26.00 , € 20.00
for viola, bass clarinet and piano
sFr. 23.00 , € 18.00
(Stimmen: sFr. 20.-; € 13.50)
Based on a picture by the Lucerne painter Thyl Eisenmann. Delicate, subtle colour tones possessing an intensive force.
for clarinet, viola, piano and percussion
sFr. 23.00 , € 18.00
sFr. 52.00 , € 40.00
Texts: Henri Gaberel Based on the poem by Henri Gaberel.Version for orchestra (2(pic).2(ca).2(bcl)2(cbn)/4.2.3.1/4perc/hp.cel/str) available from the composer.
sFr. 16.00 , € 12.00
Text: Bible / Liturgy Text: Psalms 144,4.At the heart, danger, desolation, and fragility are what most characterise this piece. The choice of notes is limited, and only collectively can their meaning be known.
sFr. 31.00 , € 24.00
This work lives for the most part from the contrast between the flute and the three string instruments. The string players sit during the performance and the flutist stand behind them.
sFr. 49.00 , € 38.00
This work in one movement is a homage to Carl Philipp Emanuel Bach. It contains quotates from the Fantaisies and from a Rondo by this composer. The pianoforte part is either in a free style, concert-like or very rhythmic and demands an advanced level of play. The quartet is written in traditional notation. The piano which was used for the world premiere was a copy of an instrument of 1815.
sFr. 26.00 , € 20.00
This is an enriched version of 'Message' for violoncello solo. The solo part is exactly the same but divided up into four episodes. The viola also remains in the role it played in the first version. The notation for the strings is relatively easy.
sFr. 31.00 , € 24.00
This work quotes a Haiku recited once by the hornist. It is inspired by the acidic sounds of Gagaku (music of the imperial court of Japan) and by the tense melismas of Nô. The string quartet's tempo is generally independent of the horn's. The five instrumentalist need to have a good command of micro intervals. The particular timbre of the quartet derives from researching the "fake" unisons.
sFr. 26.00 , € 20.00
The fourth string of the viola is lowered to G (one octave lower than the third string). The fourth string of the violoncello is lowered a minor third to A. Accessory: a bow for the flutist. At the end of the work the violist and the flutist both play on the strings of the violoncello. A discreet quotation appears in the middle of this trio: the beginning of the 'Gesänge der Frühe', op. 133 by Robert Schumann.
sFr. 13.00 , € 10.00
Texts: Everyday advertising and media language 'Adventure' is a journey in which joyful anticipation is transformed in a tumult, before man can again reach safe haven. With its sparse instrumentation, the piece requires a very sensitive approach. Sponsored by SME Lucerne.
sFr. 21.00 , € 16.00
(Parties en vente chez EMS)
A piece dealing with the transparency of life. An adventure into the essence of our elements: The moon - the soul - the sea - the sky - the guardian angel. The perfect man.
sFr. 34.00 , € 26.00
(Parties et bande en vente chez EMS)
A combination of live music, recorded material and dance. This piece evokes the inside of archetypal images, images that, throughout time and evolution, have expressed to us the hope of a world of communication that lies beyond our illusory daily lives.
sFr. 18.00 , € 14.00
sFr. 21.00 , € 16.00
sFr. 34.00 , € 26.00
(Stimmen bei SME/EMS: sFr. 28.-; € 28.-)
Listen:
sFr. 26.00 , € 20.00
sFr. 70.00 , € 54.00
(Stimmen beim Komponisten)
for clarinet, bassoon, horn, string quartet and speaker
sFr. 57.00 , € 44.00
Text: Gert Loschütz.
sFr. 18.00 , € 14.00
(Stimmen: sFr. 54.-; € 36.00)
Including the fourth movement of the septet op. 20 by Ludwig van Beethoven.
sFr. 36.00 , € 28.00
Alpsegen - Choral and Waltz - Choral and New Year's Song - Choral, Scottish and Choral.
sFr. 60.00 , € 46.00
Evening News - Summertime - Today Special - Meteo - Sonntag 03.17 Uhr MEZ - Breaking News.
sFr. 23.00 , € 18.00
sFr. 23.00 , € 18.00
for voice, string quartet, flute and harp
sFr. 34.00 , € 26.00
Over a poem by Eduard Mörike.
sFr. 47.00 , € 36.00
for alto saxophone and viola (scordatura)
sFr. 16.00 , € 12.00
sFr. 31.00 , € 24.00
for soprano solo, English horn and four strings
sFr. 23.00 , € 18.00
(Voix chez EMS: sFr. 20.-; € 13.50)
Psalm 130 (129) in Armenian.
