Baritone
solo
sFr. 13.00 , € 10.00
Composed for the Roaring Hoofs in Mongolia, this short solo piece is an inverted variation on the lied ‘S Vreneli ab em Guggisbärg’, which begins vastly removed from the folksong but gradually approaches it until the original finally sounds.
sFr. 18.00 , € 14.00
Texts: Orhan Veli Kanik Seven songs as a type of vocal theatre.
sFr. 26.00 , € 20.00
(Tonband auf Anfrage)
Texts by Michael Harlow. Experimental piece using primarily graphic notation.
sFr. 31.00 , € 24.00
Alpine prayers, ominous forebodings, catharsis: archetypal motives from the mythology of canton Uri, which, in this piece, correspond to sound symbols which range in a dramatic arch from peace to outrage and punishment.
voice and piano
sFr. 18.00 , € 14.00
Text: Stéphane Mallarmé.
sFr. 16.00 , € 12.00
Texts: Vladislav Jaros.
sFr. 16.00 , € 12.00
Texts: Barbara Köhler One can accept or rebel against tradition, for once I have accepted it and, without dislocation, composed a poem. Barbara Köhler wrote texts about the river Elbe - quiet, melancholic and with a pinch of antidote, particularly nice in the poems chosen by me.
sFr. 34.00 , € 26.00
sFr. 47.00 , € 36.00
sFr. 57.00 , € 44.00
Texts by Michael Harlow. A cycle of movements in mirror form.
sFr. 29.00 , € 22.00
The four poems of this short song cycle are the contribution of Erika Burkart to the ‘Waldhandschrift’ (Wood Manuscript) - a collection in which Swiss writers express their grief over the destruction of forests.
for baritone and piano
sFr. 21.00 , € 16.00
After poems by Giuseppe Ungaretti. The headline-like length of the texts is reflected in the formal compendiousness of the lieder.
sFr. 23.00 , € 18.00
Two songs based on the later poems of Josef Kopf. A compromised winter journey: Death - congealment.
Baritone with instruments
sFr. 52.00 , € 40.00
Texts: Henri Gaberel Based on the poem by Henri Gaberel.Version for orchestra (2(pic).2(ca).2(bcl)2(cbn)/4.2.3.1/4perc/hp.cel/str) available from the composer.
sFr. 60.00 , € 46.00
Texts: Thomas Huonker, Peter Zahl, everyday advertising and media language A piece requiring demanding rehearsals. The speaker should draw on his talent for rhythm. The sung sections can be performed by a tenor with a good lower register. Uses texts by Thomas Huonker, Peter Zahl, and newspaper cuttings.
sFr. 47.00 , € 36.00
Text: Ernst Jandl Absurd text set to absurd music in conventional notation.
sFr. 55.00 , € 42.00
Texts: Bible / Liturgy A composition in various instrumental formations based on texts from Psalms and paraphrases on the subject of creation. Both the youth and amateur choirs are accompanied by the organ or percussion instruments; the singing congregation is accompanied by harp and drums, and the female and male cantor are accompanied by marimbaphone. Intermediate to difficult level. Liturgical duration: 60'
for baritone and twelve instruments (4 violas, 4 double bass and 4 percussionists)
sFr. 49.00 , € 38.00
Text: Friedrich Hölderlin Instrumental introduction and sequence of four songs: Curriculum Vitae - To Edward - Age - Mankind.
for soprano (with a strong lower register), baritone and piano
sFr. 88.00 , € 68.00
Der Morgen (fantasy for piano solo); Der Tag (scherzo for vocals and piano); Der Abend (song cycle); intermezzo; Der Nacht (fragments for voices and piano). Text by C. Brentano and others.
sFr. 44.00 , € 34.00
Text: Bible / Liturgy In this piece, the Latinate poetry of the blind born from the gospel according to John is set to music. In the first part, the wonderment of the event, in the second the interrogation and in the third the words of Jesus to the healed are set forth. The disciples in the first part and the Pharisees in the second are written for a group of three tenors (traditionally called ‘Turba’) who, according to the dramatical situation, speak, whisper or scream. Work series A: Music for concerts.
for baritone and instruments (1(pic).1(ca).1(bcl).1/hn/hp/vn.va.vc(db ad lib.))
