2650 Max E. Keller: aushalten und bewegen (1988) 14'
for accordion
sFr. 18.00
All procedures, with the exception of a few free figures, are derived from the contrast between recumbent sound (endure) and rhythmically structured repetitions of sound (move). The title also focuses to all intents and purposes on the ‘extramusical’.

4003 Daniel Ott: molto semplicemente. per teodoro (1989) 12'
for accordion
sFr. 23.00
Half-scenic composition in response to the chemical disaster of 1986 in Schweizerhalle (Baselland).

5416 Daniel Weissberg: Stillstand (1998) 7'
for accordion
sFr. 18.00
Fine colour variations alternate with highly charged 'chord-attacks'.

Accordion with instruments
6422 George Barcos: Bochornos (2004) 5'
for voice, violin, bandoneon, piano and double bass
sFr. 21.00
8705 Xavier Dayer: "In hellem stillem Zimmer..." (1996) 11'
for mezzo-soprano, bass, flute with piccolo, violin, violoncello and accordion, based on poems by Robert Walser
sFr. 42.00
Texts: Robert Walser The instrumental and vocal parts are, for the most part, written independently of each other. Aspires to echo the poems and life of Robert Walser.

Listen: Youtube
0912 Jacques Demierre: Portrait de ça en cale sèche (1991) 70'
for speaker, three female voices, tuba, accordion, two pianos and choir
sFr. 230.00
Texts: Jacques Roman The content of the piece has a diffused feeling, a difficult to describe situation summed up excellently with a short sentence by B. Requichot: "je ne sais pas c'qui m'quoi."

14314 Felix Falkner: Ich kehre in mich selbst zurück und finde eine Welt (2002) 12'
for speaking voice, two flutes, two clarinets and accordion
sFr. 31.00
(Stimmen: sFr. 24.-; € 16.00)
Texts: Johann Wolfgang von Goethe Text from ‘Die leiden des jungen Werthers’ (The sufferings of young Werther) by J.W. Goethe.

1117 Jürg Frey: Aufzählung. Licht. Tänzerin am Rand (1995/96) 20'
for actor, female dancer, three instruments (flute, violoncello and accordion)
sFr. 23.00
19003 Elvira Garifzyanova: Patches of Light (2007)
for piccolo trumpet, trumpet in C (1 player) and accordion (or organ)
sFr. 44.00
1459 Eric Gaudibert: Deux ou trois pas dans le gris (1994) 10'
for double bass and accordion
sFr. 26.00
The first part of this work gives the double-bass a virtuoso role. The two instruments are now independent as far as their character and the tempo is concerned. In the second part, the double-bass and accordion merge in a lyrical and poetic way. This work resulted in two solo versions: 'Deux ou trois pas...' for double-bass and 'Deux pas dans le gris' for accordion.

1480 Eric Gaudibert: Deux airs (1995) 12'30
for soprano, violoncello (or accordion) and percussion ad libitum
sFr. 18.00
Texts: Giambattista Marino, Catharina von Greiffenberg Extracts of the Concerto lirico. 1) " Miro, rimiro… " for soprano and violoncello (or accordion) Lyrical air on a poem by Giambattista Marino. 2) " Schwing dich, meine Seel" for soprano and percussion ad libitum Large dramatic air on a poem by Catharina von Greiffenberg. The percussion comprises a tam tam and six temple blocks.

1485 Eric Gaudibert: «Pierrot, à table !» ou le souper du poète (2003) 10'
for percussion, accordion, saxophone, horn and piano
sFr. 26.00
The percussionist plays both a principal and theatrical role performing on a table. The remaining instruments are, for the most, independent of one another; the piano is placed at the far-end of the scene. The sounds produced on the table are amplified.

11623 Michael Heisch: wechselspielwechsel II. "Fälle" (2001) 15'
for accordion and percussion
sFr. 57.00
After texts by Daniil Charms.

Listen: Youtube
2216 Regina Irman: Drei Tänze (1996/97) 18'
for soprano, speaking voice/ piano, clarinet and accordion
sFr. 60.00
Texts: Anna Achmatova Midnight ghostly spook. The concert version of a scene from the forthcoming opera 'Poem ohne Held'. Commisioned by the 'Ensemble Klangheimlich', Berne.

Listen: Youtube Youtube
2507 Mischa Käser: einspruch (1990/91) 13'
for baritone, speaker, accordion, double bass, saxophone, percussion and a dance duo
sFr. 60.00
Texts: Thomas Huonker, Peter Zahl, everyday advertising and media language A piece requiring demanding rehearsals. The speaker should draw on his talent for rhythm. The sung sections can be performed by a tenor with a good lower register. Uses texts by Thomas Huonker, Peter Zahl, and newspaper cuttings.