sFr. 13.00 , € 10.00
Four strophes with extremely differentiated parts, based on the principles of homoeopathy. For Joseph Beuys.
sFr. 16.00 , € 12.00
Version for clarinet quartet
sFr. 34.00 , € 26.00
A structure derived from a chain of pure intervals with no fixed pitch, but beginning low with a foundation tone, and later running freely. Intonation and listening carefully to each other is paramount in this piece. Graphic notation. Sponsored by SME Lucerne.
sFr. 13.00 , € 10.00
(Stimmen: sFr. 10.-; € 6.60)
sFr. 26.00 , € 20.00
A polyphonic tonal meshwork - fluctuations between chromatic and polypentatonic - irridescent sound surfaces. For chamber musical performances: wind quintet and string quartet.
sFr. 13.00 , € 10.00
A relatively easy to play, slow, transparent and colourful piece.
sFr. 13.00 , € 10.00
A piece dealing with failure.
sFr. 18.00 , € 14.00
Composed after the idea of monophonic lines with nuances in colour such as rotary movement and superimposition of rhythmical and melodic sequences.
sFr. 122.00 , € 94.00
A composition in cooperation with Werner Bärtschi, Ulrich Gasser, Max Eugen Keller, Martin Sigrist and Peter Wettstein ('Komponistensekretariat' Zurich) with sixty segments, each fifty seconds long. Cyclic composition.
sFr. 18.00 , € 14.00
sFr. 18.00 , € 14.00
Sometimes completely different musical types or structural samples are set aside each other in a similar way to the effect achieved while zapping through television channels, sharp cuts which seem at first random are intentional. Even the other meaning of ‘cut-sample’, the prefabrication of something based on a template or the stereotypical also receives acknowledgement through the mimicry of musical styles. In this manner, various fields of popular music are touched upon - even contemporary music cannot escape.
sFr. 16.00 , € 12.00
Conceived for a world premiere in the Gobi desert, this piece must be extremely desert-proof. Unisono and octavel sound doubling forms the initial starting point. This, on the one hand side, turns a contemporary music taboo into material and brings the sound and the drifting apart of the duo into play on the other.
sFr. 16.00 , € 12.00
World premiere: October 2002 in Reutlingen.
sFr. 18.00 , € 14.00
This work forms the intertwining, togetherness and conflict of the two quartets with calculated emotional intention. The security net provided by the rational prearrangements allows greater freedom and confidence in the emotional decisions made regarding concrete sounds, instruments, complexity and developments.
sFr. 23.00 , € 18.00
(Stimmen beim Komponisten)
A comfortable afternoon in a dusty café: As in times past, a string quartet plays a waltz that nobody listens to, a never-ending, continuously repetitive violin melody and an almost imperceptibly shifting accompaniment. Added to this is a completely inappropriate baritone saxophone - sometimes blending in, sometimes detached and sometimes obstinately defiant. Suddenly a bang! And everything collapses into shadowy ruins.
sFr. 34.00 , € 26.00
(Stimmen beim Komponisten)
The initial material consists of two melodies and two rhythmical sequences; these can be varied causing their superpositions to result in a countless number of related musical forms. The recurring formal idea is the "undampered clew": a dense, wide mesh that thins out then squeezes itself into the centre of the sound space. In this clear, goal-orientated process, diversity is encroached upon: three instruments temporarily break out of the process, colourful accents engage with the continuous mezzo forte, the process stops momentarily, the residual viola tips over into the realms of noise etc.
sFr. 34.00 , € 26.00
A text about statistically the most frequent causes of death in Switzerland takes its course and is interspersed by ten extremely varied newsflashes from real life, all of them objets trouvés from two daily newspaper of 12th June, 2007. The statistical information is set to music in a recitative manner with very few, primarily sustained notes. This is in contrast to the ten newsflashes whose music is composed with lively movements and a tangible pulse in various structures. The somewhat macabre text montage reflects the apparent phenomenon of the sometimes-grotesque contrast of various themes and texts, which seems to magically attract humans.
sFr. 26.00 , € 20.00
This work contrasts notated music with improvised music. The sextet is extensively notated; the piano merely has several verbal suggestions. There are, however, also moments of improvisation in the sextet where, for example, each instrument initially and independently of the others repeats a phrase, which gradually changes following verbal instructions. Each begins this process with great intensity, playing as loud and as quickly as possible – very much in the style of early free jazz.