sFr. 86.00 , € 66.00
(Réduction chez SME/EMS: sFr. 34.-; € 34.-)
Based on a poem by Patrice de la Tour du Pin. Fusion of a series of twelve tones with a constant reference to tonality. Very expressive French poetry.
sFr. 13.00 , € 10.00
sFr. 44.00 , € 34.00
An adaptation of newly found manuscripts written by an anonymous twelfth-century composer in the Vatican, within which aspects of the whole of musical history are anticipated. Spatial music.
for double-reed quartet (double-reed instruments, heckelephone, bassoon), orator/singer (bass/baritone) and one percussion
sFr. 70.00 , € 54.00
Texts: Aristoteles, Hippokrates, Ch. Mullack, Xenophon, Aristophanes, Hans Saner, Platon, Leonides von Tarent, Epikur
sFr. 52.00 , € 40.00
Based on ancient Greek texts from the hymns of Orpheus.
sFr. 31.00 , € 24.00
After texts from the Sibylina Oracle. The simultaneously forboding yet salvational Sibylline Oracle in alternation between noise and exstatic song.
for baritone, flute (pic, afl, bfl), harp, piano, one percussion and viola
sFr. 62.00 , € 48.00
Very introspective and contemplative song cycle with an increasingly ruminant character. A very subtle and diversified sound world whose centre is the metaphor of stone in all its varieties.
Baritone with orchestra
sFr. 26.00 , € 20.00
Based the sonnet 154 by William Shakespeare.
sFr. 130.00 , € 100.00
I Jünger II Apostel III Märtyrer
for mezzo-soprano and orchestra (2fl, 2ob, 2cl, 2hn, 2tpt, tbn. drm, drmset, bassgtr, str)
sFr. 36.00 , € 28.00
Tonally composed in the Musical style.
for mezzo-soprano and orchestra (2fl, 2ob, 2cl(bcl), 2hn, 2tpt, tbn. drm, drmset, pf, bassgtr, str) or mezzo, baritone and pf
sFr. 34.00 , € 26.00
Tonally composed in the Musical style.
for tenor, baritone, choir and string orchestra
sFr. 49.00 , € 38.00
(Stimmen: sFr. 44.-; € 29.00)
for baritone and string orchestra
sFr. 26.00 , € 20.00
(Stimmen: sFr. 14.-; € 9.50)
sFr. 88.00 , € 68.00
Texts: Euripides, Karl Jaspers, Blaise Pascal, William Shakespeare, Bible / Liturgy Work series A: Music for concerts.
sFr. 148.00 , € 112.00
(Aufführungsmaterial bei Akademie für Schul- und Kirchenmusik Luzern)
Texts from the Bible and eastern Liturgy; twelve single verses from Martin Gutl, Huub Oosterhujs, Nelly Sachs, Rabindranath Tagore; quotes from Helder Camara, Ernesto Cardenal, Johannes XXIII., Josef Quadflieg und J.M. Sailer. Wie? Pfingsten? die Gott verschlafen Verheissungen Als Pfingsten gekommen "Licht wird aus Sand" Geist - Heiliger GeistSchenk uns neue Begeisterung Work series A: Music for concerts.
sFr. 62.00 , € 48.00
Sappho and Alkaios from the isle of Lesbos are amongst the most prestigious representatives of Greek lyrics strongly connected with the Orpheus saga. After the heavenly singer has lost his beloved Eurydice to the underworld and, spurned by his endless mourning, he seeks the love of other women. Bacchante tear him to pieces in an angry rage and cast his head into the sea. The tide washes it onto the shores of Lesbos - here his mouth is once again brought to speech by the lyric of the island. Mythological notions merge with personal experience and sufferance in connection with the erotic. Eros is the ‘weirdest God’ (Alkaois) whose effect is to rip open the abyss between the highest fulfilment and the degeneration towards death. The elemental force with which he encompasses man awakes in him an orpheic longing for immortality and the desire to overcome the underworld; simultaneously bringing even more painfully the forlornness of his wish to consciousness. While Alkaios attempts to forget in wild drunkenness and sexual indulgence, we eavesdrop on Sappho, and the dark tones of a wish for love in which pain resonates with the transient. EIS EROTA combines fragments from both poets to produce a dialogue on the subject of love and death.
for 14 baritones and 14 strings
sFr. 78.00 , € 60.00
sFr. 39.00 , € 30.00
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