Non-european Instruments
solo
sFr. 16.00 , € 12.00
3 character pieces. WP: 21.1.08, Lausanne, Lingling Yu
Non-european Instruments with instruments
sFr. 36.00 , € 28.00
This is an encounter between 3 instruments originating in different worlds: the Baroque recorder, the pipa (Chinese lute with 4 strings) and modern percussion instruments. The various timbres of the flute (soprano, alto and bass) and percussion instruments (vibraphone, triangle, cymbals, crotales, tam, snare drum, bass drum) merge with those of the pipa.
sFr. 57.00 , € 44.00
Fine, transparent sound piece using the Japanese Zen flute, the shakuhachi. An attempt to converge.
sFr. 47.00 , € 36.00
Four movements. Four differing attempts to combine the soloistic Japanese Zen flute, the shakuhachi, with the european transverse flute.
sFr. 26.00 , € 20.00
A work for two European instruments (clarinet and violoncello) and one Chinese instrument (pipa). The title describes a non-stable state out of which various musical and cultural developments are possible.
sFr. 26.00 , € 20.00
(Stimmen: sFr. 18.-; € 12.-)
for Er hu (Chinese violin) and string quartet
sFr. 39.00 , € 30.00
‘Petit Chou’ is a Chinese folk song telling the sad history of a little girl who carries this name. This song is composed of six bars with each one forming the object of a variation. The complete theme is only apparent at the end of the piece.
sFr. 31.00 , € 24.00
The musical material is based primarily on the superposition of the intervals of fourths, second major and fifth, like the tuning of the pipa in A, D, E, A. The string quartet imitates the pipa in its play and thus creates an ambiance that intermingles two types of instruments.
sFr. 23.00 , € 18.00
sFr. 31.00 , € 24.00
sFr. 34.00 , € 26.00
The theme is derived from a children's song sung in my hometown of Shuiji, which I sang over and over again when I was a little child and had so much fun watching the ants busily moving around. The four different layers constitute a complex texture, moving at four different speeds. The sound of the music is endowed with sound density and tension, great vibrancy and exuberant feelings in the tightened harmony of the 1/6 tones, an endless flowing of rhythms and variety of forces.
sFr. 83.00 , € 64.00
Sun Wenming (1928-1962) was a blind but great Chinese folk erhu player and Avant-garde composer, whose playing techniques and cutting edge ideas in timber can hardly be matched even in the modern times and whose composition based on the harmonic series was fully 20 years earlier than the Spectral Music in France. His erhu Solo The Double Erhu Sounding is quoted in this piece as ist second theme while ist pitch materials derive from ist erhu tuning tones of G and D and their harmonic series and distortions.
Non-european Instruments with orchestra
for suo-na, calligraphy and large orchestra (3.3.3.3/4.3.3.1/perc(4)/hp.pf/12.10.8.8.6)
sFr. 70.00 , € 54.00
for erhu and traditional Chinese orchestra
sFr. 78.00 , € 60.00
sFr. 78.00 , € 60.00
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