for oboe, bassoon, guitar and viola
sFr. 16.00 , € 12.00
In the painting "Wie Kraut und Rüben" by Paul Klee transparent white dots are spread over a red background in irregular rows and create thereby a subtle pulsation within a regular grid. By painting over the dots with the brush, these dots turn into lines, spots and signs. This technique, which Klee called "pointillate", has been transposed to dots of sound, arranged in rows, superimposed in irregular, free rhythms by the four instruments.
for bass clarinet/tenor saxophone, percussion, piano, violin, viola and double bass
sFr. 26.00 , € 20.00
The wide scope between improvisation and composition is calibrated. There are, however, no long notated passages but form sequences, short notated phrases as starting points, verbal instructions and graphics - right through to improvisation as one extreme. The musical material is based on the archetypal elements 'accent', 'figure' and 'layer' as mentioned in the title. The through-composed parts "unione e tremolo" for violin and viola (movement II) and the violin solo "NONONONO" (movement VII) are inserted between the six movements as the other extreme.
sFr. 34.00 , € 26.00
For advanced amatuers. This piece was composed for the music Matura. The education of young people is the same for all until the Matura stage. Here, at the first major turning point in their lives, individuals must decide which direction they wish to take. Thus the 'turning point' became one fundamental concept behind this work, walking together and walking alone became another. They are processed on various levels - both on the quasi-motif and the formal.
sFr. 18.00 , € 14.00
sFr. 26.00 , € 20.00
sFr. 31.00 , € 24.00
sFr. 34.00 , € 26.00
for double bass solo and chamber ensemble (1(pic).1.1.1(cbn)/1.0.0.0/perc/pf/2vn.va.vc)
sFr. 65.00 , € 50.00
sFr. 34.00 , € 26.00
The sextet musicalises five poems through various means e.g. the metre offers a background of incessant rhythmic variation, the rhyming scheme dictates the form, even aspects of the content form the base of the instrumentation. Medium level of difficulty. Requires a conductor.
sFr. 34.00 , € 26.00
This very difficult piece is based on the flute quartet by W.A. Mozart.
sFr. 18.00 , € 14.00
(Stimmen: sFr. 20.-; € 13.50)
Pastorale - Ballade - Tanz.
sFr. 21.00 , € 16.00
(Stimmen: sFr. 16.-; € 10.50)
Text: Chinese "It is better to light a candle than to complain about the darkness."
sFr. 21.00 , € 16.00
Allegro marcato - Tempo di Valse - Thema con variazioni.
sFr. 18.00 , € 14.00
sFr. 29.00 , € 22.00
(Instrumentalstimmen sFr. 20.-, € 20.-; Chorpartitur sFr. 16.-, € 16.-)
Texts: Bible / Liturgy Musical setting of the 100th Psalm.
sFr. 16.00 , € 12.00
(inkl. Stimme)
sFr. 18.00 , € 14.00
(Stimmen: sFr. 14.-; € 9.50)
sFr. 57.00 , € 44.00
Fine, transparent sound piece using the Japanese Zen flute, the shakuhachi. An attempt to converge.
sFr. 29.00 , € 22.00
These three studies of intermediate difficulty are composed for a small yet highly resonant room.
sFr. 44.00 , € 34.00
"Klänge streifen, Rhythmen streifen, Melodien streifen, Streifen schichten, Streifen verweben, Streifen verdichten. Streifend durch Klanglandschaften ziehen, streifend Klangfarben berühren,streifend Streifen streifen......." Two string instruments stand face on with two percussion instruments whereby the "percussion's" primary objective is to attempt tonal alignment with the strings. The vibraphone plays a coupling role between the two parties. Polar oscillating movements, stratifying and sometimes recolouring, flowing sound bands and flitting pulsations alternate throughout the piece.
sFr. 65.00 , € 50.00
Four horns stand face on with a string quartet. These two close and self-contained sounding groups are led into a kind of duet. It begins with the construction of two sounds before developing into a back and forth oscillation between the two sounding groups. There follows a mutual attempt at tonal alignment and then fine variations where the groups enter an area of wavering tones. Re-colouring moments of the horizontal figurations or a hocket-like interplay between the two parties arises. The themetization of the instrument-specific base elements, the fifths tuning of the strings and the natural spectrum of the horn become the harmonic culture medium for the whole piece.
sFr. 49.00 , € 38.00
"The fascinating colours, the successful combination of the three wind players and their perfect connection with the string players are very well mastered from a formal point of view, they let arise an ensemble piece in the truest sense of the word." (S. Palm) World premiere: 31.7.97 in Klagenfurt by Janus-Ensemble Wien Robert HP Platz (conductor).
