Bassclarinet / Contrabassclarinet
solo
sFr. 16.00 , € 12.00
sFr. 18.00 , € 14.00
Thirty-one strophes bound in an enormous arch form. A piece with a flowing, rhythmic metre; not fast.
piano and instrument
Bassclarinet / Contrabassclarinet with instruments
sFr. 16.00 , € 12.00
for clarinet in E-flat, basset horn and bass clarinet
sFr. 26.00 , € 20.00
As well as a symbol of self-indulgence (building of the tower) and speechlessness (confusion of speech) Babel also stands for hope and a longing for happiness. The musical core is created by the melody B-A-B-E-soL (sol = G).
sFr. 34.00 , € 26.00
(Partitur klingend oder transponiert)
sFr. 36.00 , € 28.00
Molto animato - Moderato con brio - Andante con ánima.
sFr. 26.00 , € 20.00
Through the elongation of time in the deeper and darker register, the music (or rather the perceiving ear) nestles in an intermediate area between process and static, as if observed through a magnifying glass. From the abundance of innumerable possibilities emerges the presence of a singular transition.
sFr. 21.00 , € 16.00
Requires an interest in experimentation and practice.
sFr. 26.00 , € 20.00
(Stimmen: sFr. 14.-; € 9.50)
sFr. 13.00 , € 10.00
Text: Eva Eisenmann-Westphal.
for viola, bass clarinet and piano
sFr. 23.00 , € 18.00
(Stimmen: sFr. 20.-; € 13.50)
Based on a picture by the Lucerne painter Thyl Eisenmann. Delicate, subtle colour tones possessing an intensive force.
sFr. 16.00 , € 12.00
sFr. 26.00 , € 20.00
This piece was composed for the 30th anniversary of the ensemble Contrechamps. The title corresponds to the timing which Bartók set for his Allgero Barbaro. The trio (flute, clarinet, trumpet) play some extracts of this work with breathing sounds only, while the solo bassoon "sings" the beginning of the Music for Strings, Percussion and Celesta, also by Bartók. It is possible to use other wind instruments than the ones chosen here.
sFr. 34.00 , € 26.00
(Stimmen bei SME/EMS: sFr. 28.-; € 28.-)
Listen:
sFr. 70.00 , € 54.00
(Stimmen beim Komponisten)
sFr. 23.00 , € 18.00
sFr. 18.00 , € 14.00
sFr. 34.00 , € 26.00
Text: Hans Häring.
for 2 clarinets in B and bass clarinet in B
sFr. 23.00 , € 18.00
(Stimmen bei SME: sFr. 22.-; € 22.-)
sFr. 26.00 , € 20.00
An amusing virtuoso piece with musically playful surprises and merry moments.
sFr. 36.00 , € 28.00
A varied music full of life with an Hungarian rhythm. Instrumentation: 1 - fl.bn.hp 2 - fl.bn.pf 3 - fl.bcl.pf 4 - v.vc.pf
sFr. 21.00 , € 16.00
for bass clarinet/tenor saxophone, percussion, piano, violin, viola and double bass
sFr. 26.00 , € 20.00
The wide scope between improvisation and composition is calibrated. There are, however, no long notated passages but form sequences, short notated phrases as starting points, verbal instructions and graphics - right through to improvisation as one extreme. The musical material is based on the archetypal elements 'accent', 'figure' and 'layer' as mentioned in the title. The through-composed parts "unione e tremolo" for violin and viola (movement II) and the violin solo "NONONONO" (movement VII) are inserted between the six movements as the other extreme.
sFr. 49.00 , € 38.00
sFr. 34.00 , € 26.00
The sextet musicalises five poems through various means e.g. the metre offers a background of incessant rhythmic variation, the rhyming scheme dictates the form, even aspects of the content form the base of the instrumentation. Medium level of difficulty. Requires a conductor.
sFr. 34.00 , € 26.00
A single movement in eleven parts with play-back sound commissioned by the 'Luzerner Kammermusiker'. The recorded material is comprised of text fragments from Paul Celans prose 'Gespräch im Gebirg', read by the author; fragments of a prayer-call from canton Uri, an English nineteenth century hymn and Hebrew lyrics from Bialik. This piece takes Jewish identity in German speaking areas as ist theme.