2674 Max E. Keller: weniger und mehr (1996) 14'
for violin, accordion and piano
sFr. 18.00
This composition rotates around the thought that less on one level allows for more on another and vice versa - and this not only in music.

2682 Max E. Keller: Rotondo (1999) 50'
for nonet (oboe, bassoon, trumpet, trombone, viola, double bass, accordion, piano and percussion)
sFr. 122.00
A composition in cooperation with Werner Bärtschi, Ulrich Gasser, Max Eugen Keller, Martin Sigrist and Peter Wettstein ('Komponistensekretariat' Zurich) with sixty segments, each fifty seconds long. Cyclic composition.

26107 Max E. Keller: calmo e furioso (2003/04) 13'
for clarinet (bass clarinet), accordion and double bass
sFr. 26.00
The initial point of departure for this composition is the contrast between calm and hectic, unfolded in transitions and tempo cuts on nine basic figures which, with time, develop a rich life of their own. The initial impetus provokes processes on other levels - almost like in real life.

26159 Max E. Keller: Wiederkehr und Veränderung (2013) 11'
for soprano saxophone, trombone and accordion
sFr. 26.00
Wiederkehr (repetition) and Veränderung (variation) are archetypes of music, and perhaps even of life itself. A series of four basic structures are repeated four times, whereby the duration each time varies enormously, as does the characteristic of each of the basic models. Two of the four basic structures touch on repetition in their internal anatomy. The third basic structure is puzzle-like in its construction, whereby all three instruments repeat the same six elements several times and overlap. On another level, breathing/blowing - an existential basis of life - also plays an important part in this "wind trio".

19409 Burkhard Kinzler: In nomine (2012) 25'
für vier Stimmen (SATB), drei Blockflöten, Akkordeon und vier Streicher (Vl, Vla, Vc, Kb))
sFr. 70.00
Instrumentierungen altenglischer In-Nomine-Vertonungen (Taverner, Picforth, Bull) samt einem Prolog über den cantus firmus.

7112 Valentin Marti: On a Darkling Plain (1998) 13'
for accordion, violoncello and four-handed piano
sFr. 49.00
Combined polymerized growth, a sudden break and darkening decolouration. A subtle coordinated sound balance is essential for this piece. World premiere: 13.7.98 in Klagenfurt by the Austrian Art Ensemble.

7126 Valentin Marti: Exposure (2003) 7'
for alto saxophone, trombone, accordion, piano and percussion
sFr. 26.00
World premiere: 20.9.03 in Lugano by Ensemble Oggimusica.

9730 Hans-Jürg Meier: sogno nel casotto (2001/04) 7'
for alphorn and accordion
sFr. 18.00
From wierd to joyful dreams in a lodge.

9732 Hans-Jürg Meier: Heimetvogel (2004) 4'
for mixed choir, alphorn and accordion
sFr. 16.00
Text: Josef Reinhart Arrangement of the folksong by Carl Hess.

4002 Daniel Ott: im museum (1987) 45'
Musical theatre piece
for a group of children and piccolo, bass clarinet, tuba, accordion, mandolin (guitar), violin and four percussion instruments
sFr. 31.00
Texts: Folksong Can be played individually: ‘kinderspiele’ for 2 percussionists (glock.vib.cym) [2'] ‘le ranz des vaches’ for 6 tuned cow bells (f#+2,g2,d2,g#+3,a3,e4), one player [2']

4004 Daniel Ott: mutterseelenallein (1990) 20'
for deep female voice, tenor saxophone and accordion
sFr. 16.00
Music for the play ‘monologue’ by Simone de Beauvoir (based on a text from ‘The Bundle’ by Edward Bono).

4008 Daniel Ott: jammermusik (1993) 2'
for 6-12 players, variable instrumentation (obligatory drums, wind and accordion)
sFr. 13.00
Extract from a larger, open-air theatre composition.

4009 Daniel Ott: 17 1/2 (1995) 25'
Scenic composition
for 4 guitars, 2 mandolins, dulcimer, viola, 2 double bass, saxophone, trombone, tuba, accordeon and three percussion instruments
sFr. 55.00
Spatial composition based on the sound memories of the musicians/singers.

4836 Andreas Stahl: grauzone (2002/03) 19'
for flute, oboe, clarinet and accordion
sFr. 29.00
A piece about pitch, almost about melody. But certainly so that the borders between identical, similar and different dissolve to leave one hearing melodies where no melodies exist (?).

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