sFr. 31.00 , € 24.00
‘Passages’ is determined by a hugely formal changing process, beginning with block-like, vertical melodies of the solo viola, leading to a linear, horizontal notation with five equal instrumental parts. Quarter tonal. World premiere: 28..8.00 in St.Moritz by the Ensemble Cattrall under the direction of Marc Kissoczy.
sFr. 13.00 , € 10.00
The melody is expanded in a tower of quints. A row of variations in three parts where the melody sounds as a whole only in the second part. Conductor is of use.
sFr. 26.00 , € 20.00
In the middle of the players sits a tub of water into which small pebbles are thrown. This triggers musical actions from the players.
sFr. 47.00 , € 36.00
A music that evolves in extended development, for a performance location with a lot of reverberation. An additional tone installation can sound simultaneously.
sFr. 49.00 , € 38.00
Text: Johann Peter Hebel, Hans-Jürg Meier Music to the story 'Unverhoffte Wiederbegegnung' by Johann Peter Hebel. Composed rhythmically open in parts.
sFr. 49.00 , € 38.00
Texts: Karoline von Günderrode, Christina Thürmer-Rohr
sFr. 39.00 , € 30.00
After a text by Christina Thürmer-Rohr.
sFr. 31.00 , € 24.00
sFr. 18.00 , € 14.00
Accentuates the timbre of the viola. Alternates between passionate, ruminant and energetic passages.
for soprano, flute, clarinet, violin, viola and violoncello
sFr. 34.00 , € 26.00
Also in a version for mezzo-soprano and the same instrumentation. Mutations in the same edition. Seven songs: ABC-Schützen - Papiers Natur ist Rauschen - Ein Musikant wollt fröhlich sein - Ich sass auf einem Birnenbaum - Das Vöglein Butschli Butschli Bu (Brentano) - Letzter Zweck aller Krüppelei - Ich hört ein Sichlein rauschen.
sFr. 18.00 , € 14.00
Quite quiet music, easy to perform.
sFr. 34.00 , € 26.00
Text: Allen Ginsberg Alternating score and part notation. The solo voice is simple to intermediate. The interplay is not time-bound throughout.
sFr. 42.00 , € 32.00
Accentuated piano part.
sFr. 60.00 , € 46.00
Accentuated horn and percussion.
sFr. 83.00 , € 64.00
Fantasy, prelude, I. Nächtlicher Kojotentanz, II. Morgensonn’ das Meer enthüllet, III. Purple Horses, IV. Yosemite. Accentuated percussion.
sFr. 57.00 , € 44.00
This piece is suitable for oboe and ensemble, but oboe and a small orchestra is preferable. The oboe is very demanding but the harp and horn also play important parts.
for 4 guitars, 2 mandolins, dulcimer, viola, 2 double bass, saxophone, trombone, tuba, accordeon and three percussion instruments
sFr. 55.00 , € 42.00
Spatial composition based on the sound memories of the musicians/singers.
sFr. 55.00 , € 42.00
Text: Karl Mittlinger and W.A. Mozart Work series A: Music for concerts.
sFr. 49.00 , € 38.00
Text: Karl Mittlinger Work series A: Music for concerts.
sFr. 39.00 , € 30.00
(Stimmen bei SME/EMS: sFr. 38.-; € 38.-)
sFr. 34.00 , € 26.00
This piece evokes, magical, mystical (sound) landscapes - mostly in space notation.
sFr. 21.00 , € 16.00
Three imaginary images after Paul Klee. As far as interpretation is concerned (multiphonics, quarter tones), the passages are demanding and alternate between rugged and meditative sound gestures.
sFr. 34.00 , € 26.00
(Chorstimmen: sFr. 14.-; € 14.-; Instrumentalstimmen: sFr. 20.-; € 20.-)
Text: Commentary from the French national football team winning the world championships: "Aux larmes citoyens!", "La victoire est en eux!", "Ils iront tous aux paradis!"
sFr. 42.00 , € 32.00
(Stimmen: sFR. 30.-; € 20.-)
for baritone and instruments (1(pic).1(ca).1(bcl).1/hn/hp/vn.va.vc(db ad lib.))
sFr. 86.00 , € 66.00
(Réduction chez SME/EMS: sFr. 34.-; € 34.-)
Based on a poem by Patrice de la Tour du Pin. Fusion of a series of twelve tones with a constant reference to tonality. Very expressive French poetry.