sFr. 23.00 , € 18.00
Concertante performance or with simple parodic scenery.
sFr. 47.00 , € 36.00
Text: Samuel Backett An audio play after a quote from Samuel Beckett's “Mal vu mal dit” (badly seen badly said).
sFr. 42.00 , € 32.00
Shadowy diffused sounds are generated below the sound spectrum of the rainstick. Sounds which, the stronger and more corporeal they appear, the more fragile they really are. Requires three rainsticks. World premiere: 25.02.00 in Baden by the 'Ensemble Avance'.
sFr. 13.00 , € 10.00
The melody is expanded in a tower of quints. A row of variations in three parts where the melody sounds as a whole only in the second part. Conductor is of use.
sFr. 21.00 , € 16.00
After texts by Hannah Arendt. This piece uses a half conventional score with 'cell' improvisation. All instruments are to be amplified where possible.
sFr. 42.00 , € 32.00
Structured in four consecutive tonal images, each one takes its inspiration from a species of nymph: Orestiads, Dryades, Naiads and Nereids.
sFr. 60.00 , € 46.00
Accentuated horn and percussion.
for a group of children and piccolo, bass clarinet, tuba, accordion, mandolin (guitar), violin and four percussion instruments
sFr. 31.00 , € 24.00
Texts: Folksong Can be played individually: ‘kinderspiele’ for 2 percussionists (glock.vib.cym) [2'] ‘le ranz des vaches’ for 6 tuned cow bells (f#+2,g2,d2,g#+3,a3,e4), one player [2']
for bass clarinet, percussion and string trio
sFr. 23.00 , € 18.00
A portrait study, ‘Bilderbogen’, developed from discussions with members of the ‘Ensemble Recherche’ concerning their relationship with their instruments; also available as a film version: ‘7 ½’ (together with Reinhard Manz) Distribution: Video-Genossenschaft Basel, Postfach 511, CH-4005 Basel.
sFr. 39.00 , € 30.00
(Stimmen bei SME/EMS: sFr. 38.-; € 38.-)
sFr. 31.00 , € 24.00
(Stimmen: sFr. 42.-; € 32.-)
sFr. 36.00 , € 28.00
A technically very demanding and expressive work.
sFr. 26.00 , € 20.00
sFr. 31.00 , € 24.00
Text: Andreas Neeser Economically used filigree sounds and gestures by both instruments accentuate eight poems on death and transience.
sFr. 42.00 , € 32.00
for clarinet, bass clarinet, contrabass clarinet and vibraphone
sFr. 23.00 , € 18.00
Fusion of medieval and contemporary notation.
sFr. 26.00 , € 20.00
This piece, without text, was written for the altus Luiz Alves da Silva. It works primarily with oscillating, non transition forming elements such as register change, upbow - downbow, to and fro movements etc. Continually changing parameters such as dynamics and tempo transitions are to be avoided in so far as they are not induced by the instrument or the human being itself.
sFr. 47.00 , € 36.00
An initial piece based on repetition presented in such a way that the repeated elements, located on many different levels, are not always immediately recognizable. This gives the impression of a loosely fabricated form. It is sonorously very soft with lots of sounds and lots of interlocking rhythms. Requires a conductor.
sFr. 52.00 , € 40.00
Five passages connected by various associations.
for flute and bass clarinet
sFr. 23.00 , € 18.00
External time levels (as has been described by Stephen Hawking, with linear time comes an additional vertical imaginary time base out of which there exists a dependent area with no oppositional beginning and end and which is conceived as instantaneous) stands in relation to the piece's inner nature, its complex dramatic time organisation, which amongst other things is one of its products, and in which, for both players, time is not continuous - often with different tempi having to be played simultaneously. An expression of incompatible contradiction, so-called antimony, reminiscent of Kant's 'Transcendental Dialectic'.
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automatically generated. last update: 20.04.2012 / 2004 Theo Lustenberger