sFr. 13.00 , € 10.00
Albumleaf based on a bar from the Concord Sonata by Charles Ives.
sFr. 16.00 , € 12.00
sFr. 23.00 , € 18.00
Very intimate music. Individual duets can be performed in any combination. Varying degrees of difficulty.
sFr. 34.00 , € 26.00
for soprano, mezzo-soprano, flute, clarinet, violin, violoncello and piano
sFr. 55.00 , € 42.00
Texts: Paul Scheerbart, Oskar Pastior, Bruno Stöckli Uses the quarter-tone system.
sFr. 34.00 , € 26.00
The musical development of the string quartet is in conflict with the 'hecklings' of the double bass.
sFr. 68.00 , € 52.00
Texts: Anonymus, Heinrich von Morungen, Walter von der Vogelweide This three-part work is based on texts from a minnelied. The vocal line, which uses various sound modulations, is harmonically, melodically and rhythmically interwoven with the accompaniment.
sFr. 23.00 , € 18.00
A series of variations over a bass result in a cathartic waltz.
for two violas
sFr. 31.00 , € 24.00
Gespräch (1') Uneins (1'40) Vexierspiegel (0'50) Wechselgesang (2') Schatten (1'20) Fantasie (5'30) Kreisel (2')
sFr. 13.00 , € 10.00
Tonally sensitive, soft concert piece.
sFr. 39.00 , € 30.00
Chinese calligraphy is the essence of Chinese art. For me personally, it stands as an original score. From written characters, sounds emerge. With the words, music is created.
sFr. 47.00 , € 36.00
(Matériel chez le compositeur)
This piece is inspired by ‘Sizhu’ (silk and bamboo). ‘Sizhu’ is a traditional Chinese musical form used popularly in Central-East and Southern China. The silk bamboo ensemble consists of "soft" instruments with si silk strings (pipa, erhu, zheng) and zhu bamboo instruments (bamboo flutes, dizi). In this work the composer tries to integrate the ideas of traditional Chinese music with modern Western composition techniques. The silk is soft - ‘Yin’ (feminine): pianissimo and lento. The bamboo is hard - ‘Yang’ (masculine): fortissimo and allegro. Although the instruments, the musicians, the way of composing and time have all been transformed the spirit of the music and the Chinese emphasis of the musical language remains unchanged.
sFr. 23.00 , € 18.00
sFr. 44.00 , € 34.00
This piece is dedicated to my beloved elder uncle. My elder uncle had been offering the five children in my family with parental care and financial help since my father died early when I was young. Now he has gone to the heaven but his figure seems even greater and clearer just as sound is while rising high up the earth, revealed by the Buddha. In this piece, harmonic series sequence based on the note of C serves as a symbol of death and heaven, and subharmonicity series sequence based on the note of E as a symbol of life and the earth. Interpolation is also used to make additions, blending and transition. Added to this, the spectrum music technique and the music-making software Open Music help me discover a fresh way to express my emotions.
Three movements as steps in a metamorphosis of a melodic material which stays strongly connected on the level of intervals.
for clarinet, viola and piano
sFr. 42.00 , € 32.00
Bits of this four-movement chamber music piece were drawn-up on train journeys, hence the title.
for flute and viola
sFr. 13.00 , € 10.00
A miniature with an extremely dense timing and concentrated structural complexity, meant as a metaphor for the fury of the disappearance of short and intensive listening experiences.
for mezzo-soprano, bass, flute, harpsichord, four violins, viola, violoncello and double bass
sFr. 83.00 , € 64.00
An erotic, sticky piece that takes the incestuous relationship between Trakls and his sister as its theme. 'Nachtduett' is a series of scenic poems predestined for the stage.
for mezzo-soprano and ensemble (fl(pic).cl(bcl)/hp.pf.hpd/2vn.va.vc.db)
sFr. 78.00 , € 60.00
Large-scale song cycle in which the metaphors of ice, cold and freezing are centralised. The leading part for the mezzo-soprano is extremely demanding in the emotional and technical areas. (Vocal range e# - b").
for baritone, flute (pic, afl, bfl), harp, piano, one percussion and viola
sFr. 62.00 , € 48.00
Very introspective and contemplative song cycle with an increasingly ruminant character. A very subtle and diversified sound world whose centre is the metaphor of stone in all its varieties.
Viola with orchestra
sFr. 55.00 , € 42.00
Especially written for the dominating solo instrument.
| Schweizer Musik - Home Musique Suisse - Home Swiss Music - Home |
automatically generated. last update: 20.04.2012 / 2004 Theo Lustenberger